Music 110 Concert Report 18 Nov. 2010 Nov. 18: Strauss and Brahms Intro The concert that I attended at Yale University on November eighteenth was called Symphonie Fantastique. During the concert‚ the band played Beethoven’s Piano Concerto No. 4‚ William Tell Overture‚ and Berlioz: Symphonie Fantastique. The music was excellent and played with much expertise. Each piece was performed well. I enjoyed listening to the extravagant music with very few mistakes. Beethoven’s Piano Concerto no. 4
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EUR 101 Spring 2013 Foundations of Europe 1:00-2:20 p.m. T Th Harriman 137 DEC G Professor: Timothy Westphalen Office: Humanities 1140 E-mail: Timothy.Westphalen@StonyBrook.edu Office Hours; Tues. 2:30-3:30 p.m. Tues.‚ 5:30-6:30 p.m. Thurs. 2:30-3:30 p.m. And by appointment. Teaching assistant: Anna Geisherik Office: Humanities 1077 E-mail: ageisherik@gmail.com Office hours: Tues. and Thurs.‚ 4:30-5:15; 7-7:45p.m. READINGS (All books available in the
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already apparent musical gift. He was called a "child prodigy" and "little Mozart" and at the age of seven he had already composed two Polonaise‚ the first in G and the second in B flat. As a result of his inventive and somewhat complicated pieces‚ Chopin was considered one of the most prolific and imaginative composers in the Romantic Era who had a tremendous impact on piano music. His influences included Haydn‚ Mozart‚ Clementi and Beethoven. He transformed instrumental genres into solo piano
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Concert Report 1 (Symphony Orchestra) Name: Laura Cooper Date: 2-3-13 Class/Section: MUS1140-104 Instructions: Attend a symphony orchestra concert. Get a program of the concert and staple it to the back of this form. Sign your name on the program. NOTE: DO NOT take this form to the concert. Look up the piece(s) to be Performed and listen to them on YouTube beforehand. Turn in form no more than 10 days after event. CONCERT INFORMATION: 1. Date: 2-3-13 2. Place: Pope Joy Hall
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turned into an opera. Verdi wrote the opera with librettists Francesco Maria Piave and Andrea Maffei. The opera was written around 1846 and premiered on March 14‚ 1847 at the Teatro dell Pergola in Florence‚ Italy. A few years later the Verdi revised the opera adding a ballet into it and taking out some things and was performed at the Teatre Lyrique in Paris on April 21‚ 1865. This opera in comparison to the play begins with the third scene of the play. Unlike some of Verdi and other composer ’s
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. . . . . . . . . . . . . . . . . . . . . . . 2. The Fantasy and Its Place among Mozart’s Piano Works 3. Structure and Thematic Material . . . . . . . . . . . . . . . . . . . . . . . . . . 4. The Current View about the Ending of the Fantasy 5. Mozart and the Baroque Bibliography 4 6 . . . . . . . . . . . . . . . . . 11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 6. Mozart’s Possible Plans for the Fantasy 7. Some Optional Endings . . . . . . . . . . . . . . 1 . .
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Robert Baldwin and Dr. Michael Huff. The concert was held in the Libby Gardner Hall on Saturday‚ May 18‚ 2013. The concert started at 7:30 pm and ended at 8:45 pm. The performance was called “Viva Verdi! A Bicentennial Celebration”‚ based on selected works of 19th century Italian romantic composer Giuseppe Verdi‚ who is primarily known for his operas. Whenever I come attend an indoor performance‚ I like to be seated in the middle section‚ from my experience that’s the perfect spot to enjoy an indoor
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Rachmaninoff ’s style is fundamentally Russian. His music shows the influence of the idol of his youth‚ Tchaikovsky. However‚ his harmonic language expanded above and beyond that of Tchaikovsky. Rachmaninoff ’s frequently used motifs include the Dies Irae‚ often just the fragments of the first phrase. This is especially prevalent in The Bells‚ The Isle of the Dead‚ the Rhapsody on a Theme of Paganini‚ and the
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Brahms‚ Giuseppe Verdi‚ Giacomo Puccini‚ Richard Wagner and Gustav Mahler. The length of this list – and some important composers have been omitted from it – testifies to the richness and variety of romantic music and to its continuing impact on today’s concert and operatic repertoire. Composers of the romantic period continued to use the musical forms of the preceding classical era. The emotional intensity associated with romanticism was already present in the work of Mozart and particularly
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The Trombone The trombone is certainly the most recognizable wind instrument‚ being the only one with a true slide section. The trombone has been in existence for centuries under various forms and names‚ but has remained relatively unchanged for a majority of that time. In the 15th century‚ when trombones developed from the Renaissance slide trumpet‚ they were called trombone in Italian and Posaune in German‚ just as they are today. In English‚ however‚ they were known as sackbuts. The slide trumpet
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