often said that in the end tragedies leave the audience more satisfied than comedies. This is particularly wrong in most movies because comedies show life in a different perspective than tragedies do. Comedies often have a different impact on the audience simply because of the way tragedy is portrayed in comedies. Comedies are very popular for making the audience laugh‚ which is the most powerful expression of feelings. Comedies also show the audience true life‚ in a way that the audience feels attracted
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The comedy of Manners emerged during the age of Dryden‚ the age of Restoration. Therefore it is also called Restoration Comedy. “The Restoration comedy of manners reached its fullest expression in The Way of the World (1700) by William Congreve‚ which is dominated by a brilliantly witty couple.” This sort of comedy is called comedy of manners for the writers in the restoration theatre have shown the ‘manners’ and ‘morals’ of the ways of life of the higher class aristocratic fashionable society‚ however
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to have again what he once cast off” (102-103). The seventh layer of hell: where the suicides’ go to forever take on the body of a tree‚ and to have life begin to grow only to be eaten by Harpies. Dante Alighieri‚ author of the poem‚ “The Divine Comedy” derives the meaning behind the “forest of suicides” and the “bush-souls” from the influence the Catholic Church played in Florence around the 1300’s. The “forest of suicides can be explained through the Last Judgment‚ and how the sinners punishment
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Aristotle said that comedy is ‘’an imitation of inferior people’’. How far do you think that this applies to the character of Rita in the play ‘Educating Rita’? Educating Rita is a play that uses the colloquialism of the main protagonist‚ Rita‚ to create the comedy element for the audience when she is being tutored by Frank‚ an untypical university lecturer who works in the setting of 1980’s northern England. In interpreting the characteristics of Rita‚ it can be identified that comedy is indeed an imitation
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The Divine Comedy‚ written by Dante Alighieri‚ analyzes life after death in aspects that many beings do not consciously admire. Dante takes the reader along on an adventure through Hell‚ Purgatory‚ and Paradise. Though Dante is the author‚ he is also the main character of this journey through the afterlife. Dante uses both first person point of view and impeccable imagery in his developing of the themes of The Divine Comedy. There are three main themes throughout the poem: the perfection of God
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LYSISTRATA‚ a comedy of stereotypes The playwright Aristophanes wrote about an ancient Greece‚ Athens in particular‚ during a time of constant warfare. His play "Lysistrata" is an attempt to amuse while putting across an anti-war message. In fact even the naming of the play is an anti-war message of sorts. The word "lysistrata" means‚ "disband the army" (Jacobus 162). Aristophanes was a crafty writer; he creates a work of art that causes his audience to think about the current state of affairs
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Dante Alighieri’s “The Divine Comedy” is a poem written in first person that tells of Dante’s altered-ego pilgrimage through the three realms of death‚ Hell‚ Purgatory‚ and Paradise while trying to reach spiritual maturity and an understanding of God’s love while attaining salvation. Dante creates an imaginative correspondence between a soul’s sin on Earth and the punishment one receives in Hell. "In the middle of the journey of our life I came to myself in a dark wood where the straightway
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Analysis of The Divine Comedy The selected text comes from The Divine Comedy‚ written by Dante Alighieri‚ an Italian poet. It is a part of Canto XXIV‚ where Dante goes down to the seventh chasm of the eighth cycle in Hell with Virgil’s help. The seventh chasm is the Thieves’ place which is filled with “a terrible confusion of serpents‚ and Thieves madly running.” This short selected text links the previous passages with later passages by developing of the scenario of The Divine Comedy. In this short
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Racial Stereotypes in Comedy Hollywood films‚ for centuries‚ have been using American comedies to humorously naturalize the beliefs of racial differences that construct the ideological basis of racial hierarchy. In American history racial hierarchy refers to the ranking of different races or ethnic groups. Professionals have found a ways for these films to provide the public with a positive source of pleasure in the negative portrayals of their own race and no reactions to produce oppositional discourse
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participants’ feedback from the focus groups‚ the authors found that while there are several similarities in opinion between the two races‚ the most significant results come from the differences. Both races agreed with the very broad statements that racial comedy can be entertaining‚ that there is some truth to it‚ and that there is certainly a time and place for it. When these generalizations are broken down‚ however‚ there are many distinct differences. These differences are especially clear when broken
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