"It don’t mean a thing if‚ it ain’t got that swing." Considered one of the best jazz writers ever‚ Duke Ellington had a huge effect on the prevalent music of the late twentieth century. Among his more than two thousand melodies are such hits as "In A Nostalgic Mind-set‚" "Refined Woman‚" "I Got It Awful And That Ain’t Great‚" and "I’m Starting To See The Light." For nearly fifty years‚ he visited the world as a band pioneer and piano player. Today his recordings stay among the most prevalent jazz
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The Beat Generation‚ a literary and artistic movement that emerged in the United States in the late 1940s‚ after the Second World War and in the early days of the Cold War‚ owes its name to street slang. The term "beat" (borrowed from street jargon‚ and meaning down and out‚ poor or homeless) perpetuated the romantic‚ bohemian myth of the “lost generation.” The Franco-Canadian writer Jack Kerouac‚ whose novel On the Road (1957) contributed to giving the movement its mythical aura‚ added a contemplative
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The controversy involving the question of Fusions belonging in the Jazz genre parallels the age old question concerning new forms of music fitting into existing musical paradigms. In examining the question of Fusion belonging to the Jazz genre‚ one observes that various critics in the jazz community perceived jazz music "as” high art” in contrast with the more commercial and less sophisticated rock music which Fusion merges with. “It is just noise‚” it has no melody” and “you cannot have artistic
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legendary‚ inspiring‚ exhilarating‚ Intoxicating‚ and electrifying jazz trumpet player. He was born August 4‚ 1901 - July 6‚ 1941(Louis Armstrong Wikipedia). After being on the road for a some while‚ he had finally went ahead and settled in Queens‚ New York‚ in 1943 in gratification of his fourth wife‚ whose name is Lucille. Jazz and soul music was a root to everything during that time period‚ especially blue. Although‚ African Americans knew about the discrimination that was going on‚ the whole dilemma
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From Jazz to Hip Hop New genres of music often start off with an underground following. As the music evolves it eventually loses its subversive feel. It is no longer revolutionary nor a creative art form‚ thus it becomes a product of popular culture found amongst the demographics of MTV. One popular style of music that grew by countering American culture is jazz. Today jazz is often compared to hip-hop; both art forms have grown from an underground following to counter American culture. Furthermore
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Bibliography "Superstorm Sandy: Facts About the Frankenstorm." LiveScience. Purch‚ n.d. Web. 05 Jan. 2017. . Rafferty‚ John P. "Superstorm Sandy." Encyclopædia Britannica. Encyclopædia Britannica‚ inc.‚ 31 May 2016. Web. 05 Jan. 2017. . CNN. Cable News Network‚ n.d. Web. 05 Jan. 2017.
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from 2002 to 2006‚ being responsible for great albums such as The Soul of Things‚ Suspended Nights‚ and Lontana. In 2013‚ Stanko formed his New York quartet‚ a stellar project that featured Cuban-born David Virelles on piano‚ Thomas Morgan on bass‚ and Gerald Cleaver on drums. They recorded the critically acclaimed double-disc CD Wislawa. For the quartet’s new work‚ December Avenue‚ Stanko was forced to give Morgan’s position to Reuben Rogers. The outcome remains bold and innovative‚ as well as immediately
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Sonny’s passion for the freedom that both heroin and music causes him to feel allows him to find a way to stay in Harlem‚ rather than accomplish his goal of escaping out of the neighborhood altogether. The struggles Sonny experiences in finding his “new life” show how society impacts him in a way that pushes him to try any method possible to “make it” in the harsh reality that is Harlem. Sonny feels trapped in his unsafe neighborhood and looks for any method possible to find a way out of it until
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The baton lifts. Suddenly‚ in a myriad of melodies‚ harmonies‚ timbre‚ and texture‚ a whole new realm is unraveled. The extraordinary feeling of unwinding and renewing your mind by listening to the flow of music is inexpressible. Nothing compares. My sophomore year I was given a choice: Either continue in the solo classical piano I had played my whole life‚ or join jazz band and put effort into learning a new style of music. I chose jazz. The comping‚ sight-reading‚ and working with a group of people
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Clarke played in the groups of Leroy Bradley and Roy Eldridge. He on the road in the Midwest for quite a while with the Jeter-Pillars band‚ which likewise included bassist Jimmy Blanton and guitarist Charlie Christian. By 1935‚ Clarke finally moved to New York since most of his work was ther now. He worked for band leaders Edgar Hayes and Lonnie Smith‚ and there started building his rhythmic theories which would later characterize his commitment to jazz music. While working in the groups of Edgar Hayes
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