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    Hiphop Research Paper

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    Big Payback Notes • Early conflict in the the fiscal underpinnings of hiphop. There was significant backlash from urban purists (essentially those living and breathing hiphop’s four elements by DJing‚ MCing‚ breakdancing‚ and graffiti tagging in its raw street setting) who disliked the commerical sensibiltiies of the Sugar Hill Gang and the mercenary attitudes of rap’s first music label Sugar Hill Records. Term “hiphop” begot cultural factions between those who saw themselves as lubricant partygoers (the

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    The Literary Roots of Hip-hop Lyricism Introduction Rap is easily heard as a play of words‚ a sampling of music rhythms and melodies‚ and for the passers-by‚ a taunt against another taunt. But for those who will listen closely‚ rap lyrics may be full of history‚ a love story‚ political critique‚ innuendo‚ sarcasm as well as wit (Rose‚ 1994‚ p 14). The past decades had hip-hop fill up a cultural lexicon of vocabulary‚ characters and culture. Accordingly‚ the lexicon has been fed by hip-hop

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    Racial Issues in Music

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    evolved from playing jazz music‚ to creating electronic and providing people with rap and hip-hop. However over the years‚ African American race has been portrayed in a negative perspective. Rap and Hip Hop music and their videos depict them as to being violent‚ criminals‚ and unruly. Articles all over the internet have the same remarks to pose “Rap these days is all about bitches‚ hoes‚ and drugs.” In a sense‚ rap is generalized by a few songs and the messages poised by the songs are assumed to

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    Good vs. Evil: Rock and Hip Hop Written by: Chanel Auguste In 1965‚ The Rolling Stones early hit‚ "I Can’t Get No Satisfaction"‚ is taken off of many radio station’s play lists after they received complaints of the lyrics containing sexually suggestive lyrics. 1980‚ Pink Floyd’s hit single "Another Brick in the Wall (Part II)‚ with its chorus of kids chanting "We Don’t Need No Education"‚ is banned by the South African government; Children upset about inferior education‚ adopt the song as

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    end of each chapter. Hip hop is an art form that is closer to poetry‚ and it tells a story about growing up and what is going on in the world now. “Rap was the voice of this culture‚ the linguistic analog of hyperkinetic dance moves‚ vividly painted subway cars‚ and skillfully mixed break beats”(Bradley‚ Duboise XX). Source #3: Piekarski‚ Bill. "THE RAP ON HIP-HOP." Library Journal 129‚ no. 12 (July 15‚ 2004): 47-50. Academic Search Complete‚ EBSCOhost (accessed March 6‚ 2013). This article summarizes

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    Everett A. Benjamin calls for more discussion on the racist and to a lesser extent the misogynist implications of black female representation in contemporary rap music videos. According to her‚ the objectification of women stems from a historical portrayal of AfricanAmericans as an inferior race; the overtly sexual images in videos by rap artists such as Snoop Dogg are not only derogatory to women‚ but also reinforce pre-constructed racist ideas in American society. In addition to this‚ she makes

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    individual because it can stimulate and provoke multiple responses—physiological‚ emotional‚ cognitive‚ and behavioral. But‚ every genre of music gives its own message to teenagers. Some may enforce positive actions‚ while some condone negative actions. Rap has the negative status of objectifying women and promoting gang violence. On the other hand‚ rock has a positive reputation because it helps people cope with their problems and identify with their peers. Everyone‚ teenagers included‚ is susceptible

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    Hip Hop in History

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    Introduction: Hip Hop in History: Past‚ Present‚ and Future Author(s): Derrick P. Alridge and James B. Stewart Source: The Journal of African American History‚ Vol. 90‚ No. 3‚ The History of Hip Hop (Summer‚ 2005)‚ pp. 190-195 Published by: Association for the Study of African-American Life and History‚ Inc. Stable URL: http://www.jstor.org/stable/20063997 Accessed: 27/10/2009 14:22 Your use of the JSTOR archive indicates your acceptance of JSTOR’s Terms and Conditions of Use‚ available at

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    Hip Hop Subculture

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    Since the simple rap parties in the late 1970’s by hip-hop’s first DJ‚ DJ Kool Herc. The outbreak of hip hop has taken today’s generation by a storm. Rap music began among the youth of South Bronx‚ New York in the mid 1970’s‚ key individuals such as DJ Kool Herc and Grandmaster Flash were main editions to the birth of hip hop. Performances at night clubs and promotion of the rap music made rap quickly gain popularity through the end of the 1970’s. Later being picked up and altered by today’s MC’s

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    not only the media but politicians and other members of society. This has been due Rap artist’s explicit view on society from the Black perspective. The extensive use of curse words has been just one battle between rappers and American censorship. However‚ one theme that has caused great controversy‚ most apparent in the ‘Gangsta Rap’ genre‚ is misogyny and sexism. In a study of the 2005 U.S. Billboard Charts‚ Rap

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