Formal Analysis A musical company The painting A Musical Company‚ part of the leiden collection‚ painted in 1642 by Dutch painter Gerard ter Borch is now on display as part of the vermeer suite exhibition at the Dallas Museum of Art. The painting depicts a young woman playing the virginal accompanied by two men: the one on her left is plays a viol da gamba and the other plays a violin. Gerard ter Borch is widely known for his small scale paintings of everyday peasant life known as genre scenes
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Unit 2 Assignment 2 TRACE Analysis Today I read “TWITTER GOES TO COLLEGE” by Zach Miners. This is about how different professors at different colleges around the country are incorporating the social media site “Twitter” into their classrooms. Essentially “Twitter” uses 140 character maximum blurbs that can be viewed by anyone. This is easy for classrooms to use when they have too many people in the classroom. This allows the students to send in their opinion of the topic without being shut out by
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focus is emotion‚ there is a system of interpretation by which music can be logically realized‚ quantified and rationalized: such a method is called music theory. Music theory‚ although still technically an art‚ could be defined as ‘the science of musical tonality‚ rhythm and structure.’ Out of these three pillars‚ however‚ by-far the most influential and important is tonality. Tonality‚ according to Mark DeVoto‚ is‚ “…the organized relationship of tones with reference to a definite center‚ the tonic
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There is a lot of advertising in our society today‚ but why is it that people seem so manipulated by advertising? Research shows that many people need their dayli dose of it in order to buy more things they actually do not need. “There has been an increase of 90% in advertising compared to the last ten years“ says the New York Times. Advertising is a manuplating way of getting people to buy things. One time Will Roger said: “Advertising is the art of convincing people to spend money they don’t
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accept‚ their new game soundtracks appealed to a border musical audience and even musicians. Their success started with the game Karaoki Revolution‚ its marketability and mainstream music made it much more successful than their previous “hi-tech” games. [1] They cooperated with companies that made peripherals and companies like Microsoft‚ Sony and Apple; they are now focused on cutting deals for music that these players can download into Rock Band. [2] Their marketing management philosophy now is deeply
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Annie 2012 – Scene Layout Act 1 – Sc. 1: Orphanage Song(s): “Maybe”‚ “Hard Knock Life” Annie Molly Pepper Duffy July Kate Tessie Miss Hannigan Mr. Bundles Act 1 – Sc. 2: New York Street Song(s): “Tomorrow” Street Ensemble Annie Lt. Ward Sandy Act 1 – Sc. 3: Hooverville Song(s): “We’d Like to Thank You…” Hooverville Ensemble Annie Lt. Ward Act 1 – Sc. 4: Orphanage Song(s): “Little Girls” Annie Molly Pepper Duffy July Kate Tessie
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The History of Musical Theatre The recently released Les Misérables earned £8.1 million in its opening weekend‚ making it the largest opening weekend for a musical film in history‚ proving that the genre is still alive. But how exactly did this powerful art form originate? And from then on‚ how did it evolve to become the spectacularly vivacious being that it is today? The oldest known forms of music theatre were the ancient Greek plays with music and lyrics‚ as well as music and dance being
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BOOK REVIEW About the Author Peter Barsocchini he was born on 1952 in San Francisco. He is an American screenwriter‚ author‚ and television producer best known for his scripts for the High School Musical series. In his early career‚ Barsocchini began his professional writing career while attending high school in the San Francisco Bay Area‚ writing more than 300 columns about popular music for the San Mateo Times. He also worked as a freelance reporter for the Associated Press and the San Francisco
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Stephen Sondheim‚ hailed by many as a genius‚ has had a long and illustrious career in Broadway musical theatre spanning five decades. During those fifty-some years‚ Sondheim has essentially reinvented the Broadway musical. The Sondheim canon shows three distinct ways Sondheim has contributed to musical theatre. First of all‚ the difficulty of Stephen Sondheim’s music has raised the standard of musical theatre. Actors simply cannot stand onstage and sing as they used to in the days of Gershwin and
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but to grow as a performer. In Acting in Musicals‚ Mr. Jory attempts to answer an often debated question “Is the art of acting different in musicals and plays?” This is a very important subject for acting teachers; should we as professionals leave out a large lucrative portion of the professional acting roles simply because we prefer straight plays over musicals or worse don’t have
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