English 1A 14 October 2012 Never Marry a Mexican Clemencia said‚ “So‚ no. I’ve never married and never will. Not because I couldn’t‚ but because I’m too romantic for marriage. Marriage has failed me‚ you could say. Not a man exists who hasn’t disappointed me‚ whom I could trust to love the way I’ve loved. It’s because I believe too much in marriage that I don’t. Better to not marry than to live a lie” (69). In the short story “Never Marry a Mexican” by Sandra Cisneros‚ a young woman named Clemencia
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In Sandra Cisneros’s “Never Marry a Mexican‚” the narrator‚ Clemencia‚ says “I’m amphibious. I’m a person who doesn’t belong to any class” (111). Although she speaks of economic classes‚ her amphibious nature applies to her love life as well. Constantly in extremes‚ Clemencia flip-flops between virgin and whore‚ the all or nothing of love and sex. Somewhere in Clemencia’s life‚ she decides she rather be the vamp than the wife. Her logic leads her one direction while her heart leads her another‚ creating
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Sierra Prescott English 170 Short Paper “Never Marry a Mexican” In my analysis of “Never Marry a Mexican” By Sandra Cisneros‚ I focused mainly on attempting to delve into the complex workings of Clemencia‚ the narrators‚ personality and motives. We don’t always think about the “why”. “Why” did she do what she did? Instead‚ we judge quickly and harshly. In class‚ Clemencia was quickly written off as a horrible person. Everyone has a back story‚ everyone has a certain contextual situation
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The short story‚ “Never Marry a Mexican” from the book “Woman Hollering creek” reimagines Doña Marina as sexually empowered woman who fears anglicanization. In the story “Never marry a Mexican” Clemencia witness culture mixing when her mother marries a white man who she committed several acts of infidelity with while Clemencia father is in the hospital. Motivated by her mother’s Anglicization she assumes a malevolent attitude toward Drew’s wife and engages in an interracial affair with Drew and his
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as Japanese-American Dwight Okita and Mexican-American Sandra Cisneros were both greatly influenced by US culture. Okita’s "Response to Executive Order 9066" and Cisneros’s "Mericans" establish topics of American identity and family relationships. Both Okita’s poem and Cisneros’s short story share themes that American identity comes from merging cultures and supporting one another is important in family relationships. In "Mericans" by author Sandra Cisneros‚ the first sign of American Identity in
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Translation in Sandra Cisneros’s Caramelo According to Bill Johnson Gonzales Through His Article “The Politics of Translation in Sandra Cisneros’s Caramelo: Translation‚ Defamiliarization‚ Ethics” Prologue: Memories‚ Recuerditos de la Guerita Normita‚ Como me Decían en Mexico A Reaction to Caramelo: Memories Repressed and Reborn Though I am aware that this is not a creative writing assignment‚ I cannot help but‚ at the very least‚ mention my personal experience as a first generation Mexican-American
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Sandra Cisneros‚ an award winning novelist base all of her short stories on the two cultures which she has grown up in and now call her heritage‚ American and Mexican. The merge of these two cultures play a significant role in the plot and setting of her stories. My Lucy friend who smells like corn‚ Eleven‚ Mexican Movies‚ Barbie Q and Mericans are just of few of Sandra stories in which she merges both the American and Mexican culture. In “My Lucy friend who smells like cheese‚” Cisneros describe
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Jacob Ledford Professor Vasconcelos Hammock English 1102M 21 January 2012 Sandra Cisneros Sandra Cisneros was born the daughter of a Mexican-American mother and a Mexican immigrant father. She grew up as the only daughter of a family of 7 children. The family frequently moved back and forth between Chicago and Mexico and she never had much time to settle anywhere. Cisneros graduated from Loyola University in 1976 with a bachelor’s degree in English and eventually went on to obtain her master’s
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Only Daughter Sandra Cisneros from Latina: Women’s Voices From the Borderlands. Edited by Lillian Castillo-Speed. New York: Touchstone/Simon & Schuster‚ 1995. Once‚ several years ago‚ when I was just starting out my writing career‚ I was asked to write my own contributor’s note for an anthology1 I was part of. I wrote: “I am the only daughter in a family of six sons. That explains everything.” Well‚ I’ve thought about that ever since‚ and yes‚ it explains a lot to me‚ but for the reader’s
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today without those strict rules. Growing up‚ I had two older brothers that would always get in trouble. One brother would skip school because he thought he was a genius. The second brother would always talk back to my parents. As for me I would never want my parents upset with me so I always did as I was told. At eight years old I could not ride my bike by myself around the block‚ which always upset me because my brothers were allowed to go to their friend’s houses which were a mile to five miles
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