A Comparison of Two Italian Historical Films and Their Original Novels One of the most captivating films with its respective novel is “The Conformist” directed by an Italian Bernardo Bertolucci in 1970. Particularly‚ the writer named Alberto Moravia developed the scrip for the movie in the form of a novel in 1951. The content of the movie and the film are same‚ but a difference emerges in the way its characters perform their work. The film itself has stylish visuals that echo the imagery formed
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Film Analysis: The Conformist The Conformist‚ directed by Bernardo Bertolucci portrays the struggle of Marcello Clerici‚ who is torn between two worlds. To emphasize this battle between good and evil‚ right and wrong‚ the production design and visual composition include an excellent use of light and shadow. In particular‚ it was quite compelling to see the lighting shift as Clerici vacillated between being a good fascist and living a normal life. In virtually every scene that highlighted fascism
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When I Heard the Learn’d Astronomer Walt Whitman 1. Bio: Walt Whitman practically taught himself to read through the works of Homer‚ Shakespeare‚ Dante‚ and the Bible during his time as a printer’s apprentice in New York City. After a printing district fire in 1836‚ Whitman became a teacher‚ and then a journalist. In 1855‚ he published the first edition of Leaves of Grass‚ sending a copy to Ralph Waldo Emerson‚ famous transcendentalist. In 1865‚ the updated edition included Emerson’s letter
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the necessities of the human race. We need medicine to heal us‚ laws to keep us in order‚ business to keep us off the coach and engineering to advance us. He is saying that we stay alive for “poetry‚ beauty‚ romance [and] love.” John quotes one of Walt Whitman’s poems “O me! O life” to gather further meaning to what he was saying to the students. It’s almost like John is saying the answer to our lives and why we’re still going is poetry.
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Emily Dickinson and Walt Whitman are two poets that helped shape the way we think about poetry. While their backgrounds and writing styles were quite different‚ both Dickinson and Whitman challenged accepted forms of writing and are regarded today as important poets. Dickinson and Whitman had very different upbringings. Dickinson was raised in Amherst‚ Massachusetts‚ and had two siblings. She was always put in the best schools and even received a college education at Mount Holyoke. Her family
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Although all of the texts that we have read in class are of equal importance‚ I have chosen to compare “The Death of Ivan Ilyich” by Leo Tolstoy‚ “Faust” by Johann Wolfgang Von Goethe‚ and “From Song of Myself” by Walt Whitman. All works have to do with the sense of self and coming to terms with the world around them. To begin‚ “The Death of Ivan Ilyich” is about a man who lived a life based on the world around him and what was expected of him‚ he was not living for himself. Ilyich’s life was an
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“Walt Whitman” Literature scholars inevitably encounter Whitman at the commencement of any poetic exploration (Perlman 21). As proposed in the novel Walt Whitman: A Measure of His Song‚ every twentieth century American poet has some encounter with Whitman‚ and each encounter is different. “Roy Harvey Pearce‚ in The Continuity of American Poetry‚ suggests that ‘All American poetry [since Leaves of Grass] is‚ in essence if not substance‚ a series of arguments with Whitman…’ One way to understand twentieth-century
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Whitman is a big believer of individuality and finding oneself while submerging into other individuals observing other perspectives at the same time. Whitman expresses that his inner self does not change by using long sets of repetitions throughout most of his poems such as poem 31‚ the repetition of “in vain” stating that everyone in the world cares what others think of themselves no matter how hard a person tries not to. Whitman illustrates that no matter what a person has experienced‚ the person
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Through the poem ：When I Heard the Learn・d Astronomer；‚ Whitman leaves a dominant impression of his own view of astronomy and it・s abundance. He describes how the speaker recounts a day sitting through an astronomy lecture‚ listening to the astronomer・s dull mathematical descriptions of the stars by charts and figures. Gradually the speaker gets sick of its content. Instead‚ the speaker finds understanding and satisfaction just by wandering off plainly looking up at the night sky. The speaker generates
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Walt Whitman Walt Whitman revolutionized American poetry. Responding to Emerson’s call in “The Poet” (1842) for an American bard who would address all “the facts of the animal economy‚ sex‚ nutriment‚ gestation‚ birth‚” he put the living‚ breathing‚ sexual body at the center of much of his poetry‚ challenging conventions of the day. Responding to Emerson’s call for a “metre-making argument‚” he rejected traditions of poetic scansion and elevated diction‚ improvising the form that has come
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