Materials 5 Mu3107 Dr. C. Ross STRUCTURAL ANALYSIS OF MOZART: PIANO SONATA IN F MAJOR (K. 332); I Mm. Section Key(s) EXPOSITION FIRST GROUP (in PTA) 1-4 PT1‚ phr 1 F 5-12:2 12:3-16:2 phr 2 $ PT2‚ phr 1 $ Comments; Cadence Types Lyrical R. H. melody‚ mainly disjunct‚ supported by Alberti bass; Harmony is I‚ V7/IV‚ IV6/4‚ vii°6‚ with F pedal point in the bass. HC. RH continues unaccompanied for 2 bars‚ reversing the general contour of the first phrase (thus‚ an inexact melodic complement)
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emotional experience while offering a technical structure intelligent enough to sate most musicologists. This can especially be seen in Movement One of Brahms’ Third Symphony‚ where he clearly uses a specific pattern to encapsulate both of these aspects. First and foremost‚ it is important to understand that Brahms’ symphonies (as well as much of his music) fits the definition of absolute music. This is similar to composers of earlier times in the romantic
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Wolfgang Amadeus Mozart is considered history’s greatest composer. He could play and write music from the age of 4. He grew up to write the most beautiful music that has ever been heard. His music is still widely known and played. Every year people come to Salzburg‚ Mozart’s birthplace; the town has a music festival in his honour. It would be something else to go and watch him perform live. Making one of his concerts the next stop being visited. Salzburg Wolfgang Amadeus Mozart is considered history’s
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The Stony Brook Symphony Orchestra and Fady Deeb Saturday‚ October 6‚ 2012 Lontano by György Ligeti This piece has an eerie and dissonant aura throughout the piece‚ without having much musical resolve in its sounds. The entire orchestra was included in this piece‚ except for the percussion section. These polyphonic sounds of this piece were played extensively‚ reflecting no noticeable tempo or rhythm‚ therefore creating ambiguous sounds. However‚ the dynamic range was wide enough to create
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during the classical era of music‚ but his compositions led to the end of that period and to the start of the romantic era. He helped greatly to develop tonal music. One of the amazing things about Beethoven was that he was deaf. At his last symphony‚ “Ninth Symphony”‚ he had to turn around and look at the audience to see if they were clapping. He was greatly influenced by the composers Haydn and Bach. He greatly influenced his music with the power of romanticism.  Beethoven’s father‚ Johann Van Beethoven
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the pinnacles of composition: the string quartet and the symphony. With the composition of his first six string quartets (Op. 18) between 1798 and 1800 (written on commission for‚ and dedicated to‚ Prince Lobkowitz)‚ and their publication in 1801‚ along with premieres of the First and Second Symphonies in 1800 and 1802‚ Beethoven was justifiably considered one of the most important of a generation of young composers following Haydn and Mozart. He continued to write in other forms‚ turning out widely
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important works of this period were commissions from abroad‚ such as the Paris symphonies (1785-1786) and the original orchestral version of "The Seven Last Words of Christ" (1786). Haydn came to feel sequestered and lonely‚ however‚ missing friends back in Vienna‚ such as Wolfgang Amadeus Mozart‚ so in 1791‚ when a new Esterházy prince let Haydn go‚ he quickly accepted an invitation to go to England to conduct new symphonies. Audiences flocked to Haydn’s concerts‚ and during his time in England he generated
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Evaluation “To what extend did Wolfgang Amadeus Mozart influence the Classical era?” Summary The question I had chosen for my research project is “To what extend did Wolfgang Amadeus Mozart influence the Classical era?” This type of question allowed me to thoroughly explore the classical era and helped me obtain a better understanding. The question also seemed appropriate within my interest in music‚ specifically the orchestral music which was a topic that fascinated me. My final outcome was
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Giovanni The choice of the “Three women of Don Giovanni” can give a good understanding of the type of music which was used to create an opera in the 18th century Italy. The opera buffa was a comic opera with a funny story line and light music. Mozart wrote at different levels. In order to have full understanding of the women’s roles‚ it is necessary to understand the social context of women in the 18 century. In Kristi Brown’s Mozart’s Women she compared Donna Anna to a misfortunate Spanish
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since the composer decided not to continue the work on this piece while he was still alive. James M. David: AUTO ’66: for Solo Clarinet and Wind Ensemble I. Lamborghini Miura; II. Mini Cooper S; III. G.T.O. This clarinet concerto is scored for Piccolo‚ 2 Flutes‚ 2 Oboes‚ 2 Bassoons‚ Contrabassoon‚ 4 Clarinets in B-Flat‚ Bass Clarinet‚ B-Flat Contrabass Clarinet‚ 2 Alto‚ Tenor and Baritone Saxophones‚ 3 Trumpets in B-Flat‚ 4 Horns‚ 2 Tenor Trombones‚ Bass Trombone‚ Euphonium‚ 2 Tubas and 5 Percussions
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