Chapter 15 Q&A’s 1. The Maritime Revolution: * Starts because of Ferdinand Magellan * Expedition to reach East Indies * Maritime era marked end of a long period. * Broadened and deepened contacts‚ alliances‚ & conflicts across ancient cultural boundaries. 2. Global Maritime Expansion Before 1450: * Strong ships were needed * New sailing techniques * Rewards for sea travel made them worthwhile 3. The Pacific Ocean: * Polynesians originated in Asia
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Are Seltz’s new Japanese museums ‘counter-museums’ by Patterson’s definition? Patterson and Seltz introduce new museums differing in subject matter‚ context and methodology‚ but sharing analogous goals. The Jim Crow Museum of Racist Memorabilia (JCM) in the United States is touted by Patterson as a ‘counter-museum’ that ‘seek[s] to engage visitors as active participants in dynamic‚ continuing memorial processes’ (66)‚ and one that ‘seeks to use products of intolerance to teach understanding’ (68)
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Monica Vaughn Art History I 10 November 2010 Museum Project Ansel Adams‚ The Tetons and The Snake River‚ Grand Teton National Park. 1942. Gelatin Silver Print. Featured at Phoenix Art Museum. Phoenix‚ Arizona. Ansel Adams (1902-1984) was born in San Francisco‚ California. Being raised in the shadows of the great Golden Gate Bridge was the motivation for his deep appreciation for nature and his early childhood would become his primary inspiration to pursue photography. Strangely enough the 1906
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other music varieties. But while some contemporary music has branched out into other genres‚ a good deal of it has kept all the twang and texture of what some people consider to be real country. The country music of today has not abandoned the authenticity of the country music of yesteryear; rather it has expanded the entire genre allowing for greater variation and more popularity. Country music originated from the folk songs and ballads of European settlers (Country 669). While Americans
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In this essay‚ I will argue that ethnographic museums privilege viewing‚ at the expense of other senses. I will further argue that by privileging the visual‚ ethnographic museums become problematic in two ways- firstly‚ by not accurately representing the cultures they are supposed to be exhibiting‚ and secondly‚ by limiting the experience of museum-goers who may be visually impaired or otherwise unable to visit museums that are purely mono-sensorial. After outlining and discussing the problems associated
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Introduction and Background of Museum of Brisbane Museum of Brisbane is one of the gallery in the Brisbane City located in the city hall. The Museum is the one which explores the vibrant living history of people including life style and exhibits the identity through exhibitions‚ workshops‚ tours‚ talks‚ Special events and MOB kids Children’s activities. Museum of Brisbane was opened in October 2003‚ replacing the Brisbane city Gallery. The prime motive of Museum of Brisbane is to explore and present
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Curtis Hess Museum Experience The outside activity that I chose to do was to visit a museum. The museum in which I visited was the Brandywine River Museum. This museum is located in Chadds Ford PA‚ which is right outside of Philadelphia‚ and like the name says it sits right along the Brandywine River. I went to this fine art museum with my sister who lives in the area and we did not take a guided tour‚ instead we just walked around on our own time and were able to talk about the paintings with each
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In the Folk Museum The concept of belonging The Museum A museum is a place of past. A folk museum celebrates the lives and lifestyle of a bygone era. This particular ‘folk museum’ is displaying the culture and life of the early Australians. The persona feels disconnected from the experience – the almost deathly scene betrays his‚ and others‚ lack of interest. Through the use of imagery‚ the poet sets a cold‚ stale‚ dark and a silent place and this highlights the persona’s feeling of not belonging
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GUGGENHEIM MUSEUM BILBAO Bilbao—today one of the top tourist destinations in Europe—was such a backwater in the 1990s that‚ according to Gehry‚ the 265‚000-square-foot museum‚ beside the Nervión River‚ went up almost unnoticed by the press. That only contributed to the drop-dead impact it created with its unveiling. “I like to work under the radar as much as I can. It’s been harder since I’ve gotten notorious‚” says Gehry. The first photos of the near-complete structure‚ which resembles a gargantuan
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exactly forty-four years before I was born‚ makes me connect with it even more. Finally‚ after 9 years of looking up facts and watching documentaries‚ I visited the Holocaust Memorial Museum in Farmington Hills‚ Michigan. According to the Wall Street Journal‚ this museum in particular “may be the most provocative museum of them all” (“What They’re Saying‚” par. 1). Just driving past the building makes a strong statement due to the museum’s exterior wall which resembles the barbed wire fences from a
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