This essay will discuss both the Cinema of Attractions and Narrative Cinema and their origins in order to better understand the differences found between them in regards to the criteria to follow. This essay will highlight the role that the spectator plays‚ and the temporality that both the Cinema of Attractions and Narrative Cinema exhibit. Tom Gunning proposed the Continuity Model in order to better understand the beginning of film and the making of film. Gunning proposes the following assumptions:
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{\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\froman\fprq2\fcharset0 Times New Roman;}} {\*\generator Msftedit 5.41.21.2509;}\viewkind4\uc1\pard\fi360\sb100\sa100\f0\fs24 Narrative Therapy is an approach to counseling that centers people as the experts in their own lives. This therapy intends to view problems as separate entities to people‚ assuming that the individual\rquote s set of skills‚ experience and mindset will assist him/her reduce the influence of problems throughout life. This
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ALTERNATE NARRATIVE SYSTEMS: COUNTER CINEMA Alternate Narrative Systems are often defined in terms of what they are not‚ by comparing them with the classic system. The “alternate” category is somewhat of a miscellany‚ including art cinema‚ Soviet cinema of the 1920s and counter cinema. All are works of a unique artistic consciousness‚ expressing a personal vision. CHARACTERS: Might appear contradictory or unconvincing‚ and in general not seem credible‚ psychologically well-rounded individuals with
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narrative styles in Melville’s Bartleby‚ Poe’s Arthur Gordon Pym‚ and Hawthorne’s The House of Seven Gables. How all three authors utilize a "conversational" tone for the function of their work. In works by three of the most classically American authors of the nineteenth century‚ Melville‚ Poe‚ and Hawthorne‚ a trait that can be considered common to all three authors is pronounced clearly as a means to their narration. This trait is that of deploying a narrative laden with- and moreover led
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beyond narrative voice when judging a text.’ Unless a story is written from someone’s point of view there is no story. Within literature‚ two commonly used viewpoints are First person and Third person limited. First person is where the narrator is a character in the story; and Third person limited is told from a character’s perspective. A writer will choose the point of view that they believe will best convey their message. At the heart of that choice is their choice of narrator or narrative voice
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“In Frankenstein‚ the narratives seem to grow organically from one another: it is impossible to extricate the narratives from one another‚ as they are so closely linked and interwoven.” Discuss the novel’s shifts in narrative perspective. What is the effect of presenting different character’s viewpoints‚ especially those of Victor and the monster? Mary Shelley’s Frankenstein has a very complex narrative structure: “the narratives seem to grow organically from one another”. Within the novel
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Name: __________________________ Identifying Narrative Perspective Directions: Read the following passages and determine the narrative perspective‚ then explain how you were able to identify the point of view- if the passage is third person‚ explain which character’s thoughts are revealed. Narrative Perspective (point of view): first-person‚ second-person‚ third-person objective‚ third-person limited‚ third-person omniscient. 1. Sideways Stories from Wayside School by Louis Sachar
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Narrative Style in Conrad’s Heart of Darkness The Heart of Darkness employs‚ broadly‚ a three framed narrative style. Conrad‚ the author‚ places an unnamed narrator aboard the Nellie with Marlow‚ who is the third narrator/frame. The unnamed narrator functions as both a teller of Marlow’s tale to us and a listener to Marlow. The significance of these frames can be analysed by looking at three effects which this arrangement produces. The usage of Marlow as narrator instead of Conrad himself became
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The Art of Literature Faulkner’s Narrative Complexity in “A Rose for Emily” “A Rose for Emily” by William Faulkner divulges the reader into a story of tragedy brought on by a prideful southern society whose ability to cope with their new lifestyle is restricted. Faulkner carefully crafts his piece with meaning that begs the reader to dig deeper and unveil the message concealed between the lines. His main focal point is the protagonist Emily Grierson‚ who is implied to be a mysterious individual
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Theme and Narrative Elements in the Short Story Sean M. Czuchaj Ashford University The themes of a story are the ideas that are behind the story. The theme of the story makes the underlying ideas of the story come to life (Clugston‚ R. W. 2010). The theme of the story embodies the main idea that the reader should get from reading a story. There are many literary elements that add to the theme of a story but I think the most important literary elements are the point of view and symbolism
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