Percy Bysshe Shelley’s poem‚ "Ode to the West Wind" and Sylvia Plath’s poem "Mirror" both employ the poetic tools of apostrophe‚ the address to something that is intangible‚ and personification‚ the application of human characteristics to something inanimate. However‚ they form a paradox in the usage of these tools through the imagery they create. Both poets have breathed life into inanimate objects‚ however death and aging are the prominent themes within both of these works. In "Ode to the West
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yourself and frightened because the rest of the world expects something completely different from you - something you cannot give them. Something you don’t want to give them‚ if it were your choice. This is a highly auto-biographical account by Plath of a young girl finding that when she should be most excited about her life‚ she instead finds that things aren’t what she expected‚ and that the culture of the 1950’s doesn’t seem to allow for all that she wants‚ which begins her descent into depression
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Sylvia Plath; What Was Behind the Mirror Perhaps the first thought to mind when the name Sylvia Plath is mentioned is pure ironic tragedy. What a destructive death for a woman with a seemingly jubilant life. It is know to most that she was a poet and author beyond her time‚ beaming with creativity and writing poetry in her early teen years. However‚ with longing for fame struck the bittersweet reality of holding the title for the most unfortunate life. How can it be‚ that a woman struck by dire
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natural to us humans‚ as does art to artists in most cases. In the selected passage (lines 42-51) of Sylvia Plath’s Lady Lazarus‚ Plath describes dying as something that comes natural to her‚ an artform she excels in‚ her calling. In the first two lines Plath states that dying is a form of art and clearly lets the reader know she has had more than one encounter with death. Earlier on in the poem Plath compares herself to a cat with nine lives to let the reader know that at this was written at the
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article‚ “Sylvia Plath’s Debt to Anne Sexton‚” one can argue for her claim on the striking comparison between Plath and Sexton. She set Plath an example by tackling private and deeply personal material in an outspoken and colloquial fashion in the first person. Plath later acknowledged the liberating influence that Sexton and Lowell had on her poetic development. The title sums up the article which states many things they have in common in their writing. One thing that is noticed is Plath may have
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Catalina Bustamante 9-5 The Bell Jar Essay 868 words Sylvia Plath’s first and only novel‚ The Bell Jar is an allegory of how deep and damaged a character can transform and feel trapped in their own surroundings. This is the story of Esther Greenwood a young girl‚ who wins a scholarship which is envied by many‚ every day‚ through every day actions that scar her emotionally and psychologically. Throughout the novel‚ Plath illustrates that every single action that may seem very insignificant
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Isolation and Alienation in Sylvia Plath’s The Bell Jar Kate Finnegan In Sylvia Plath’s modern novel‚ The Bell Jar‚ the main character Esther isolates and alienates herself throughout the book because she mentally ill. Because her descent into a deep depression is slow and she leads a productive life when the reader first meets her‚ this descent seems rational to the reader in the beginning. Esther has an artsy soul. She is a writer and dreamer. When she does not make it into the writing program
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relationship upon their children. In the case of “Daddy‚” Plath creates an environment enriched with violence and frightening. Through the poem‚ the father is being envisioned in terms of his dominance‚ cruelty‚ and authoritarianism. She compares the relationship with her father resembling the Holocaust/victim analogy‚ making him a Nazi and herself a Jew; which helps her in the dramatization of the unsettled war in her soul. In this poem Plath exhibits the tortured relationship between her and her
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1) Daddy by Sylvia Plath You do not do‚ you do not do Any more‚ black shoe In which I have lived like a foot For thirty years‚ poor and white‚ Barely daring to breathe or Achoo. Daddy‚ I have had to kill you. You dies before I had time— Marble-heavy‚ a bag full of God‚ Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. I used to pray to recover you. Ach‚ du. In the
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of Sylvia Plath’s “Daddy” In the 1950s‚ a new form of writing‚ called confessional‚ emerged that broke social norms by which the author would confess their innermost feelings‚ causing the reader to empathize with the narrator. In the pieces of literature published under this genre‚ authors wrote stories about personal feelings that were socially inappropriate to mention in public‚ many of which were autobiographical and some‚ fictional (The Editors of Encyclopædia Britannica). Sylvia Plath is
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