The statue of David produced by Michelangelo represented the republican status of Florence at the time. In this example of David‚ he is represented as an older man with the physique of one with a muscular body and a composure from head to toe that easily emits confidence and mystery. This is all of course in comparison to the rather younger more pre-pubescent version of David done by Donatello. Key characteristics done by Donatello here allow us to assume David is represented as someone much younger
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neutral Karma is similary in Hinduism and Jainism in that the laws of cause and effect can be used for ones benefit in the afterlife. It is different in the two religions in that in Hinduism‚ karma is dependant on the will of a God‚ and in Jainism it is dependant on the individual. This is significant because in both Jainism and Hinduism‚ karma has an effect on every aspect of a person life both directly and indirectly. The two religions apply karma to their lives in different ways‚ both within
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at least one person that is familiar with the language and culture of the target market. A mistake that unintentionally insults the market may not be easily forgiven. Local knowledge Different markets also have different levels of sensitivity about nudity. While is is commonly accepted that sex sells‚ in some countries it could lead to people taking offence. It is not only the culture and language that are important when opening a new market. The company will need an understanding of market conditions
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personal beliefs or feelings or their take on what might be wrong with society. To censor these works is to censor a part of their personality. While it is true that most art can be viewed publicly and offensive works that contain themes such as nudity or violence should therefore be censored‚ one can always choose not to look at them. Art often has to do with subjectivity: some viewers are offended‚ some are impressed. Furthermore‚ there are also regional differences to this matter. For example
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Michelangelo’s David he was making a political statement. In both works of art‚ part of what viewers found objectionable about them was that they (the public) did not understand what the works represented. In Michelangelo’s David‚ the public saw nudity. Other people saw politics and religion were being attacked. In Duchamps painting‚ the public I think‚ partially responded to the paintings name‚ and they did not understand that the painting was not actually of a nude person but was a “series of
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seen as professional. When your outer appearance isn’t seen as professional‚ neither are you. Not only is this inappropriate‚ it is a big distraction to others. Second of all‚ the school is trying to teach us! No one wants to see a person’s ‘near-nudity’ wardrobe‚ and the school is regulating that so that we won’t have to. The
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Contrapposto pose shows an interest in humanity and the display of motion by normally shifting the figure weight on one side of it. Contrappoto and nudity seen in this particular artwork are classical characteristics; artists have used this skill many years ago to show interest in the human form and drama. The artwork I’m going to describe is a painting done by Abraham Janssen of Saint Sebastian in the year c 1609. From looking at the painting I couldn’t get much of the story‚ so I decided to research
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Children’s Functional Health Pattern Assessment Functional Health Pattern Assessment (FHP) Toddler Erickson’s Developmental Stage: Preschool-Aged Erickson’s Developmental Stage: School-Aged Erickson’s Developmental Stage: Pattern of Health Perception and Health Management: List two normal assessment findings that would be characteristic for each age group. List two potential problems that a nurse may discover in an assessment of each age group. Immunizations current Regular
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Greek Sculpture Greek Sculpture evolved and transformed throughout the ancient civilization through nearly nine hundred years and three major historical periods. Over the lengthy time that the Greeks prospered‚ many artists and sculptors worked to perfect the arts that they labored on. They started from the ground up and their art continuously developed from the feet‚ eventually up to the head where the sculpture was perfected. Each period‚ from the Geometric to the Hellenistic had significant
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along with courses at Jefferson Medical College. Later on he continued to study in Europe and worked with other artists. From early on Thomas Eakins loved the human body and was very interested in it. As stated in an article‚ “Already at age 24‚ ‘Nudity and verity were linked with an unusual closeness in his mind’. Yet his desire for truthfulness was more expansive‚ and the letters home to Philadelphia revealed a passion for realism that included‚ but was not limited to‚ the study of the figure”
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