An enormous castle fit for any king or queen. The tops look as though they are scraping the sky; colors of pale pink and baby blue grace the tall pillars. A draw bridge decorates the castle. As I gaze into the background‚ I can see the tip of The Matterhorn‚ which makes me want to make a mad dash to Frontierland where my favorite Disney attraction awaits. Alas‚ the Pirates of the Caribbean. As we enter the ride‚ a scent that is memorable and everlasting
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individual slave to the interpretation of others. The tasks one performs suffer under the critical gaze of all. The idea of being able to take charge of how one’s own behavior is interpreted is a nice thought‚ but not possible‚ seeing as how external opinion becomes what matters. Arendt expresses how‚ regardless of individual opinion of one’s behavior and actions‚ one will always be victim to the critical gaze of others. Quote #1 “Although everybody started his life by inserting himself into the human
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training. His gaze wander to his Chest‚ tight muscles‚ a six-pack right under it. Now looking at his legs‚ strong legs‚ for carrying the heavy equipment back then‚ for chasing the foe and running from them. He flinches his tail into the sight of the mirror‚ touching it‚ a normal fox tail‚ well groomed despite the years on the battlefield. Touching the several scares hidden under the fur‚ the many years on the battlefield reflect in them‚ despite of his young age. He breaks his gaze from the mirror
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elegant Ionic details allow the sophistication of the temple to show‚ while also providing multiple entranceways for tax purposes‚ or view of Athena’s sculpture in the cella. The Shard’s complete glass medium‚ and the height of it provides people to gaze from afar‚ but most importantly‚ it allows people in the structure to look out and get a breathtaking view of London from where they’re standing. The Parthenon and the Shard can also be used for enjoyment purposes seeing as the Athenians conducted
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In the 2007 film Atonement‚ director Joe Wright uses characterisation and explicit symbolism to explore the themes of truism and misconception. He uses this to comment on how the abuse of power is carried out by people who are seemingly civilised. Wright used both non-diegetic and diegetic sounds to draw comparisons between the seeming civility and the actions of Briony and Paul Marshall. Various mis-en-scène elements‚ such as the characters’ appearances and speaking style‚ are effectively used to
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Michael Jackson and Bubbles 1988 by Jeff Koons is without a doubt a controversial work of art that delves into popular culture in such a way that hegemonic readings of the sculpture are not possible. The image invokes oppositional readings by different viewers with such polarization that this masterpiece‚ if it can be called that‚ is referred to as both sublime and banal‚ as a valued work of art and as a kitschy commodity. This diversity in the assessed meaning of this work draws upon deeply rooted
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The Power of Observation The power of sight and observation are two actions that are generally associated with one another. However‚ what we fail to acknowledge is that these two actions‚ although associated with the same sense‚ have different responsibilities to fulfill. Although seeing is a habitual act we perform the second we open our eyes to when we fall asleep‚ we are not always observing our surroundings. Observation differs from sight due to the fact that when we observe‚ we are vividly
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Kathiva becomes due to her lifestyle as a submissive housewife to her husband. Also how her observational skills allow her to escape danger and allow her to start over. "She secretly wondered if perhaps that is what it would take to bring his gaze to life: violence" (Rao
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CRST 2A BODY CONSTRUCTS • What constitutes the ideal body? • What is a saleable body image? • How should we look‚ love and behave? • The Body is mutable and liminal. It is vulnerable and powerfully re-inventive. • The body in advertising becomes a warzone‚ characterised by threats‚ deficiencies and deferrals. • Appearance and sexuality are complex media issues. • Four concepts relating to the use of the body in advertising: anxiety‚ envy‚ glamour and sexuality (R Coward‚ 1996) SEEING THE SELF Body
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Rebellion‚ Power and Strength Diesel is a contemporary‚ luxury nouveau genre Italian design clothing company whose clientele is the young adult market. Throughout the years Diesel has established its name partly through an array of shocking controversial advertising campaigns‚ such as Be Stupid‚ Misopolis‚ which promotes women’s right to abortion‚ and finally‚ Fuel for Life Women Only designed to advertise their latest fragrance for women. The latter has launched a series of commercials and banners
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