First‚ text-influence has never been taken seriously as one of the basic responsibilities of any genuinely complete analysis.3 Second‚ until we have written the history of text influences on music‚ we cannot write a truly comprehensive history of musical style. Moreover‚ we will never arrive at a genuine understanding of the vast vocal literature stretching from Josquin to Bach without a thorough grasp of one of the more important classes of text-influence: namely‚ word painting. The variety of
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Tahari Gordon October 3‚ 2014 Fundamentals of Musical Theatre Show Boat Response Paper The timeless Kern and Hammerstein classic Show Boat is a musical far beyond its time. Rich with beautiful music and characters but also a plot that surpassed anything of the time period. This show was a preface for Hammerstein’s intricate styling of compiling a show’s plot and lyric. His trend‚ portrayed in Show Boat and many of his other productions‚ pairs a lighthearted sound and classic love stories with
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full of the noise of musical instruments and high pitch of sound to me. Even if Chinese Opera is the finest heritage remaining from the history‚ I never want to get to know it‚ until I have become an international student. In China‚ elder people are the most percentage of the audience of Chinese opera; teenagers barely wants to listen or watch. However‚ once I start watching it and try to get to know it‚ the splendid costumes‚ traditional Chinese elements‚ various of special musical instrument make Chinese
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amplitude (loudness)‚ timbre (quality of sound). * All sounds have the potential to be tones 2. The sounds (and silences) that comprise a musical work organized in some way * Music is a form of organized sound * Listening: CD 1:1 (Beethoven’s Symphony #9) & CD 1:2 (Japanese gagaku) 3. Sounds are organized into music by people thus; music is a form of humanly organized sound * Music is a human phenomenon * Human creation vs. sounds found in nature 4. Music is a product of human
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perfectionist in the set of expectations regarded as sonata form which made a massive impact. In As many as hundreds of sonatas‚ stringed quartets and symphonies‚ Franz broke both new ground and supplied durable models‚ as a matter of fact he was one of the creators of the fundamental genres of the classical music. He influenced later composers in an immense way. His most renowned student‚ Beethoven was the immediate recipient of Franz ‘genius musical imagination. Haydn’s shadow prowls within the music
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poem that has only three stanzas‚ but Lawrence conveys the main theme of ambiguous， bitterness and sweetness of nostalgia simply and honestly. D.H. Lawrence structures the poem with a simple rhyming scheme‚ using this rhyming pattern to mimic the form of a song. Because the music in this poem triggers a memory‚ it is structured and progresses much like a song. “To the old Sunday evenings at home‚ with winter outside/and hymns in the cosy parlour‚ the tinkling piano our guide” The piano is a guide
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Australia completing his secondary education in Darwin. He graduated in Medicine from the University of Adelaide in 1974. Goldsworthy has been awarded various awards in literature and stage craft and has composed not only in the prose form but also in the poetic form and as a music composer for the stage. Syllabus Requirements The HSC syllabus [pic]‚ texts prescription list [pic] and rubric [pic] require you to engage with a number of aspects in this module. These are: • develop an awareness
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Courtney Cox 5-4-10 THEA 1334 Final Paper Costume Design THE ROLE OF COSTUME DESIGN IN MUSICAL THEATER Imagine a classic Shakespearian play or Italian opera performed in hip-hugging jeans or baggy t-shirts; or imagine the period musical 1776‚ produced by the wonderful Stuart Ostrow‚ performed in the groovy attire of the 1970s. These performances would seem completely out of place and confusing. One would not be able to grasp the completeness of the story or have any understanding of the time
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However‚ most of them were performed by all the characters‚ creating either a homophonic or polyphonic texture. In two of the musical works‚ Barfee (in “the magic foot” song) and Marcy (in “I speak six languages” song) maintained the rhythm by hitting the proscenium (or the stage) using the heels of their shoes in a very regular pattern. Beside the bass and the drums‚ maintaining
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profitable golden age of the studio system. It evokes the typical characteristics of the popular MGM Hollywood musical by relying on superstar names and infectious dance numbers. However‚ Singin in the Rain incorporates an additional level of parody into its nostalgic plot that focuses on the disruptive shift from silent movies to "talkies." The film showcases classical Hollywood musical numbers supplemented by affectionate satire. The music of the film reflects each inherent level and in doing so
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