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    STYLE FILE Origin Italy France Major Influences *Italian art‚ painting and architecture *Light-hearted themes on painting architecture and sculpture. *‘feminine style’- furniture‚ tapestry‚ clothing‚ interior design Notable Features *Intellectual and artificial‚ elongated forms‚ exaggerated and manipulated space * sophisticated‚ light and airy‚ elegant and curvy Key Facts *a reaction against the used of certainty in building structures *something out of the ‘conventional’ *no

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    the meaning of life

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    Introduction: According to Saint Exupery in The Halo (2006)‚ “Each man must look to himself to teach him the meaning of life. It is not something discovered: it is something moulded.” The meaning of life has a no specific definition; it depends on how each individual give meaning to their lives. It is a natural thing for an individual to curiously know about their life since their birth till death. Moreover‚ human beings are also curious to find out why they were put in this earth that is why babies

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    Matt Pearson Professor Ancell Humanities 201 5 August 2013 Scholasticism in Religious Architecture "Sacred architecture is not‚ a ’free’ art‚ developed from ’feelings’ and ’sentiment’‚ but it is an art strictly tied by and developed from the laws of geometry" (Schneider). This is a governing principle behind the architecture and stained-glass images in Chartres Cathedral: the building wasn’t just built without a plan or the art didn’t just happen‚ it is a systematic creation using geometry

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    How Happy Is Architecture?

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    how happy is architecture? andre ford ma architecture_2012 7057 words CONTENTS INTRODUCTION 3-10 PROBLEMS WITH THE INDIVIDUAL 11-17 PROBLEMS WITH EDUCATION 18-23 SEAN MCALISTER INTERVIEW EXCERPT. 24-26 CONCLUSION 27-32 BIBLIOGRAPHY 33-36 IMAGES Fig 1. RIBA Pt1 Entries and Pt3 Passes 1996-2009. http://learningarchitecture.wordpress.com/2011/06/16/statistics-the-numbers-behind-uk-architectural-education/ Fig 2. Howard Roark‚ the protagonist of The Fountainhead http://culturecrusader

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    determining the locations of teaching buildings‚ residence halls and so on. As a landscape architecture student‚ I am interested in this topic. I interviewed professor David Michael Barbarash‚ who is an assistant professor of landscape architecture in Purdue University. Prof. Barbarash earned a bachelor’s of landscape architecture from Virginia Tech and a master of science from the department of landscape architecture at State University of New York Environmental School of Forestry. Before he came to

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    Meaning of Life

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    happiness consists of. You will never live if you are looking for the meaning of life” (Albert Camus). Life is about living to your fullest abilities; why waste our time looking for the meaning of each breath we take? Each person is a part of life. Each life has a world of its own. I believe that the meaning of life‚ defined by Victor E. Frankl‚ is to find meaning in our own life. Each and every person on this planet has a meaning to his own life‚ and is a unique and independent individual. And so

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    you will regret it ‚and at the end it will be too late for you. “ The arrows of death fly unseen at noonday” ‚ this is a good metaphor by John Edwards about his arrows of death. It gives fear to all the sinners because they never know when the arrows of death will surprisingly attack and kill all them and send them to hell. It shows a metaphor because the arrows represent death and they fly unseen meaning that the sinners who

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    Monumental architecture derives from a variety of characteristics ranging from its impact and functionality to its sustainability and elegance. There are also many other factors that convey a structure as being monumental. Some rely on the functions that contribute to their culture while; others rely on religious and political aspects. During the Bronze Age‚ the main influence of monumental architecture relied on each state’s political system. This can be seen throughout history‚ especially from

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    Greek Architecture in Egypt

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    Characteristics of Greek Architecture:- INTRODUCTION:- Instead of covering nearly every bit of space with ornament‚ as the Egyptians did‚ the Greeks selected only the best places for it‚ and thus gave it its proper effect. The decorations‚ especially the sculptures‚ were one of the chief features of a Greek temple. Besides their temples the Greeks built many theaters which may be studied from their ruins‚ but of their dwelling-houses almost nothing remains to us. The Greek style is noted for

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    mathematicians of antiquity to the humanist scholars of the High Renaissance‚ and parallels between the bodily proportions and architecture have played their part in some of the most celebrated architectural feats. Writers and architects throughout this period never ceased in exploring the various ways in which the ‘arrangement of the human body’ could be applied to architecture‚ from associations with the Golden Section‚ to the Roman perfect numbers‚ and the creation of the square and the circle as

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