Act 1 in Othello ----Sally Fu RACE William Shakespeare’s Othello explores the issue of race in his portrayal of the protagonist as a Moor which represents his tending marginal role in a Venetian society. In the play‚ characters are judged again and again based on appearances and outward characteristics. The protagonist’s different ethnic background provides a platform for probing ideas of racial conflict. This is exposed initially through the title of this play‚ “Othello‚ the Moor
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OTHELLO AND UNFORGIVEN How do the values represented in Othello and Unforgiven resonate with the contemporary audiences? Values are the principles of behavior that is regarded to the importance and exchangeability. Universal values represented in Othello and Unforgiven evidently depicts with the contemporary audiences as it reflects through the fundamental issue regarding definition of what is ultimately real as opposed to what is merely apparent. Without a doubt this is shown through the conflicting
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interact with the world. Analysis of the text ‘Othello’ and its connectivity of characters discern themes such as betrayal‚ reputation and a patriarchal society‚ accompanied by unique contextual values. It is these abstract ideas which seek to explain the human condition and thus remain intriguing to a modern viewer. Betrayal dictates the course of the play and is most prominent in that of Iago and Othello. The twist begins through dramatic irony as Othello says “Iago is a man of honesty and trust”.
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In othello‚ this happens when Iago (a close and trusted friend of othello) tells othello that his wife has been unfaithful to him and has been cheating on him with a fellow soldier named Cassio who is a flamboyant florentine who was a lady’s man. Iago manipulates othello and says in Act 3‚ Scene 3;"O‚ beware‚ my lord‚ of jealousy!It is the green-eyed monster which doth mockThe meat it
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racism provides the background for Othello’s first appearance. For Iago Othello is "an old black ram" (I.i.88)‚ "the devil" (I.i.91)‚ and a "Barbary horse" (I.i.lll); the consum-mation of his marriage is a making of "the beast with two backs" (I.i.115-16). Roderigo‚ who shares Iago’s disgust‚ speaks of Desde-mona’s "gross
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Envy In William Shakespeare’s Othello‚ desire manifests itself in Iago‚ compelling readers to see him as if he were a leech; Iago drains Othello of all his moral qualities until he is sucked dry. Similarly‚ Shylock in Shakespeare’s The Merchant of Venice indulges in seeing Antonio sucked dry of money. Both Iago and Shylock are compelled to see their enemies suffer through means that once deprived them‚ such as Iago being deprived of his rank and Shylock being deprived of money and respect. Although
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Act i. sc. i. ADMIRABLE is the preparation‚ so truly and peculiarly Shakspearian‚ in the introduction of Roderigo‚ as the dupe on whom Iago shall first exercise his art‚ and in so doing display his own character. Roderigo‚ without any fixed principle‚ but not without the moral notions and sympathies with honour‚ which his rank and connections had hung upon him‚ is already well fitted and predisposed for the purpose; for very want of character and strength of passion‚ like wind loudest in an empty
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The obsession of gastby Gatsby’s feelings for Daisy show that Gatsby is in love with her but he’s also obsessed with her like how he was trying to get her attention by moving into a massive house and by throwing parties every week night and by having her cousin nick invite her to his house. Gatsby his love eventually became an obsession when he came back from the army and had learned that she had gotten married because after that he started to come up with ways to somehow get her back to him instead
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individual‚ but destroy that individual. In Othello‚ we see the protagonist fall guilty to jealousy‚ even though he has said that he doesn’t let his feelings get the better of him. Roderigo‚ because of love‚ gets jealous and ends up losing all his money. Iago‚ the villain in this play‚ falls prey to jealousy because of his pettiness from not getting a promotion and having certain suspicions that may or may not be true. In William Shakespeare’s “Othello”‚ Iago states‚ “Oh‚ beware‚ my lord‚ of jealousy
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Othello Essay Emilia and Desdemona are both confined within a patriarchal power structure‚ and although their responses to this dynamic are different‚ they both ultimately die because of it. Emilia and Desdemona reside within a patriarchal society. Emilia and Desdemona both react differently toward their husbands’ actions. Both Desdemona and Emilia die as a direct result of their husbands’ authority over them. Emilia and Desdemona live within a male-dominant society. Iago makes it apparent that
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