Working Paper No. 18 Struggle to Acculturate in the Namesake: A Comment on Jhumpa Lahiri ’s Work as Diaspora Literature! Mahesh Bharatkumar Bhatt GJ!jarat Arts &Science College‚ Ellisbridge‚ Ahmedabad Abstract The aim of the paper is to bringforth the wqy in which Jhllmpa Lahiri‚ a Plllitzer prize winner novelist explores the dilemma of name and immigrant ’s sense of identity and belongingness in the novel The Namesake. The paper discllsses the term ’diaspora: and their role in the present
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places. In Jhumpa Lahiri’s story‚ The Namesake‚ the story follows the Ganguli family from their traditional Indian life in Calcutta through their uneasy transformation into America. This family is strewn with opposing fidelities and the underlying concept of the difficulties of cultural belonging‚ for being tradition bound immigrants. The common use of the food motif and repetitive contrasts between the cultures of India and America throughout The Namesake create cultural jarring‚ which demonstrate
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they are god’s gift‚ something truly miraculous. A person’s own family is the greatest wealth that one can ever possess but it is upon an individual to realize the true worth of the love and blessings that his own family has to offer them. In “The Namesake” by Jhumpa Lahiri” Gogol’s drastic journey to adulthood filled with unexpected and emotional experiences makes him eventually realize the importance of family in his life. In Gogol’s early twenties all he thought about was to get away from his family
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what others will think. Otherwise‚ the world would be insanely uninteresting. “The Namesake‚” by Jhumpa Lahiri‚ is about a boy called by the unique name of Gogol Ganguli. When he was young‚ Gogol was oblivious to the differences in his name to socially-normal-names‚ but as he grew up‚ he began to notice them. The story is about a significant event where Gogol realizes just how unique his name is. In “The Namesake‚” Jhumpa Lahiri develops the theme that it is okay to be unique through family influence
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httpl/ /www.rockpebbles.inlISSNt 2230 - 8954 DIASPORIC SENSIBILITY IN THE NOVEL *THE NAMESAKE"BY ]UMPHA LAHIRI x Prakash Bhadury Abstract: The word ’Diaspora ’‚ etymologically means ’dispersal ’‚ and involves‚ at least two countries‚ two cultures‚ which are embedded in the mind of the migrants‚ side by side. Although the past is invoked now and then‚ the focus is persistently on the ’moment ’. The past is invoked to indicate a certain contrast‚ wliich must be incorporated‚ and
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THEIVANAI AMMAL COLLEGE FOR WOMEN Cultural Identity In Jhumpa Lahiri’s THE NAMESAKE Jhumpa Lahiri‚ the author of The Namesake‚ was born in London‚ the daughter of Indian immigrants from the state of West Bengal. Her family moved to the United States when she was three. Lahiri grew up in Kingston‚ Rhode Island‚ where her father Amar Lahiri works as a librarian at the University of Rhode Island. When she began kindergarten in Kingston‚ Rhode Island‚ Lahiri ’s teacher decided
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important for a person’s self-esteem and it is equal to having an identity of your own‚ since it effects a person’s ability to relate to other people. It is something that you grow into‚ as well as something that you already are. Jhumpa Lahiri’s The Namesake (2004) emphasizes the essence of that. It is being characterized by the protagonist of the book‚ Gogol Ganguli‚ a second-generation immigrant that is trying to find his own identity. This paper is build upon the thesis that the problem of alternating
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two different cultures‚ American and Bengali. Many children of immigrants may feel like Gogol‚ having one foot in each world. Gogol framed his struggle with cultural identity through something tangible‚ his name. In Jhumpa Lahiri’s novel‚ The Namesake‚ Gogol’s struggle with cultural identity is exposed most greatly by the name others call him and his reaction to it. On Gogol’s first day of school‚ he gets his first taste of the cultural tension that his name and “good name” generate in typical
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“The Namesake” and “The house on mango street” contain a notable amount of similarities. Literary devices and similar themes allow a deeper interpretation of both stories by comparing and contrasting them. Immigration‚ harsh situations experienced by immigrants and the arduously discussed how-will-I-adapt question. Indeed‚ Jhumpa Lahiri’s “The Namesake” and Sandra Cisneros’ “The House on Mango Street” both use description‚ imagery‚ and settings. A wide panorama including identity which plays an immense
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My two texts are “The Namesake” and “Bend it like Beckham”. Our prescribed text‚ Jhumpa Lahiris “The Namesake” explores the link to belonging in detail. The emphasis is on Gogol Ganguli. Gogol struggles with a sense of belonging to his family and his Bengali culture and heritage throughout his life in the course of the novel. Born and raised in the U.S.‚ while his parents spent their entire life in India following Bengali culture and practices and moved on to America as young adults. Gogol must try
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