CONTENTS PARTICULARS PAGES Introduction 4 I. Indian real estate market 5-22 II. Business strategy of Godrej Properties Ltd. 23-30
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Silence: An examination of Mise-En-Scene in early scenes of The Great Dictator Charlie Chaplin’s The Great Dictator is a film new to the era of “talkies” and‚ in it’s early scenes focuses on very physical‚ present aspects of mise-en-scene‚ almost completely doing away with non-diagetic sound. The film grows throughout it’s full 124 minute run‚ having been filmed over several years and seemingly developing it’s delving into use of sound similarly‚ but in it’s early scenes The Great Dictator is permeated
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Abstract Ever since there has been crime there has been Crime Scene Investigations (CSI). Throughout the 1900’s and continuing into current day‚ technological advancements in CSI have been taken for granted. In the past‚ law enforcement (LE) agencies and investigators were not capable of having regular access to the tremendous amount of information that can be found and analyzed from a crime scene. Present days CSIs typical “tools of the trade” range from flat out boring every day devices to the
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Crime Scene Investigations by First Responders Crime scenes contain the forensic evidence required to apprehend criminals. The proper collection and processing of physical evidence is of primary importance to most police investigations. Evidence can not only establish the fact of the offense and identify the perpetrator; it may even lead to a conviction. In collecting this evidence we must be conscious of the public’s Fourth Amendment rights and not violate them in this collection of evidence. Unfortunately
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Equus scene 20 Introduction: First we will summarize the scene‚ after that we will analyze the following features. (we will be discussing scene 20 first). Summary: Dysart and Alan are in the office of Dysart‚ however they are pretending to be at the stables. Dysart asks questions to Alan and Alan answers all of them. Alan tells about his ritual in the stable. He does this ritual every time before he rides a horse. In this ritual he gives the horse sandals and the ‘’Chinkle-chankle’’. Later they
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The scene from the Notebook that I have selected is the “it wasn’t over for me” scene as it has a strong significant meaning of a long lost love story. The film is seen through the eyes of Noah and Allie as they reunite after a period of seven years. This is an important scene in the build up of the climax as Nick Cassavetes’s intentions for this scene is to make a sense of romance and to portray that after all the years apart‚ they still have feelings for each other and to show that Noah loves
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William Shakespeare Elizabethan drama refers to the plays produced while Queen Elizabeth reigned in England‚ from 1558 until 1603. It was during this time that the public began attending plays in large numbers. The opening of several good-sized playhouses was responsible for this increased patronage‚ the largest and most famous of which was the Globe theater (1599)‚ home to many of Shakespeare’s works. The most popular types of Elizabethan plays were histories of England’s rulers‚ but revenge dramas
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You are the first officer at the scene of an outdoor assault. You find the victim bleeding but conscious‚ with two of the victim’s friends and several onlookers standing nearby. You call for backup and quickly glance around but see no one fleeing the scene. Describe the steps you would take while you wait for backup to arrive. 2. What kind of search pattern(s) would investigators be most likely to employ in each of the following situations: Two people searching a small area with well-defined
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del Toro’s 2007 Spanish horror film "El Orfanato" or commonly known in English‚ "The Orphanage‚" makes great use of the concept of mise-en-scene. del Toro’s feature encompasses many aspects of mise-en-scene in order to create a unified film filled with raw emotion and meaning. del Toro’s use of mise-en-scene has reaches its peak in the film at a particular scene where the main character Laura‚ is searching inside a furnace in the shed of her home for her son (see Appendix A). For months on end Laura
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Kane is a camera technique called deep focus. This element is constantly utilized to add a larger complexity to both the plot and perspective. Deep focus makes anything and everything within the shot immediately relevant. It is portrayed in the scene where the youngest version of Charles Kane is throwing snowballs at the tin sign outside of his original home. First‚ a shot from far away from boy Kane where he is isolated against the white of the snow outside‚ the camera slowly pulls backwards
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