"My last duchess by browning as a dramatic monologue" Essays and Research Papers

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    My Last Dutches

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    Written in 1842 by Robert Browning‚ "My Last Duchess" is the dramatic monologue of the duke of Ferrara who is negotiating his second marriage through an agent of the count of Tyrol on the grand staircase of the ducal palace at Ferrara in northern Italy. Executing the elements of a dramatic monologue‚ the duke reveals his situation and much more than he intends to the both the agent and the reader. Using iambic pentameter AABB couplets Robert Browning reveals the horrifying story of the murder of

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    Like Dreaming‚ Backwards By Kellie Powell Like Dreaming‚ Backwards is a series of monologues and scenes about the suicide of a young college student named Nell. The play also includes monologues from Nell ’s mother‚ Leah‚ a acquaintance‚ Yale‚ and her friend‚ Natalie. For further information and advice on performing this monologue‚ read this note from the playwright. NELL: Have you ever had a dream and suddenly‚ you realize what ’s happening doesn ’t make any sense - and you realize that you

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    possibly be surprised by its successor‚ the G3. After all‚ we’re ready for it now; expecting great things from it‚ even. Plus‚ with phones of the calibre of the HTC One (M8) and Samsung Galaxy S5 already on the shelves‚ it faces tougher competition than last year’s model. That’s the theory at least - but it’s all rubbish. Because somehow‚ the G3 has surprised us again. It’s surprised us with its pixel-crazy 2K screen‚ with its bezel-less design‚ with its lovely metal-that’s-really-plastic build. And

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    Contrasting the Theme of power and control between Porphyrias Lover‚ La Belle Dame Sans Merci and My Last Duchess The poems I have chosen are: My Last Duchess Ferrara by Robert Browning‚ Porphyria’s Lover by Robert Browning and La Belle Dame Sans Merci by John Keats. I am going to be exploring the theme of power and control in each of the poems and how the poets show it. In Porphyria’s Lover and My Last Duchess it appears that the men have the power whereas in La Belle Dame Sans Merci the woman has the

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    Browning

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    Childe Roland to the Dark Tower Came Posted on February 18‚ 2013 by Bryan Scalici Childe Roland to the Dark Tower Came I would like to comment on how Browning characterizes Roland’s past in “Childe Roland to the Dark Tower Came”. As he travels the ridiculously bleak landscape leading to the Dark Tower‚ the only living thing he encounters is an emaciated demon horse. Roland‚ already downtrodden by the setting‚ sees this horse and feels simultaneous pity and hatred‚ and comes to point where he needs

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    "The Flea" who haunts "My Last Duchess" History has blessed the English language with many great romanticists; they were men and sometimes woman who had an affinity for describing the glories of love. Yet in the midst of such uninhibited amorousness‚ they were a select few who chose to write about the seamier side of romance. It was these works which perhaps best represented the complexities of the male-female relationships of the time. Although written more than two hundred years apart‚ both "The

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    Explore the ways in which Shakespeare presents Lady Macbeth and Browning presents the speakers in Porphyria’s Lover‚ My Last Duchess and the Laboratory Shakespeare presents Lady Macbeth in such a way that she is shown as a strong and powerful woman. Her ability to manipulate Macbeth to murder Duncan in order to get more power is a key example of this aspect of her character. Browning also presents his speakers in a similar way to Shakespeare through their need to control. The main way that both

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    1953. So it could be the case that in the end Dylan Thomas did go gentle into that good night‚ or maybe it was his own way to rage against the dying of the light. In My Last Duchess‚ the vulnerability and fragility of life is shown through the monologue of an unhinged Duke. He is speaking to a Count’s servant about his last Duchess‚ as he is planning to marry the Count’s daughter. The poem uses subtle foreboding and eloquent speech to portray the Duke’s obsessive madness. The Duke begins talking

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    not look back. I know that I must not disobey this simple request. Yet‚ I cannot stop my mind from running untamed. I now listen closely for Eurydice’s footfall behind me‚ but her shade makes no sound. Could I have been tricked by Hades and his cold Queen Persephone? Did Eurydice fall behind? Questions of mistrust and other morbid thoughts seem to close in on my brain. I desperately yearn to see her with all of my essence. Yet‚ the words of Hades seem to echo. You must not turn around. You must not

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    was time to showcase our talents. I pulled my chair across the room to a group of about nine kids‚ creating a louder SQUEAK than I intended. All forty-eight heads swiveled to look at me. My cheeks grew red as a summer sunset. Careful to keep my chair

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