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    Beauvoir‚ Simone. The Second Sex. New York‚ Random‚ 1974. Print. Humphreys‚ A. R. Introduction. Much Ado about Nothing. By William Shakespeare. Ed. A. R. 1” ½” Humphreys. London: Arden‚ 2002. 1-84. Print. ---. “Preface.” Much Ado About Nothing. By William Shakespeare. Ed. A. R. Humphreys. London: Arden‚ 2002. ix-x. Print. [dashes indicate repeated author name] Lehrer‚ John. “Much Ado About Something.” The New York Times. New York Times‚ 11 June 2003. Web. 14 Aug. 2003. McDonald‚ Russ

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    Gossip and Deceit in Much Ado About Nothing Much Ado About Nothing is primarily a play about gossip. Indeed‚ the title means a big fuss about a trifle‚ and by the end‚ this is exactly what happens. All accusations will come to nothing‚ causing the play to end the same way as if they never occurred at all. Shakespeare brilliantly plays on the meanings of nothing throughout this play. The word "nothing" would actually have been pronounced "noting" in his time. It can mean worthless‚ a person of

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    Much Ado About Nothing was written between 1598 and 1599‚ it was first published in a good quarto in 1600. It is a mature romantic comedy‚ and has enjoyed considerable success in the theatre. This would make Much Ado one of Shakespeare’s later comedies. This is a specific comedy because the humour of Much Ado about Nothing does not depend upon funny situations. Though it has some similarities with earlier plays‚ the comedy of Much Ado derives from the characters themselves and the manners of the

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    SETTING IN SHAKESPEARE’S ‘MUCH ADO ABOUT NOTHING’ Shakespeare’s “Much Ado About Nothing” unravels the powerful pressure that society places upon an individual‚ because at the heart of this play is the society of Messina which powerfully influences the characters and the way they live their lives. The Messinian society of the 16th Century is in stark contrast to our own busy and hyped society of today where words are quickly losing their importance and prominence‚ as other forms of communication

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    Chosen Essay Title: “Women are presented as inferior to men in Shakespeare comedies” Explore the validity of this… Much Ado about Nothing is a dramatic comedy written by Shakespeare between 1598-1599 and published in 1623. During the Elizabethan era‚ women were raised to believe they were inferior to men. The quote “Women in her greatest perfection was made to serve and obey man” was written by a protestant leader of the time‚ who believed this was the way Elizabethan women should act. Stereotypically

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    In Much Ado About Nothing‚ William Shakespeare depicts both Benedick and Beatrice as characters with one major flaw: both are full of pride. With the use of the masquerade scene‚ as well as the orchard scenes‚ Shakespeare allows the characters to realize their awry characteristic. By realizing their erroneous pride‚ Benedick and Beatrice are able to correct this and not only become better citizens‚ but fall in love. From the very first scene in the play‚ Beatrice is shown as a character who is

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    during the Elizabethan era as an underlying theme in his play. In Much Ado About Nothing we see two very different tempered couples falling in love‚ and Shakespeare uses the limitation of chastity to prove honor in the play. Sexual fidelity and innocence for woman was almost more important than beauty in Shakespeare’s time‚ and this is reflected in his plays. Innocence‚ modesty‚ virginity and proper manners are what made them worth so much to a male. Chastity not only proved a women’s honor to others

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    The Establishment and Defence of a Gendered Honour in Shakespeare’s Much Ado about Nothing William Shakespeare’s Much Ado about Nothing is a timeless dramatic comedy that establishes a number of Victorian gender norms as well as their relation to honour through the two main romances in the play‚ that of Claudio and Hero and Beatrice and Benedict. The relationship between Beatrice and Benedick is completely different to the more traditional relationship between Hero and Claudio‚ who’s relationship

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    Much Ado About Nothing: The Meaning of True Love and Romantic Couples Like many of his comedies‚ William Shakespeare’s Much Ado About Nothing involves young couples getting together‚ or trying to get together‚ and ends with the happy lovers getting married.  On the surface this appears to be a rather fairy-tale like ending‚ and both sets of lovers in this play‚ Claudio with Hero and Beatrice with Benedick‚ seem to end the play in a happy relationship. However‚ if we say‚ as William G. McCollom

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    Much Ado About Nothing has many tropes that are specific to the romantic comedy. The first is “Belligerent Sexual Tension” (Romantic Comedy)‚ which means that the characters have obvious attraction between them despite the fact that they fight like cats and dogs. This goes into the other trope for their relationship titled Slap‚ Slap‚ Kiss (Romantic Comedy). While they don’t physically attack each other‚ they verbally joust at any point when they’re together. Leonato early on makes note of this

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