Power in Macbeth The play Macbeth by William Shakespeare is still a well known a widely studied text‚ despite having been written many centuries ago. Arguably one of the most pivotal themes of the play is that of power‚ which is looked at in many different ways and lights in the text. Ultimately‚ Shakespeare does not seem to support the commonly held view that power corrupts. Rather‚ he suggests that the desire to attain power is a trait of most people‚ to some degree or another‚ and that when
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The Reader Bernhard Schlink Themes War Guilt One of the main ideas in The Reader is German war guilt - guilt felt by both the war-time generation and the post-war generation. The post-war generation‚ to which the author‚ Schlink‚ belongs‚ has struggled to come to terms with the war crimes committed by the previous generation. The novel begins with a sick Michael being comforted by the maternal Hanna. This is an obvious symbol for the idea that the post-war generation needs to confront the deeds
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The Subject and Power Author(s): Michel Foucault Source: Critical Inquiry‚ Vol. 8‚ No. 4 (Summer‚ 1982)‚ pp. 777-795 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1343197 . Accessed: 26/09/2011 07:49 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars‚ researchers‚ and students discover‚ use‚ and
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Other common ground that Blanche and Stanley share is that they have both hurt their spouses‚ and felt remorse after the incidents. Blanche is full of guilt‚ feeling responsible for the suicide of her husband‚ Allan. As the story progresses‚ her remorse becomes more and more apparent. She regrets calling him “disgusting” after discovering that he was having an affair with an older man (133). Blanche feels as though Allan’s blood is on her hands because of her harsh judgement‚ and lack of compassion
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Harmon’s experiences that sometimes guilt or innocence of a person might not be determined by solid evidence but by onlooker’s opinions and interpretation of the crime. There is not a large amount of scientific evidence in the case against Steve Harmon‚ so the jury must rely on Steve’s background information‚ their opinions of guilt and innocence‚ and the testimonies of the witnesses who are mostly criminals. From Steve’s trial‚ the reader learns that a persons guilt or innocence is often determined
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The Power of Knowledge Our present day cabinet of curiosities (the "Cabinet") is akin to early modern representations‚ which contained a vast range of objects representing the power of divine creation‚ in that the Cabinet represents‚ through its display of five objects‚ the power of human knowledge. Each of these objects helps mankind acquire and/or use knowledge. The order of objects displayed has been designed to reflect the evolution and utilisation of knowledge: an illustration of the DNA spiral
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Hanatu Scott Professor Shandor English 1102 10/9/13 Guilt and Burdens in The Things They Carried Contradictions‚ guilt‚ physical‚ and emotional burdens are pains that all human beings face throughout their lives. In Tim O’Brien’s novel‚ The Things They Carried‚ this is no different. This novel is a collection of the adversities he and his comrades face while fighting in the Vietnam War. This collection comes with accounts from various perspectives‚ but each story has argument that provides a
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Nathaniel Hawthorne’s The Minister’s Black Veil Guilt and Alienation Nathaniel Hawthorne’s writings have had the history of relating to a certain times in his life. The stories were not fully based on what he went there or what his family had done‚ but the idea of them had come his imagination and from his life. The guilt and alienation that “The Minister’s Black Veil” has seems to have a relation to the guilt that Hawthorne felt about what his family had done in Salem. Hawthorne’s desire to
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Living in Guilt Charity Ryan Throughout The Scarlet Letter‚ Reverend Arthur Dimmesdale is tormented by his sin‚ leading to his inevitable death. Hester Prynne must live with the retributions of her adultery every day of her life‚ Pearl being a constant reminder. Even Chillingworth disintegrates under the power of his own sin‚ that of revenge. It seems Hawthorne is trying to make a point in his novel; that it is impossible to escape the consequences of your actions (especially in Puritan
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Initiative vs. Guilt The third of Erikson’s stages‚ initiative vs. guilt‚ is when a child‚ aged three to six‚ discovers their sense of purpose. Adams (2008) explains the mindset of this period as “What can I imagine I will be?” (p. 353). It is this stage when a child’s imagination begins to explore its limits and children will often engage in pretend play. Markstrom‚ Sabino‚ Turner‚ and Berman (1997) believe that though the young child’s make-believe world of role playing‚ they develop their sense
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