Concert Review On April 8th 2004 I attended the "Music for Piano" concert featuring Bette Coulson and Philip Seward at the Columbia College Concert Hall. The show was only about an hour. Mr. Seward and Mrs. Coulson played five pieces together and then each play on solo. This was my first piano concert‚ of any kind‚ that I have attended. This was something new for me. The concert included seven different pieces. Claude Debussy composed three of them‚ La puerta del vino‚ Le Vent dans la Plaine‚ and
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the “Blue Piano.” In scene 6‚ the Varsouviana Polka music is introduced‚ resembling aspects of emotion as well. Firstly‚ The Blue Piano embodies fear. As the scene starts to foreshadow a future occurrence of domestic violence‚ the music appears to reach a crescendo. Similarly‚ this also occurs when the characters enter a scene of panic or anxiety. As a prime example‚ the opening of scene two states “Stanley enters the kitchen from outside‚ leaving the door open on the perpetual “blue piano” around
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attended the “IU South Bend Piano Studio” concert at IUSB. It was performed at Louise E. Addicott and Yatish Joshi Performance Hall in Northside Building. The concert music was picked from a selection of composers who composed during the Classical and Romantic period. There were music pieces (selected movements) by Ludwig Beethoven‚ Robert Schumann‚ Johannes Brahms‚ Sergei Prokofiev‚ and‚ Claude Debussy. Current students from the IUSB Music department were the ones playing the piano. Each one had a strong
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Crystal Le Music 50A Piano Concert Report I’ve heard a lot about Jon Nakamatsu‚ a Japanese American classical pianist who is the first American to win the gold medal at The Tenth Vancliburn International Piano Competition in Fort Worth‚ Texas. That was the reason why I went to California Theater in San Jose on October 20‚ 2013 for his piano concert. This theatre is located on 345 South First Street‚ San Jose. It didn’t
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WORK: | Piano Quartet in Eb major Mvmt’1 Op.47 By Robert Schumann | <Instrumentation: Violin‚ Viola‚ Cello and Piano> Robert Alexander Schumann was a German Romantic composer and music critic who lived from 8 June 1810 to 29 July 1856. He composed this piece in 1842‚ also known as his ‘Chamber Music Year.’ Schumann had never written a chamber work until this year except an early piano quartet in 1829. However‚ in 1842‚ he composed the Three String Quartets Op. 41‚ the Piano Quintet Op
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political opportunities. Such outcomes of racism are seen in The Piano Lesson‚ in which August Wilson discusses African Americans’ struggle of advancing in life. White men constantly received benefits of which people of color did not‚ which sometimes led to conflicts with the law. Of course‚ blacks never found favor from the law‚ continuing the cycle of racism. Although African Americans found
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Mozart’s K 333 Sonata in B-flat Major was composed in November 1783. It was written in Vienna while Mozart was there for a period. He wrote this in his "early phase" while he was in Vienna. This sonata was not really written into a group of sonatas‚ but could be grouped with the other nine sonatas that were written in this early phase in Vienna. All of these ten sonatas were written and published between 1783 and 1785 in Vienna. However‚ these sonatas were not written as a group (Kirby 101). My
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various aspects of cognitive development such as perception‚ memory‚ and language skills. Some researchers are interested in documenting effects that listening to music may have on children’s development. When considering this topic‚ the notorious "Mozart Effect" likely comes to mind‚ referring to claims that listening to Mozart’s music improves cognitive ability
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Wolfgang Amadeus Mozart has been a topic of artistic‚ musical‚ and even psychological curiosity for eras. In the screenplay‚ Amadeus‚ Peter Shaffer not only sheds light into the charmed and mentally indignant life of the musician‚ but also uses a great amount of artistic license to enhance details concerning events during the period. By 1984‚ the film was modified from the screenplay and Shaffer oversaw the project under direction of Milos Forman. The director shaped an experience for viewers to
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Thus‚ when considering the Enlightenment period‚ it is a particularly interesting to observe how the work of “classical” composers like Mozart embodied the idea of progress through reason‚ while criticizing existing social and political institutions. Both in his instrumental work‚ like Sonata No. 16 in C‚ and in his operas‚ such as The Marriage of Figaro‚ Mozart used forms and lyrics that captured the essence of the Enlightenment. Sonata No. 16 in C provides a great example of how music can rely
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