Sylvia Plath‚ is known for darker more depressing poetry style and free-verse writing technique. But‚ like plenty of other poets she uses figurative language. Metaphors is just one of the many types of figurative language. A metaphor is a figure of speech that identifies something as the same as some unrelated person/place/thing for verbal effect‚ thus stressing the similarities between the two. Many poets and authors use metaphors and also symbolism in their writing. In her work‚ Plath uses metaphors
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Talking to a teenager about Diabetes. Diabetes is a disease that affects how the body uses glucose‚ a sugar that is the body’s main source of fuel. Just as an iPod needs a battery‚ your body needs glucose to keep running. Here’s how it should work: 1.You eat. 2.Glucose from the food gets into your bloodstream. 3.Your pancreas makes a hormone called insulin. 4.Insulin helps the glucose get into the body’s cells. 5.Your body gets the energy it needs. The pancreas is a gland near your stomach
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Dimitriuz Leupold Mrs. Woehr Literature 11 Talking with Mrs. Meany I’m sorry about your poor mother‚ Johnny. Its very upsetting knowing that she’s gone. I’m sorry if I startled you‚ please don’t go. I know I don’t talk much but I wasn’t like this before. When I was younger I used to talk like there was no tomorrow. It wasn’t until a few years before I met Owen’s father did I become like this. It was something that involved my family. One day my sister stole money from me. I demanded it back but she
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11 years old‚ Sylvia Plath‚ was an extraordinary girl with a troublesome mind. In 1962‚ shortly before her death Plath wrote one of her most significantly popular poems “Daddy”. This poem is about Path’s regards towards her father. It describes the relationship they had and how it affected her. Her fathers way of being did not only affect her during childhood but even after the day she got married to the end of her life. Upon reading‚ one can clearly imagine the way Sylvia Plath lived‚ and was burdened
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THE LUMADS OF MINDANAO The Lumad are a group of indigenous peoples of the Southern Mindanao‚ Philippines. Lumad is a Cebuano term meaning ‘native’ or ‘indigenous’. For more than two decades it has been used to refer to the groups indigenous to Mindanao who are neither Muslim nor Christian. The term is short for katawhang Lumad (literally “indigenous peoples”)‚ the autonym officially adopted by the delegates of the Lumad Mindanaw Peoples Federation (LMPF) founding assembly in June 26‚ 1986 at the
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“Daddy”‚ Sylvia Plath uses many literary devices to illustrate her struggles for freedom in relationship‚ precisely with her father and husband. She uses heavy metaphors and dense allusion to create imagery of hatred towards her relationship between both men. It is important to know Plath’s historical background before readers dive into any of her artistic work. Sylvia had a very negative relationship with men in her life especially her father and husband. Slyvia’s father‚ Otto Plath passed away when
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telephone poles‚ threaded together by wires. I counted one‚ two‚ three ... nineteen poles‚ and then the wires dangled into space‚ and try as I would‚ I couldn’t see a single pole beyond the nineteenth."(Plath 123) This quote fully embodies the whole mood of the book‚ The Bell Jar by Silvia Plath. The main character Esther is constantly at war with herself‚ she can’t figure out what to work towards or where her life is going. She is unable to see past the nineteenth post in her life‚ it’s as if her
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‘Mirror’ By Sylvia Plath – Textual Analysis ‘Mirror’ is one of many works by the American poet Sylvia Plath‚ which was written within the last few months before her death‚ along with a number of other poems. One of the greatest qualities of her poems was its versatile nature. Her poems were never restricted to one interpretation. ‘Mirror’ is one such poem‚ where each reader is free to interpret her art differently. The speaker is not Sylvia Plath‚ but the mirror itself. As the first line of the
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George B 11/18/11 Explication of “A Birthday Present” by Sylvia Plath For many readers‚ the draw of Sylvia Plath’s poetry is distinctly linked to her life as well as the desire to end her life. As Robert Lowell states in the forward of Ariel‚ “This poetry and life are not a career; they tell that a life‚ even when disciplined‚ is simply not worth it” (xv). “A Birthday Present”`‚ written by Plath in September of 1962 and hauntingly recorded in her own voice on audio in October of that same year
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We usually think of religion as being redemptive‚ but here the symbols are oppressive. In ‘Lady Lazarus’ Plath expresses an awareness of the world that is underpinned by regret and sorrow‚ uneasiness and apprehension and in ‘Being Christlike ‘Hughes‚ expresses that same sense of regret and let down‚ apprehension and anxiety. Their resentment of failure is palpable. Both poets use twisted symbolism‚ provoking unease in the reader. They construct destructive symbols of neglect‚ abuse‚ cruelty and oppression
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