"Motifs in portrait of the artist" Essays and Research Papers

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    list of art that I found to be very interesting: 1.) Title: Cinerary Urn Artist: Unknown The carvings in this urn were very detailed and you could tell that it was carved for someone of importance. 2.) Title: Head of Theseus Artist: Unknown I liked the way his hair was carved down the side of his face‚ I can tell that it was very detailed and definitely took some time! 3.) Title: Black Figure Amphora Artist: Terra Cotta The way the males figures were positioned was amazing! It had

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    In Albrecht Durer’s Self-Portrait‚ made in 1500 using oil on wood panelling‚ we see that the artist regards himself as a great individual worthy of praise. Durer made this painting after he had visited Italy during 1494-95. There he was introduced to the "idealism" associated with art. He was also introduced to the concept that the artist was their own‚ independent creative genius. Durer represents himself as an idealized‚ Chirst-like figure. His pose is harshly frontal‚ looking directly at the viewer

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    Self-Portrait is an acrylic painting on a on canvas. This painting is huge with the dimensions 8 ft 9 in by 6 ft 9 in. The man’s face over powers the viewer with sheer scale as viewers are forced to step back or look up to see him. The canvas portrays a very detailed image of a man in black‚ various shades of gray‚ and white. It can be easily mistaken for a photograph. He has a lit cigarette in the left side of his mouth. The angle perspective is as if the viewer is looking up at him. He does not

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    Development of Individual Consciousness the most famous aspect of A Portrait of the Artist as a Young Man is Joyce’s innovative use of stream of consciousness‚ a style in which the author directly transcribes the thoughts and sensations that go through a character’s mind‚ rather than simply describing those sensations from the external standpoint of an observer. Joyce’s use of stream of consciousness makes A Portrait of the Artist as a Young Man a story of the development of Stephen’s mind. In the

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    The Artist and the Writer

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    The artist and the writer are increasingly seen as ‘the guiding light‚ the revealers of truths.’ (Bunce 1994) Through the study of two pieces of children’s literature‚ demonstrate how the widely acclaimed ‘rural idyll’ comes to be represented. The representation of the ‘countryside’ is one of the most ‘stubbornly resilient and ideologically freighted of ideas’ (Horton 2003: 73) in society today. The conventional rural idyll is often associated with adjectives such as ‘picturesque‚ tranquil‚ and

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    significance of the flowering plum motif during the Southern Song Dynasty (960-1279)? The period of the Song dynasty (960-1279) was particularly noted for its artistic achievements. Although landscape paintings of the Northern Song (960-1127) was predominant during this period‚ flower painting became equally as important during the Southern Song (1127-1279) where artists tended to focus on a single blossom or flowering branch. A popular and favorite motif used countless times throughout poetry

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    Adolesent Self-Portrait

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    Adolescent Self-Portrait Paper March 4th‚ 2013 BSHS/325 "When they were young teenagers‚ most of the participants had fairly healthy behaviors. What’s really alarming is how rapidly healthy practices declined by the time the participants reached young adulthood." — Christine Bachrach ("Adolescence Quotes | Quotes about Adolescence"‚ n.d.). Adolescence is a time to dramatic change‚ challenges‚ and growth‚ it is a miraculous that anyone survives

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    "If Hamlet from himself be ta ’en away‚ And when he ’s not himself does wrong Laertes‚ Then Hamlet does it not‚ Hamlet denies it. Who does it then? His madness. If ’t be so‚ Hamlet is of the faction that is wrong ’d; His madness is poor Hamlet ’s enemy." (V.ii.230-235) Hamlet ’s self-description in his apology to Laertes‚ delivered in the appropriately distanced and divided third-person‚ explicitly fingers the greatest antagonist of the play‹consciousness. The obligatory cultural baggage

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    Meditations of a Piss Artist

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    MEDITATIONS OF A PISS ARTIST by Menchu Aquino Sarmiento [pic] ©2002 by Copper Sturgeon   JOJO was idly tracing arcs and swirls on the rooftop of the Faculty Center. He was alone and his urine fizzled slightly on the pleasantly warm concrete with the hiss of rain. As in the unforeseen workings of mimetic magic‚ there did then arise from the heat-swollen earth‚ the vapors of a slight precipitation to come. Jojo felt triumphant‚ a personal sense of accomplishment. Maybe he was some kind of shaman

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    Throughout the course of the novel‚ Joyce illustrates Stephen in several different positions of thought‚ from innocence to rebellion to strict piousness to liberation. It is this final stage of development through which Joyce utilizes an extended metaphor‚ as well as an allusion and emotional diction to portray Stephen’s growth into a free‚ independent‚ and matured persona. The extended metaphor of flight is used to show the liberation Stephen feels from his former ways of thinking and living. He

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