IMAGINATION IN ROMANTIC POETRY A large part of those extracts on Romantic imagination - which are contained in the fascicule on pages D64 and D65 – are strictly related to an ancient theory about Art and Reality’s imitation‚ the Theory of Forms concieved by a Classical Greek philosopher‚ mathematician Plato - in Greek: Πλάτων‚ Plátōn‚ "broad"; from 424/423 BC to 348/347 BC. The Theory of Forms - in Greek: ἰδέαι - typically refers to the belief expressed by Socrates in some of Plato’s dialogues
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Poetry can be used as a way of transforming experience and emotions into words‚ which often details personal and intimate feelings that allow the reader to have a taste of what the poet felt in that vulnerable moment. However‚ being a poet often means your work is published and open to the scrutiny and opinions of the public. Thereby turning a once personal experience into a public spectacle. This can either unify reader and author in the comfort that someone else has gone through the same experiences
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ANGLO SAXON CHRISTIAN POETRY In the old English period‚ religious poetry seems to a flourished in northern England throughout the 8th century. Though‚ most of it has survived only in West-Saxon transcription of the 10 century. Old epic models no longer sweated the changed spirit of the age‚ new models were sought after. In the Christian poetry‚ we have variety of subjective note‚ as in “THE DREAM OF THE RUDE”. Prayer and praise of the lord‚ as we find in Caedmon‚ and the love for quite beauty
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those sound imitates its meaning. Ex: buzz‚ hiss‚ thud‚ and sizzle * Imagery is a descriptive language poets use to create word pictures or images. Images are enhanced by sensory language which provides details related to the senses. Types of poetry * Narrative-tells story that has the same literary elements‚ such as character‚ plot‚ stings‚ as works of prose fiction. Ballads‚ epics‚ and verse romances are three types of narrative poems. * Dramatic- uses techniques of drama to represent
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Pablo Neruda 12-5-11 ENG 204: Survey of World Literature 17th Century to the Present Section 01 Prof. Karpuk Pablo Neruda‚ a twentieth century Latin American poet did not limit his writing to one area of topics. After reading his poems he seems to be a very cultural poet that was influenced by politics‚ love‚ nature‚ and anything that evoked emotion. What sets Pablo Neruda apart from other poets is his use of figurative language‚ which brings his poetry to life and provides vivid visual
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Sierra Wardell Poetry Response Tuesday March 12‚ 2013 “The Writer” By: Richard Wilbur The passion one has for something can make those who have never related to it have a desire to understand it in order to experience the same passion. The Writer. This poem has too many words that could be said about it. Although this poem is about a father telling the readers about his daughter when she writes‚ it goes so much deeper than that. I find the theme of this poem to be passion. Three different examples
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IOC OUTLINE: POETRY INSTRUCTIONS: Underneath each of the points below type your notes in blue font. Your analysis of tone and stylistic devices must be done in a stanza-by-stanza or line- by -line fashion‚ in as much detail as possible. Avoid robotic comments and consider how and why as you develop your analysis. Introduction 1. State your full name‚ course‚ level‚ and the school you attend 2. State the title of the poem as well as the full name of the poet 3. Contextualize the poem into the
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repetition of sounds. Blank verse: verse without rhyme‚ especially that which uses iambic pentameter. Couplet: a pair of verses that finish a sonnet. They work as one stanza. Free verse: poem with no rhyme or rhythm. Meter: the rhythm of a piece of poetry‚ determined by the number and length of feet in a line. Iambic pentameter: structure in a poem where each line has 5 iambs
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within the vivid portrayal of the sights‚ sounds‚ odors‚ and movements of various elements of nature. He aimed at attaining something higher and divine and leaving behind a record of his mystical experiences in nature and human life in his poetry. So his poetry is not simply an artistic encapsulation of lovely and tranquil aspects of nature but also a comprehensive account of his mystical experiences. Wordsworth’s mysticism is remarkable for its meditative mood and pantheistic conception of nature
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‘The real meaning of a poem cannot be summed up by the dictionary definitions of its words.’ This is simply because‚ words and phrases are written very carefully to its best level. Poems like ‘Ode to the West Wind’ and ‘Anthem for Doomed Youth’ are great examples‚ whose real meaning cannot be defined by the dictionary definitions. Utilizing effective and innovative techniques such as rhetorical figures‚ tropes‚ rhymes and rhyme scheme‚ alliteration‚ assonance‚ and other key concepts such as form
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