“Some people claim that a person’s cultural identity is the foundation or groundwork on which every other aspect of their being is built” (No Bullying). That describes exactly what Gogol in the novel‚ The Namesake‚ by Jhumpa Lahiri is trying to discover about himself through his name. Almost every aspect of this novel have to do with Gogol and his journey with his companions and family to find his sense of belonging through his culture. Lahiri uses the manipulation of time in this novel in order
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Moving to a different country is never easy and author Jhumpa Lahiri captures this struggle in the astounding book‚ The Namesake. Her words perfectly emulate the struggles each main character— Ashoke‚ Ashima and Gogol face. This book is written in a third person omniscient view which enables readers to look into the intimate thoughts of each character‚ and how they individually handle their ability to balance the Bengali and American culture. Each character’s journey to conform is unique‚ making
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town‚ that he will continue to dwell in her mind.” (The Namesake‚ 278-279). Towards the end of the story Lahiri portrays the imbalance feeling of Gogol. Now he feels comforted by the mystery behind choosing that name for him. At 32‚ he feels proud for his name and its meaning‚ Nikhil Gogol Ganguly accepted his name and destiny. Now he feels burden of his hating himself for hating his name. He deeply ponders over his name‚ his identity‚ his namesake and realizes that one has to take the responsibility
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Gogul first didn’t want to change his name. (young) Then grew up realized the name is the name of a crazy‚ loner author ( but also a genius). His father was a fan. He read one of the author’s book during a fatal tcar crash he was in. Being the only survivor. After the train crash‚ he got married to Gogul’s mother. They moved to ny. Had Gogul and Sonia(younger sis). Gogul grew up. Believed his name is strange‚ easy to be made fun of. He told his father he’d like to change his name to Nikhel‚ his good
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to analyse the various issues faced by the immigrants as portrayed in Lahiri’s novel first novel The Namesake. The story of the novel is set in United States‚ Calcutta hovers in the background. . It is out of her experiences of the bizarre identity crisis on the part of those who have remained as immigrants and those who were traumatized by homelessness‚ that the contents of the novel The Namesake were derived. Jhumpa Lahiri admits that as the novel conveys the experiences of alienation of the migrants
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* Feminist criticism defines a literary theory showing how women were portrayed as less valuable than men in literature throughout history. Usually called feminist literary criticism‚ it studies how early writings condoned the oppression of women because men dominated society. Feminist criticism also explores how women writers were taken less seriously than male authors from a historical A criticism advocating equal rights for women in a political‚ economic‚ social‚ psychological‚ personal
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The Idea of Home In the novel‚ “The Namesake” Gogol is trying to search for his identity and who he wants to be but she is also searching for the definition of a home. He has moved so many times that he started not seeing them as homes‚ but just a place they would have been staying at for a while. The definition of a home is a place that you feel happy at because of all the memories you have. A home is a place where you are loved and you know you are safe and not judged. Gogol does not know how
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Julia Golubenko Mrs. Greenfield Close Reading and Critical Writing November 13‚ 2007 The movie Namesake was a fairly good depiction of the book. As a movie‚ apart from the book‚ it was good. The characters played their role well‚ emotional scenes were shown‚ and the point of the movie was easy to see. The problems that I had with the movie‚ was the fact that they cut out Gogol’s whole college life and Ruth‚ his first girlfriend. This was taking out a huge part of his life‚ where Gogol actually chose
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Literary Analysis-The Namesake The important theme of naming and identity is introduced at the very beginning‚ when Ashima calls out for her husband. She does not use his name when she calls for him‚ since "it’s not the type of thing Bengali wives do" (Lahiri‚ J. p. 2). Their husbands’ names are considered too intimate to be used. The Bengali tradition of pet names and "good" names. Only close family uses the pet name in the privacy of the home‚ while the "good" name is used in formal situations
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