The Portrait of Ladislaus Von Fraunberg‚ Count of Haag can be found in the Liechtenstein Museum in Vienna‚ Austria. The portrait was painted by Hans Mielich in 1557. The full bodied composition portrays the Count of Haag‚ with his royal power inside his throne chambers. This renaissance take on a life-size full-length ruler portrait expresses a bunch of artistic choices on the behalf of Mielich. In his work‚ I would argue Hans Mielich is trying to visually transpose the wealth‚ masculinity‚ and power
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Use ONE analytical framework to compare and contrast TWO art works. One artwork must have been produced before 1970 and one produced after 1970. Analytical framework: Formal Framework Artist’s name: Rene Magritte Title and date: The Companions of Fear 1942 Artist’s name: Peter Booth Title and date: Untitled 1976 What you see is what you get in Rene Magritte’s artwork ‘The Companions of Fear 1942’. Magritte uses minimal dull colours though he changes tones within his colours to create shadowy
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Blood Throughout Shakespeare’s “Macbeth”‚ the motif of blood is a reoccurring motif. Blood is used everywhere in Macbeth‚ the beginning in the battle field scenes all the way to the very end. The words ‘bloody’ and ’blood’ are repeated on almost every page. This draws importance to the motif. The motif of blood plays an important factor in the framework of a major theme. It leads us into the theme of guilt‚ which is how Macbeth and his wife Lady Macbeth feel throughout the whole play. It also
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Concordia UNIVERSITY chicago Doctoral Program Student: Sallie M Wellington ahexcuseme@aol.com 1413 East 68th Street Chicago‚ IL 60637 Day Telephone: (773) 368-9964 Evening Telephone: (773) 368-9964 Assignment Title: Best Self Portrait Date of Submission: April 15‚ 2013 Assignment Due Date: April 14‚ 2013 Course: Promoting and Leading Change Section Number: LDR 7030-K74 Semester: Spring‚ 2013 Course Instructor: Dr. Donna Blaess Certification of Authorship: I certify that I am the author
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Dempsey Bob was born in 1948. He is a Tlingit artist who creates many kinds of artwork. He believes that his work is always growing as he becomes a more mature artist. He believes that an artist is born an artist. You can be self-taught‚ but you have to ..."have that passion". Through the years‚ he has become more sculptural and has better developed his designs. Dempsey doesn’t like to have any of his work displayed in his house. He feels that he has to get better and change some more. Dempsey believes
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The Artist is a film that tells the story of a prosperous silent film star that refuses to obey to the up and coming talkies. The director Michel Hazanavicius‚ made the bold choice of making the film a silent movie. I believe that he did this because it complimented the overall theme of the film‚ it added to the characterization of Valentin‚ and it adds a dramatic element to the film. In The Artist‚ there is a central theme of not being able to accept change. Valentin is stuck in the silent film
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For my essay I chose to describe the light and dark motifs in "Romeo and Juliet". A motif is a term used to describe a passage in literature that has more than one universal meaning. It is used when a character or narrator is comparing one thing to another. For example the light motifs represent light things such as goodness‚ while dark motifs represent dark things such as death. One light quote from the story is during the balcony scene when Romeo is talking about Juliet. He says "It is the East
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One of Strongest Motifs in Oedipus is light and darkness‚ and as the story goes on it only evolves to great lengths throughout the novel. Additionally‚ this in particular motif is used quite frequently to the gods and Oedipus himself. The tragedy offers many examples of blindness being used for specific scenes and characters. Lastly‚ this plays biggest tragedy can only be summed up as blindness. The play has plenty of examples of the motifs put to great use. First‚ one incredibly ironic character
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Light and Dark Motif In order to portray the overall theme of The Scarlet Letter‚ Hawthorne uses motifs‚ which are recurring concepts or contrasts. From the beginning of the novel and throughout‚ there are clear examples of light versus dark that are used to set tone and mood‚ and used for character development. Hawthorne utilizes the idea of light versus dark‚ or day versus night to convey the theme of covert sin and overt abomination. In the beginning of the novel‚ Hawthorne displays this contrast
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In the prologue the chorus says that ultimately that Romeo and Juliet are going to die because they are “star-crossed lovers.” This centralizes with my theme of fate and the motif of poison. In Shakespeare’s Romeo and Juliet‚ the poison motif supports the central idea of fate that people can’t escape their fate. There are many central ideas that seems to be portrayed in Romeo and Juliet. The one that seems more interesting is that you can’t escape your fate. This is shown in most acts in the story
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