An exploration of the use Shakespeare makes of misunderstanding and deception in the play Much Ado About Nothing Misunderstanding and deception in Much Ado About Nothing are key themes in the play. In Elizabethan times the word “Nothing” was pronounced “Noting” and so the title would have given the audience the initial clue that in this play the importance of noting‚ spying‚ appearance and eavesdropping will cause trouble throughout. It is important to define the difference between misunderstanding
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as ‘self-centred’. This is full of negativity. Although it is for Beatrice’s benefit that Hero and Ursula are tricking the couple‚ the description comes as a surprise contrast to the nature of the play‚ and also the plot of the scene. The play is a comedy‚ and should be full of pleasant words and funny actions. In this scene‚ in which Ursula and Hero are wanting to do good for Beatrice‚ Shakespeare’s use of blatant negativity in Hero’s words conveys a stark contrast to the supposedly friendly and light-hearted
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The two villains in "Much Ado About Nothing" and "Othello" share much in common‚ despite their numerous differences. It is evident that Shakespeare framed the second piece of literature to be similar to the first. Although shorter‚ the plot of "Othello" is definitely more complex. The villains play a major part in the novels‚ and are very much alike in their line of thinking. The comedy‚ "Much Ado About Nothing" depicts the story of a group of high-ranking soldiers who travel through a town called
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feelings. Shakespeare portrays these in many different poetic styles and genres‚ for example in his sonnets. However he is also known for expressing his feelings towards love in over 30 of his plays through the genres of romantic comedy and tragedy. In one of his plays‚ “Much Ado About Nothing”‚ Shakespeare uses many different types of love; through a family‚ a well connected town‚ soldiers returning from war and lovers. Taking one aspect of this‚ the lovers‚ I pick out one male role in particular‚ Benedick
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How does Shakespeare use deception to structure the plot in ‘Much Ado’? Pretty much all of the key events or turning points in Much Ado about Nothing happen because characters deceive each other. Shakespeare uses deception as a way of structuring the plot because it often results in comedic situations and‚ after all‚ Much Ado about Nothing is a comedy. From the very beginning Shakespeare introduces the idea of using deception as a way of getting what you want. Don Pedro’s plan of wooing Hero
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The major conventions of Shakespearean Romantic Comedy are: The main action is about love. The would-be lovers must overcome obstacles and misunderstandings before being united in harmonious union. The ending frequently involves a parade of couples to the altar and a festive mood or actual celebration (expressed in dance‚ song‚ feast‚ etc.) A Midsummer Night’s Dream has four such couples (not counting Pyramus and Thisbe!); As You Like It has four; Twelfth Night has three; etc. Frequently (but not
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Other Differences: A Comparison of Pillow Talk and Annie Hall Pillow Talk (1959)‚ starring Doris Day and Rock Hudson‚ and Annie Hall (1977)‚ starring Woody Allen and Diane Keaton‚ are two very different films that both belong to the genre of romantic comedy. Both films received five Oscar nominations. Pillow Talk was nominated for best actress‚ best supporting actress‚ musical score‚ art direction‚ and the one which it won‚ best story and screenplay written directly for the screen (Kimmel‚ 2008
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representations have dramatically changed? Has stereotyping become less accurate and more common or has the Romantic Comedy genre developed its representations to break female stereotypes? This investigation aims to explore these questions and‚ ultimately‚ to evaluate if the representation of femininity has developed over the last 25 years. Also‚ to find out to what extent the female role within Romantic Comedy has changed. Exploring the representations of female characters by comparing and contrasting the
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In Elizabethan comedies comic resolution is typically used as a device to address the problems faced by characters throughout the play‚ offering the audience their ‘happy ending’. As Alexander Leggatt states a comedy “... ends in resolution and order normally symbolised by marriage.” Resolution is used by Shakespeare in his comedies to reinstate social order after turning it on its head for the duration of the play. By definition a comedy can no be classified a comedy without certain aspects making
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Shakespeare clearly signals throughout act 1 that this play is a comedy. To what extent do you agree? I do agree in some ways that this play can be perceived as a comedy the plot of the play has two classic Shakespearean ways that this is classed as a comedy these being nobody dies in the play and the other one being there are marriages. Also another way we can tell that this is a comedy: the play is funny. I can understand how some people may perceive it as being a romance because the play
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