"Moulin rouge diegetic" Essays and Research Papers

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    Tim Burton Film Analysis

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    unique films. A great example of this is his 1982 Hansel and Gretel‚ which aired only once due to the strangeness in its entirety. Burton uses non-diegetic sounds‚ low key lighting‚ and long shots in his work to display how one who overcomes his fear of being different has the potential for success. Tim Burton‚ in Hansel and Gretel‚ uses non-diegetic sounds to grow an uneasy feeling upon the audience. Throughout the duration of the film‚ Burton developed an evil presence about the mother. By using

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    Introduction This essay explores the popularity of Australian film‚ both locally and internationally and asks the question: Is there a crisis in the Australian Film Industry? This essay will go through the current issues the Australian Film Industry and will demonstrate examples of those problems. To understand why Australian movies are the way they are now‚ there must be a review of the history of the films produced in Australia‚ because through out time‚ the films have had successes as well

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    protagonist Nina hyperventilating against the diegetic music of the ballet‚ which is ongoing off-camera. The music is reminiscent of falling‚ this creates meaning as it mirrors Nina’s deteriorating mental state. Violins can be heard‚ suggesting an element of mourning‚ leading the audience to the understanding that the music foreshadows her death. As the music of the show becomes grand‚ (defined by the music resembling a full orchestra) there is the non diegetic sound of a female breathing‚ other than Nina

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    The film ‘Matilda‚’ was released in 1966 and directed by Danny DeVito (who also plays an important role in the movie as an actor‚ Harry Wormwood‚) is reviewed as ‘utterly fantastic’ and ‘the best family movie I have ever seen‚’ according to Rotten Tomatoes review website. ‘Matilda’ is a movie about a child who lives in a family that doesn’t appreciate her‚ has a principal who doesn’t believe in her‚ but when she finds her special power‚ she will give payback to those who deserve it. Danny DeVito

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    Gran Torino Film Analysis

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    the story is made out of “diegetic elements”. These elements (such as characters‚ events‚ surroundings‚ sounds and objects) create the world in which the story takes place. In a television series as Baantjer‚ there are a lot of diegetic elements which the audience can relate to‚ whereas in the world of Disney’s Wall-E‚ there are diegetic elements which the audience can’t relate to because it is a whole other world than we know. A story consists of two types of diegetic elements. Firstly‚ there are

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    replied “Can not compute” so before the scene has even started suspense is created as the audience fear for Dallas’ life. Straight away the sound of a diegetic alarm is heard‚ which immediately gives a sense of panic and fear‚ this is coupled with a shot of the air lock which has high key lighting‚ this contrasts with the

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    Wild Yella

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    mineral water for which Vichy was renowned.[13] When the Vichy season ended‚ Chanel returned to Moulins‚ and her former haunt "La Rotonde". She now realized that a serious stage career was not in her future.[14] First patrons[edit] Balsan and Capel[edit] Chanel and Arthur "Boy" Capel‚ caricature by Sem‚ 1913. Gabrielle Dorziat modelling a Chanel hat‚ May 1912. Published in Les Modes. It was at Moulins that Chanel met the young French ex-cavalry officer and the wealthy textile heir Étienne Balsan

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    Psycho Analysis

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    the many significant cinematic elements uses include internal diegetic sound‚ and dissolving. Internal diegetic sound was used throughout Hitchcock’s Psycho to create the illusion that Norman Bate’s mother was still alive. Only at the very end of the film do you find out what really happened to Norman’s mother‚ and throughout the film the audience is wondering when they will get to match the voice with her face. The internal diegetic sound appears to be Norman’s mother talking to him‚ when really

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    The blockbuster film Ocean ’s Eleven‚ released in 2001‚ was the first film of a trilogy of heist films directed by Steven Soderbergh. This big budget crime-thriller remake of the 1960 ’s Rat Pack favourite conveys the intricately thrilling plot where Daniel Ocean leads a rag-tag group of con artists and ex-cons for the monumental heist of 3 major Las Vegas Casinos. This sequence is significant because it sets up the diegesis of the film and also gives us an insight into the character of the protagonist

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    of a bitch.” This is when the beginning of the turning point of Michael’s life as an NFL player begins. A close-up shot of Michael‚ backed up with non-diegetic happy and relieving victory-like music‚ is displayed to the viewer to show what Michael thinks of coach Cotton defending him and how his attitude towards the game changes. The non-diegetic happy and relieving victory-like music helps show the audience how something significantly special to the plot has come to pass; Michael thoughts towards

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