The Los Angeles County Museum of Art is known for its diverse collections of art and artifacts that characterize the civilization throughout time. The Los Angeles Museum of History‚ Science‚ and Art was where LACMA first developed in 1910. In 1965 LACMA became its own institution‚ placing further emphasis solely in art. In 1976 the museum opened the first exhibition dedicated to the compositions of black artists from 1750 to 1950. There are historically collected art‚ dating as far back as before
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The Universal Museum – a valid model for the 21st century? Introduction In October 2002‚ the International Group of Organisers of Largescale Exhibitions‚ also known as the Bizot Group — a forum comprising directors of 40 of the world’s major museums and galleries — gathered in Munich for their annual informal discussion.1 The meeting was convened specifically to address the problem of how to confront the growing number of requests for repatriation of objects from ‘universal’ museums and in particular
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The last decades‚ museum studies and practice are marked by a shift in traditional museum views that emerged from a strong critique towards the narratives‚ values and‚ finally‚ the very definition of museums in contemporary western society. The emergence of New Museology was decisive in theorizing and putting this turn into a larger context that involved ideological‚ political and aesthetic dimensions. Museums‚ far from being neutral spaces of knowledge have a significant function in the mediation
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I had the pleasure of visiting The Miami Art Museum and was very impressed by what I encountered and viewed. I have never found interest in art until I got to see the museum. Throughout my exploration at the Miami Art Museum I was able to view a wide selection of art. In this venture‚ I viewed the most beautiful artwork I had ever seen‚ observed interesting non European/North American art‚ was alarmed by the most disturbing works ‚ explored a breath taking exhibition‚ and actually found work that
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David Myoung Per 3 09/09/16 Museum Project When I went to the Los Angeles Country Museum of Art‚ I learned many things such as paintings‚ sculptures‚ models‚ etc. The museum was very interesting and amazing. If I do happen to get another museum project similar to this project‚ I would definitely come back to LACMA. One of my favorite exhibits is called “Penetrable”. This was made during 1990 by Jesus Rafael Soto. This creation is an example of the op/kinetic movement. Because this was made from industrial
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The Grammy Museum is situated at the corner of W. Olympic Blvd and Figueroa Street in the Los Angeles Live District. It is opened throughout the week from 1030 a.m. to 6:30 p.m. during weekdays and 10.00 a.m. to 6.30 p.m. on weekdays. The museum is widely known for its tremendous efforts in paying tribute to the rich cultural history of music. It is a 21st century museum focused on celebrating and exploring legacies of all types of music‚ the technology of music recording and the entire creative
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Sarah Livingston Art History 110 February 3‚ 2014 Museum Visit‚ LACMA 1/25/14 The third floor of the Los Angeles County Museum of Art houses a permanent collection on Ancient Egyptian art. One of the pieces there is a 13" high figurine of the goddess Wadjet‚ sculpted from bronze in during the 26th Dynasty‚ est. 664-525 BCE. The figurine is in the round‚ with only the goddess’s feet attached the rectangular base she stands on. The hieroglyphs on the base identify her‚ as well as the name and parentage
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Notes on the natural history of the soul in Mexico CHAPTER 1 Page 1 “The soul is the ultimate essence of the person” eastern philosophies consider the soul to be a spirit trapped in flesh. Western orthodoxy says its a eternal spirit Aztecs= the mexica (post classic 1200-1519ad) Page 2 The Mexica- were mostly known for enthusiastically going to war‚ human sacrifice in rituals‚ dismemberment‚ cannibalism‚ and subjagation of conquered people. Had “ well developed
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Are Seltz’s new Japanese museums ‘counter-museums’ by Patterson’s definition? Patterson and Seltz introduce new museums differing in subject matter‚ context and methodology‚ but sharing analogous goals. The Jim Crow Museum of Racist Memorabilia (JCM) in the United States is touted by Patterson as a ‘counter-museum’ that ‘seek[s] to engage visitors as active participants in dynamic‚ continuing memorial processes’ (66)‚ and one that ‘seeks to use products of intolerance to teach understanding’ (68)
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In the 1950s the newly introduced plastic‚ hot pink flamingo was not only a yard ornament but also a symbol of a progressive and forward-thinking generation of Americans. In “The Plastic Pink Flamingo: A Natural History” Jennifer Price uses the bold symbol of the flamingo to reveal her view of United States culture. The beginning lines of the essay provide a vivid backdrop to Price’s argument. The image of a “pink flamingo [splashing] into the fifties market” conveys the boldness with which the flamingo
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