INAUGURATION: A pleasant good morning and a warm welcome to one and all present here. “Coming together is a beginning‚ Keeping together is progress‚ Working together is success”. Yes we are all here together for the Inaugural function of the four day “International Workshop on Stress Assissted Environmental Damage in Structural Materials”. INVOCATION: As we march forward into this grand event with high hopes and aspirations‚ let us invoke the blessing of God Almighty to be highly successful in all
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SCENE 1 ::: (One morning when narrator is in the midst of the seventeenth chapter of his new novel‚ his 5 years old daughter Mini enters into the room) MINI ---Father! Ramdayal the door-keeper calls a crow a krow! He doesn’t know anything‚ does he?" NARRATOR--- Do you know the differences of languages in the world? (Before the narrator could explain to her the differences of language in this world‚ Mini comes out with another question). MINI---What do you think‚ Father? Bhola says there is an elephant
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Negotiation is perhaps the most flexible form of dispute resolution in modern times. However‚ it cannot be assured that it will always reach a positive conclusion. The negotiation dialogue in between the powerful Athenians and weak Melians is one such example. Melians were concerned with fairness‚ justice‚ impartiality‚ and honor. They were quite idealistic and proved to be uncompromising on that principle. On the other hand‚ Athenians were apprehensive towards the Melian’s reservations. They were
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Summary of the Dialogue At the gates of the city of Megara in 369 BC‚ Eucleides and Terpsion hear a slave read out Eucleides’ memoir of a philosophical discussion that took place in 399 BC‚ shortly before Socrates’ trial and execution (142a-143c). In this‚ the young Theaetetus is introduced to Socrates by his mathematics tutor‚ Theodorus. Socrates questions Theaetetus about the nature of expertise‚ and this leads him to pose the key question of the dialogue: "What is knowledge?" (143d-145e). Theaetetus’
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A Live Radio Show Script What follows are the first pages of the script. This sample will familiarize you with the style of the piece and how a radio play differs from a traditional play script. Holiday music plays. We’re in a radio studio. On the stage are two microphones and a sound effects table ‚hanging above all are Applause‚ On the Air and WBFR illuminated signs (at the moment‚ only the later is lit). Maybe there’s a window in the background overlooking a skyline‚ maybe it snows outside
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important part of building rapport. The good news: Small talk is a skill. You’ll become more natural by practicing. We’ve provided word-for-word scripts to help you start this process. Eventually‚ you’ll be able to set these scripts aside and make them your own—letting your own personality shine through. THE 3 OPENERS THAT WORK FOR 90% OF SITUATIONS Here are 3 scripts that work in nearly any situation. I’m giving you the exact words. Notice how ordinary they are. That is intentional! The truth is‚ we’re
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How to Write Radio News Scripts Introduction Learning how to write news for radio broadcasting can be a challenge because it is a format that has its own rules. First and foremost‚ radio news scripts are written for listeners‚ not readers or viewers. Follow these basic guidelines for writing a radio news script: Instructions Difficulty: Moderate Steps Step One Know that radio news writing is aimed toward the listener‚ so the writing should be clear and simple. No words that are difficult to
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To start with‚ one can analyze “The Yellow Wallpaper” by examine the dialogue used through the male point of view. Gilman makes a strong statement about males in society during her time period. Charlotte believes that really see women as children more than as actual people. One can see this when the Gilman says‚ “If a physician of high standing‚ and one’s own husband‚ assures friends and relatives that there is really nothing the matter with one but temporary nervous depression- - slight hysterical
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Interrelgious Dialogue February 2013 In his book The Intra-religious Dialogue‚ Raimon Panikkar seeks to tap into our daily humanistic encounters through teachings‚ discussion‚ questions and exploration as a basis of religious dialogue. Panikkar sets forth a guidebook of sorts in which the reader can better understand his/her set of beliefs and faiths as well as set out on a personal mission to encounter the religious practices of people around the world without prejudice or preconceived notions
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TBC02 8/7/2002 04:01 PM Page 46 CHAPTER TWO A Dialogue of Self and Soul: Plain Jane’s Progress a SANDRA M. GILBERT AND SUSAN GUBAR The authors of The Madwoman in the Attic: The Woman Writer and the Nineteenth-century Literary Imagination (1979) are both distinguished feminist critics: Sandra Gilbert is a Professor at the University of California‚ Davis; and Susan D. Gubar a Distinguished Professor of English and Women’s Studies at Indiana University. They have also collaborated
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