complex personalities knowing nothing of Freud’s theory. However‚ characters throughout all of Shakespeare’s works have strong affinities for their id‚ ego‚ or superego. From the psychoanalysis view‚ William Shakespeare’s dynamic characters in the play Othello can be derived using
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Shakespeare portrays Venice as incredibly advanced for its time. This is seen especially though its democratic justice system‚ as we are shown that in Act One everybody has a voice regardless of their colour or sex. The fact that Othello has obtained the high position of “general” within the army suggests that his chances have by no means been restricted by the colour of his skin. Also the fact that he is treated with the utmost respect from the Duke‚ the highest authority in Venice‚ shows that the
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Act 1 in Othello ----Sally Fu RACE William Shakespeare’s Othello explores the issue of race in his portrayal of the protagonist as a Moor which represents his tending marginal role in a Venetian society. In the play‚ characters are judged again and again based on appearances and outward characteristics. The protagonist’s different ethnic background provides a platform for probing ideas of racial conflict. This is exposed initially through the title of this play‚ “Othello‚ the Moor
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The main driving force of The Tragedy of Othello is the jealousy of the characters. Jealousy causes everything to move and causes the entire scheme. Iago is driven by the jealousy of Cassio having taken a position he rightly believed was his. Othello is lead to believe Desdemona having an affair with Cassio and is acting as a jealous lover. Roderigo is jealous of Othello for being Desdemona’s husband and feels like he should have her instead. The green-eyed monster is the one pulling the strings
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Because of his obsession with Desdemona he allows Iago to manipulate him. He falls victim to Iago’s plot as he allows his jealousy to obstruct his view of reality. He is desperate enough to sacrifice all his money and even murder to eliminate all competition for Desdemona’s affection. This desperation eventually leads to his downfall as his attempt to kill Cassio ends in the loss of his own life. Bianca’s jealousy originates from the discovery of the handkerchief in Cassio’s chambers. Her jealousy
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Othello is a play which contains many conflicts between the characters. The main conflicts in ‘Othello’ are between friends and foes. Othello’s inner conflict‚ cultural and racial differences which lead to racial judgement and discrimination‚ to express these conflicts; Shakespeare uses many techniques such as soliloquies‚ dramatic irony‚ imagery foreshadowing and symbolism. Amongst the main characters there are many conflicts‚ however the main reason for most of the conflict if Iago and Shakespeare
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racism provides the background for Othello’s first appearance. For Iago Othello is "an old black ram" (I.i.88)‚ "the devil" (I.i.91)‚ and a "Barbary horse" (I.i.lll); the consum-mation of his marriage is a making of "the beast with two backs" (I.i.115-16). Roderigo‚ who shares Iago’s disgust‚ speaks of Desde-mona’s "gross
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prove Desdemona’s infidelity and create the metaphor of the “green-eyed monster”‚ which both Othello and Iago will nurture. Iago’s also gives Cassio “free and honest” advice about asking Desdemona for his position back after his fall from grace‚ showing again the dramatic irony Shakespeare portrays. Iago also continues to assure Desdemona that Othello’s sudden change in mood has nothing to do with Desdemona herself‚ but instead to do with state business. This further serves him in his plan for Othello’s
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someone you love‚ it is because you truly love them. This is why Othello has so much hate towards Desdemona in act III. In act III‚ Iago plants the thought in Othello’s head that his wife‚ Desdemona‚ is having an affair with Cassio. Iago acts reluctant to answer Othello when he asks him if he feels Cassio is trustworthy‚ but it is all a performance put on to get in Othello’s head. Thoughts race through Othello’s head on why Desdemona
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appearance vs. reality is apparent in the character of Iago as he is often described as being honest and having a trusting nature when in reality he is unfaithful and manipulative. Iago’s unfaithful character is established from the very first scene in Othello as he explains using a loyal tone‚ “I follow him to serve my turn upon him.” Iago’s two-faced character is further highlighted in the scene where he is having a conversation with Brabantio using hyperboles and symbolism to express his dishonesty‚
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