S al Malaki Concert Reaction Paper We are very much interested in music and upon hearing that we will be watching a musical concert we felt excited. The music pieces used in concert were based on Rizal’s travelling expeditions all over Europe. It was mainly classical music and we were amazed by how Sal Malaki sang because nowadays‚ people are so into pop that they have forgotten the beauty of music as a whole‚ including the other genres‚ especially the classics. The concert was amazing all throughout
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Musical Analysis The first piece I chose was Frédéric Chopin’s Prelude in E-Minor (op.28 no. 4). It was performed by Aldona Dvarionaite (2009). Chopin was a composer in the Romantic period. This is a sad piano piece. Chopin wrote primarily for the piano. The piece range was almost monotone in nature. The sound was in scale rising and lowering using the same melody throughout the piece. The tones were kept uniform repeating over and over again. I found this piece of music one dimensional.
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Tarzan the musical is based on the Disney Movie of the same name and story by Edgar Rice Burroughs. The story starts out with a young couple and their baby. After becoming shipwrecked and stranded off the coast of Africa‚ they make themselves a home in the jungle but are attacked by the leopard. The baby is the only one who survives. Kala‚ a gorilla has recently lost her son by the same leopard. She hears the baby crying and takes him for herself. She names him Tarzan. The leader of the gorillas
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Wicked is a musical that was performed at the Academy of Music in Philadelphia. In the days before Dorothy‚ the show explores the untold story of the witches of Oz and is based on the novel Wicked by Gregory Maguire. The magical play portrays the story of the infamous Wicked Witch of the West and how she was victimized and misunderstood. This production was spellbinding and a magnificent cast enchanted the audience. Elphaba is a female character played by Julia Murney. She portrays the Wicked Witch
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MUSICAL PARAMETERS Pitch: consonance Felix Mendelssohn‚ A Midsummer Night’s Dream‚ Nocturne (MEB 2/10) dissonance Béla Bartók‚ String Quartett no. 4‚ mvt. 1 Melody: conjunct 10. Yıl Marşı Pyotr I. Tchaikovsky‚ The Nutcracker (“Pas de Deux”) (MEB 1/5) Johannes Brahms‚ Symphony No. 1‚ mvt. iv (MEB 1/11) disjunct Istiklal Marşı Claude Debussy‚ Golliwog’s Cakewalk (MEB 1/51) Stockhausen‚ Klavierstück V
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Gustav Holst: The Planets The two movements I focus on in my analysis are the first movement: Mars‚ and the third movement‚ Mercury. Mars Mars is the first movement of the suite and it starts with a bang. A slow‚ ominous intro begins with the sound of snare drums being played in the background. Soon the horns greet the drums‚ creating an immediate feeling of danger within the first movement. The powerful tones by the strings section set for a very dramatic‚ almost inhuman feel‚ to the movement
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The poem ‘Long Distance II’ tackles the issue of bereavement and the emotions that are connected. In this poem‚ the speaker seems to be able to cope with the death of his mother and believes in a matter-of-factly fashion that “life ends with death”‚ however we learn that in reality he still feels grief and “calls the disconnected number” for his mother and father who have both passed away. The poet (Tony Harrison) uses few devices. This avoids an overly constructed and artificial style as Harrison
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Vivienne Lee Per.6 A Musical Regret All throughout my life‚ I’ve made many mistakes. Whether it was picking the wrong type of food‚ the wrong clothes for my doll‚ or just making the wrong choices in my life‚ I was never one to look back upon those mistakes‚ and ponder upon them; I would usually just brush them off‚ and say to myself "Oh well‚ it’s not a big deal." However‚ there came a time when I did make a mistake‚ a big mistake; even to this day‚ I regret not doing the one thing I had always
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Musical evening No‚ I haven’t been to a musical (lately). But Friday "my" choir and I had an appointment with‚ well‚ the rest of the population here‚ really. The local choirs (5) and whoever else who wanted to come along‚ were gathered to sing. The choirs had 2-3 songs each in between‚ but the rest was pure singalong (not karaoke..). Before going I felt as if I was a hundred years old‚ because that’s what I expected the average age of the people attending to be - but no such thing. Admittedly
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The opening of the first movement in Keeping Score: Berlioz starts very slowly‚ then becomes very volatile. After some long and stormy developments‚ the ending alludes back to the opening. The second movement becomes an elegant waltz‚ which completely contrasts the first movement. The ending of the second movement sounds like a whirlwind before it comes to a brilliant close. The third movement is long. While these first three movements sound rather like a dream‚ the fourth movement sounds like a
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