About two weeks after the 2013 All-State concert‚ juniors Mitch Dekutoski and Julianna Norby received letters from the Honors Performance Series at Carnegie Hall inviting them to audition for their program “It looked like a rare opportunity for me‚ so I decided to audition. I sent in a recording of a solo I sang for solo contest that year and waited six months before I found out I got selected for it‚” Dekutoski said. This audition was no small deal; only a select number make it as finalists. “The
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Uyen Phuong Le Music 12 Professor Greg Stier Jazz Concert Report February 5‚ 2012 Phat Cat Swinger Show Report I made a right decision by going to the Phat Cat Swinger show at Hip Kitty Jazz and Fondue in Claremont on Friday‚ February 3‚ 2012. The show was more than just impressive! The venue was an upper club and lounge with retro decoration that could bring you back to the jazz era. The stage was neat‚ simple and organized. There were people of all ages. Just like me‚ they came there to enjoy
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On the date of December 11‚ 2015 the Ball State School of Music presented a Christmas themed jazz concert at Sursa Hall. The concert cost five dollars for students and ten dollars for general admission. The show was performed by the Buselli-Wallarab Jazz Orchestra and they created a fantastic jazz performance with elements of Christmas. The crowd in attendance was a mixture of students from the University and High schools throughout the state‚ natives of Muncie and jazz enthusiast. The performance
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On Tuesday‚ December 8th‚ the Allen High School Philharmonia and Sinfonietta orchestras performed a variety of fascinating pieces. The orchestras began the concert with “Holiday Dances by Mark Williams". The next piece that the orchestras performed was “Saint Nick’s Canon on the Housetop” arranged by Carrie Lane Gruselle. The last piece that the AHS Philharmonia and Sinfonietta orchestras performed was “We Wish you a Merry Christmas” arranged by Lloyd Conley. In the first piece‚ Holiday Dances
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The concert I attended was a live band performing for a Valentines dance at our local senior center. (Gem County Senior Center) The concert took place Saturday‚ February 18th from 6-9. The band’s name was “Just For Fun” the type of music that they played was country rock according to the lead singer. There were 4 members of the band 3 men and 1 woman. They all played either the guitar or bass. There was no keyboard or drums. The songs that were played were all cover songs. None of the music I listened
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Roslyn Perrault I attended the Chamber Orchestra Concert on November 6‚ 2012. This was there first concert. They played three pieces during this concert. The first piece that they played was Bassoon Concerto in F Major‚ Op.75 written by Carl Maria von Weber. The second piece that they played was The Lark Ascending written by Ralph Williams. The last piece that they played was Symphony No. 4 in A Major‚ Op. 90 written by Felix Mendelssohn. Bassoon Concerto in F Major‚ Op. 75 written by Carl Maria
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such as monks‚ clerics‚ and priests 4.Who were allowed to sing in church? The priests and the choir 5.Most of the music that was notated during the middle ages was sacred or secular? Sacred 6.Was most medieval music vocal? Yes 7.What is Gregorian Chant? Discuss its origin‚ texture‚ melody‚ rhythm‚ text. How did it receive its name? What is its purpose? Official music of the Roman Catholic Church. Monophonic melody set to sacred Latin text‚ Calm otherworldly quality. Represents voice
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veterans of The Mallory Concert Series at Rutgers University: Camden. The expectation is obvious with the lack of seats available that the concert will be captivating. As the air turns to a silent empty hum‚ we are ready. Personally notable movements from the first piece of the program‚ Piano Trio in C Minor‚ Op. 2‚ are Andante and Vivace. Pappone‚ “lauded as a ‘first rate’ violinist by Maestro Lorin Maazel” and founder of the non-profit Delius Music Academy (Mallory Concert Series Program)‚ executed
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that had been transformed into a small concert hall for the evening. The name of the venue was “Makeout Reef” it is hidden in plain sight in the Elliotborough neighborhood on the cross streets of Bogard and Percy. Three bands played before the main act‚ Triathalon. At first glance the concert seemed to be fairly disorganized‚ like more of a house party than a legitimate concert. The venue’s main entrance had a large table with entrance prices‚ future concert dates‚ and the programming for the evening
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the music as opposed to the performance. This appears to turn the entire idea of authenticity on its head. It can now be reasoned that musical recordings that are artificially enriched present the most authentic being of the music‚ and that performances are challenges to recapture that authenticity. If post-production editing is scrutinized in the equivalent way as Fisher uses in the example of rock recordings‚ then feasibly there is an argument to make that the aesthetic quality of the listener
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