"Normalising gaze" Essays and Research Papers

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    Phillis Wheatley

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    oem‚ that  message being that America should be feared and that Washington is a magnificent general who  will protect and emancipate the colonies from Britain. For example‚ in paragraph one‚ Wheatley  states that “nations gaze at scenes before unknown!” The phrase “nations gaze” is a form of  personification which refers to the nations watching the war unfold before them.The world hopes  to see America be the victor. This statement would also be a form of metonymy‚ by replacing the  reserved people with nations

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    War Poetry Analysis

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    Text Response: War Poetry Dulce et Decorum est by Wilfred Owen and Homecoming by Bruce Dawe are about the disaster of war‚ yet they speak of different wars with different mindsets of the soldiers. In the following essay I discuss the history behind the poems‚ the poetic devices that Owen and Dawe used. Each poem addresses their own truths about war. The first poem is from WW1 where ignorance was common‚ so common that boys of only 17 years were signing up for “the adventure of a life time”. The “adventure”

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    Pleasantville

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    to her. another example is later on portrayed through the first splash of colour in Pleasantville‚ which is a red rose seen by Skip. It is significant as it is the first colour object seen and through the close up shot shown you see Skip’s curious gaze. Red can symbolise

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    The Bridge‚ written by Henry Wadsworth Longfellow sometime after the death of his wife during miscarriage in the year 1835‚ reflects on the heart-rending feeling of loss. The poem was written by Longfellow as not only a reflection of the tragic loss of his wife‚ but also as a reflection of the conflicting emotions felt by him pertaining to the loss. In his poem‚ Longfellow describes two of the foremost conflicting emotions as depression and acceptance. These emotions are the same emotions later

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    America

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    my blood‚  5 Giving me strength erect against her hate‚  Her bigness sweeps my being like a flood.  Yet‚ as a rebel fronts a king in state‚   I stand within her walls with not a shred  Of terror‚ malice‚ not a word of jeer.  10 Darkly I gaze into the days ahead‚  And see her might and granite wonders there‚   Beneath the touch of Time’s unerring hand‚  Like priceless treasures sinking in the sand. -Claude McKay (American 1890-1948) Explication: The poem’s title ‘America’ presents

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    This paper is a formal analysis‚ treating Peter Paul Rubens’ 1612 masterpiece‚ Massacre of the Innocents. The oil painting stands at approximately 150 x 200 cm‚ a size offering the viewer a window-like gaze into a historical scene of twisted‚ bloody carnage. Formally‚ there is much cohesion with the overall disastrous theme of human chaos and disorder. On a compositional whole‚ the anguish and psychological suffering compliments scattered lighting‚ vivid color‚ and clustered space. The painting is

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    Tom had been on the go since six o’clock that morning‚ had confirmed that the brutal rape and murder of a woman was the work of a serial-killer‚ interviewed her friends and acquaintances‚ and spent hours perusing telephone phone and computer records‚ without coming up with one iota of substantive evidence‚ or feeling as if he’d located a direction in which to turn. The only break‚ and sustenance‚ he’d had all day was the quick lunch with Lila‚ and the Detective was mentally and physically exhausted

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    started directly at the audience. This reminded me of the Luncheon on the Grass by Edouard Manet in 1860 where the female prostitute looks straight at the viewer. With a stern expression and hint at viewer involvement‚ the woman in Bermuda Lovers gazes intensely at the audience‚ perhaps it is a desperate cry for help‚ yet the onlookers‚ the viewers in the museum‚ do nothing but look back at her. In that way‚ the painting could be a commentary people’s lack of action toward wrongs and injustices.

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    Identities and Bodies

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    Identities and Bodies Freudian View of Identity Drive theory (biology): born pleasure seeking. Through the resolving the Oedipus conflict we come to accept external social demands Key for the development of our gendered and sexual identities is our acceptance of taboos on sexuality We employed all manner of defense mechanisms to meet these social demand‚ which is also formative of our personalities and the nuances of how we live our identities Marxist approach to Identity Ideology is‚ in principle

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    casting a questioning gaze in rowanpaw’s direction‚ the tom explained the situation as quickly as he could: while out with his brother‚ he’d heard this kit’s cries for help. he’d aimed to save it but had no clue how to do so. gears began to turn in the she-cat’s brain and she

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