"Neo noir femme fatale" Essays and Research Papers

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    Eng225 - a Few Good Men

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    An Analysis of a Few Good Men Ashford Student ENG 225 Janelle Jalbert April 25‚ 2011 An Analysis of A Few Good Men This essay paper explores the ideas and concepts of rationality of the movie A Few Good Men. It will show you how different segments and scenes throughout the movie illustrate rational thinking among the major characters played and what actions they took to show us different rational behaviors. Six key characters make up this film. These characters are‚ Lt. Daniel Kaffee

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    Violence In Pulp Fiction

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    Quentin Tarantino has established himself as the quintessential neo-noir film maker since the passing of Stanley Kubrick. Kubrick’s specialty was creating surrealist imagery through limited dialogue and scenes filmed in “real time”. Tarantino has transposed the film making ideologies of Kubrick by adding complex dialogue and grotesque violence. Both men captured the film making styles of their era’s with postmodern neo-noir visuals as well as dialogue that spoke to the culture of their audience.

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    involved in the Suffrage Parade. The change in role was also reflected in the media: the garçonne-look portrayed the ideal woman as an androgynous‚ working woman that had reached equality with men while simultaneously possessing the appeal of the femme fatale. The Tommy Gun and Band- Aid: Can’t think of any ideas…… ( Sorry……… All pictures and info are from Wikipedia.

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    In the 1941 film The Maltese Falcon the character Brigid O’Shaughnessy functions as a typical Femme Fatale. She possesses qualities of the classic Femme Fatale such as the ability to manipulate the males around her for self-gain. Brigid O’Shaughnessy is a very attractive woman and she knows it‚ she uses her beauty and sexuality to get men to do what she wants treating them like puppets on a string. In the film‚ Brigid plays the innocent damsel in distress card to mask her true intentions which usually

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    On the other hand‚ Ray is the drifter who falls in love with a married woman. In Cain’s worlds‚ the drifter continuously moves because he lacks a home or steady job‚ but the Coen brothers paint Ray as a drifter who lacks ambition-a change more fitting of people nowadays. Even though Ray is willing to do anything for his lover‚ Ray does not plan to murder Marty. Instead‚ Ray finds himself in a situation where he believes he has to murder Ray to protect Abby. Rather than having the lovers murder

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    "Double Indemnity" is one of the best films of all time‚ not necessarily because of its story but because of the acting‚ direction‚ cinematography‚ lighting‚ and the narrative style. At the time this film was released‚ the idea of revealing who the killer was in the opening scene was virtually unheard of‚ but it ended up being very effective because it allowed the audience to concentrate more on other elements of the film‚ which was the goal of Billy Wilder‚ the director. Instead of trying to figure

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    alternately suggested‚ for example‚ that it is about the wasting power of sexual love and / or the poet’s infatuation with his muse. This particular analysis will examine the `La Belle Dame sans Merci’ as a poem about a femme fatale and offer a feminist interpretation of the ballad. A femme fatale or fatal woman conventionally tempts man with her beauty and ultimately causes his destruction. There are many such figures in traditional supernatural ballads concerned with a faery’s seduction of a human; notable

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    and practical reasoning in time of crisis. Subgenres like “chuan chi‚” “bian wen‚” “hua ben‚” among others‚ will be discussed in their historical‚ philosophical‚ and trans-regional contexts. Themes include the knight errant‚ heartless lover‚ femme fatale‚ ghost wife‚ dream adventure‚ justice‚ trickster‚ and so forth. Materials will be in English

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    approach‚ intentions and influences. John William Waterhouse created paintings in the Romantic style. Producing work mainly in oils‚ his canvases consist of realistic and natural settings. The artist’s fascination with beautiful heroines and the femme fatale is unquestionable and he portrays theme using symbolism‚ vivid colour schemes‚ and beautiful light. John Waterhouse worked several decades after the breakup of the Pre-Raphaelite Brotherhood‚ leading him to have gained the moniker of "the modern

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    Seeds of an Evolution: Crime Fiction “Genres are instances of repetition and difference...difference is absolutely essential to the economy of genre” Steve Neale states. Crime fiction is most undoubtedly the most popular form of fiction throughout the years and will continue to be so. However‚ the question remains: why? The genre of crime fiction has continually maintained its popularity through the ages by continuing to evolve and transcend contextual barriers to suit changing paradigms. The classic

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