Courtney Cox 5-4-10 THEA 1334 Final Paper Costume Design THE ROLE OF COSTUME DESIGN IN MUSICAL THEATER Imagine a classic Shakespearian play or Italian opera performed in hip-hugging jeans or baggy t-shirts; or imagine the period musical 1776‚ produced by the wonderful Stuart Ostrow‚ performed in the groovy attire of the 1970s. These performances would seem completely out of place and confusing. One would not be able to grasp the completeness of the story or have any understanding of the time
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Are there too many musicals in the West End? (I am writing in support of Michael Billington’s article‚ ‘ This West End Theatre boom is not all good news’ However throughout my article I will analyze the benefits and draw back for the current state of the west end and where it could go in the future.) Throughout this year 2012 the West End has comprised of 42 commercial theatres 32 of these have put on musical productions as opposed to traditional plays (1). Compared to a year ago when the
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Nature vs. Nurture: Understanding Sources of Musical Talent Patrick Usher Penn State University December 14‚ 2010 Nature vs. Nurture: Understanding Sources of Musical Talent As a major in music composition‚ I spend a great deal of time meeting with many musicians of various musical disciplines. It is an obvious fact that musical talent is diverse throughout different musicians‚ and between these musicians and students in different academic departments‚ but the source of such diversity has
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Rent is a rock musical that was created by Jonathan Larson. It’s based on the opera La Bohème. The musical tells the story of a group of impoverished young artists struggling to survive and create a life in New York City in a village called Alphabet City‚ under the shadow of HIV/AIDS. The musical was first seen in a workshop production in a New York Theatre Workshop in 1993. This same Off-Broadway theatre was also the musical’s initial home following its official 1996 opening. Jonathan Larson‚ the
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Today many people are familiar with the musicals South Pacific‚ The Sound Of Music‚ Oklahoma! and Carousel but do they know their origins? All of these plays were engineered by the dynamic due Oscar Hammerstein and Richard Rodgers who worked to broaden the boundaries of theater by merging theatre‚ music and film. Not only were they responsible for making their own plays but they formed musical scores‚ worked as lyricists‚ owned and operated the publishing company Williamson Music‚ and had their own
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Oz is one of the biggest American Musicals in film. It has become known world wide‚ it is apart of our American popular culture‚ and is best known of all films. It was based on the novel‚ The Wonderful Wizard of Oz written by L. Frank Baum in the 1900s. It was produced by Metro-Goldwyn-Mayar in the year of 1939. This film just hit the end of the “Golden Age of the Musical” that started in the early 1930s. MGM benefited greatly from the hit of the rebirth of musicals. It’s known for the use of technicolor
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Oklahoma! Response Paper The musical being watched and analysed is Oklahoma! It is a 1999 Broadway musical directed by Sir Trevor Nunn and choreographed by Susan Stroman starring Hugh Jackman‚ Josefina Gabrielle and Shular Hensley amongst others. Oklahoma! is originally the result of collaboration between Richard Rodgers and Oscar Hammerstein II‚ with the former composing the music and the latter writing the screenplay. It is touted as a landmark American musical‚ and the 1999 production is a marker
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Cultural Event Analysis: Heathers: The Musical The Center for the Living Arts is a small building in the downtown district in Rock Island. The district was dead except for the small line outside of a locked door. The 1989 movie Heathers had a cult following‚ people today have the same passion for Heathers: The Musical. I had first heard of the musical from people online raving about how good it was and how catchy the songs are. After I had sat though Davenport West’s spring play Seussical‚ I needed
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BOOK REVIEW About the Author Peter Barsocchini he was born on 1952 in San Francisco. He is an American screenwriter‚ author‚ and television producer best known for his scripts for the High School Musical series. In his early career‚ Barsocchini began his professional writing career while attending high school in the San Francisco Bay Area‚ writing more than 300 columns about popular music for the San Mateo Times. He also worked as a freelance reporter for the Associated Press and the San Francisco
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High School Musical Caroline Cascadden Block: 2.1 High School Musical is one of my favorite movies. The movie is entertaining to everyone. I love the characters‚ the music‚ the story‚ and mostly everything about it. I have watched it about a million times and still never get bored of it. The songs are very catchy and have great tunes. The songs in High School Musical are all different. The songs are not just fast solos. The songs change from slow‚ to fast‚ to duets‚ solos‚ groups‚ and many more
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