Advait 1. If following equations? A) b) c) d) Aptitude Test TCS-1 Awareness Development Initiative is a root of which of the ‚ where b is a rational number‚ then 2. From the top of a tower of height 180 m the angles of depression of two objects on either sides of the tower are 30° and 45°. Find the distance between the two objects. a) b) c) d) 3. A amount of 20‚900 is taken as loan at 9% p.a.‚ compound interest. If it is to be repaid in 2 equal annual instalments‚ what is the value of
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Beethoven Symphony No.9. 4th movement. Ludwig van Beethoven‚ great music composer‚ born in December 17‚ 1770 in Bonn Germany‚ and died in March 26‚ 1827 in Vienna. He was interested in music at a very young age. He grew up in a family where his father was a musician but he had drinking problem‚ and his mother was gentle loving care person. Beethoven claimed his mother as his best friend. When Beethoven took interest in music‚ his father taught him music day and night and how to play an instrument
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In Antigone‚ Sophocles uses allusions to praise her courage in accepting her fate. Antigone shared many similarities to Danae. In Ode 4 as the chorus describes the misfortune of Danae it is stated that “a prisoner hidden in a chamber like a tomb‚ although she too‚ came from a noble line. And she my child had in her care the liquid streaming golden seed of Zeus‚”(line 2-4). This mirrors Antigone in the way that Antigone is too thrown into a cave and looked in it as if it was her tomb. Danae was imprisoned
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this gloomy world “Where youth grows pale‚ and spectre-thin‚ and dies” are unknown to the bird. In this poem‚ it feels like the only way for the poet to be free is to be carried “viewless wings of Poesy”. The Keatsian argued that a major concern in "Ode to a Nightingale" is “Keats’s perception of the conflicted nature of human life‚ i.e.‚ the interconnection or mixture of pain/joy‚ intensity of feeling/numbness of feeling‚ life/death‚ mortal/immortal‚ the actual/the ideal‚ and
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So haimon leaves and says to the king‚ “Not here‚ no; she will not die here‚ king‚ and you will never see my face again. Go on raving as long as you’ve a friend to endure you.” (Ode 2 scene 3‚ lines141-143). After that‚ haimon is gone and Antigone is escorted into the wilderness where she will be locked in a vault of stone. Although he does not want to leave Antigone to die. The only thing that she has with her is the food that
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ezp-00vi9.lirn.net/elibweb/elib/do/document?set=search&dictionaryClick=&secondaryNav=&groupid=1&requestid=lib_standard&resultid=1&edition=&ts=99E6B70F8E72ED55254CFE85D89DE94A_1346481117695&start=1&publicationId=&urn=urn%3Abigchalk%3AUS%3BBCLib%3Bdocument%3B153108372. Technical Vocational School Guide (2012). Online vs. Classroom Learning Pros and Cons. Technical & Vocational School Guide. Retrieved August 26‚ 2012‚ from http://www.technical-vocational schools
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Explain the paradox (something that seems to be a contradiction but is not) of blindness of the following example: Tiresias [to Oedipus]: Listen to me. You mock my blindness‚ do you? But I say that you‚ with both your eyes‚ are blind. Ode One (p27-28) 21. What does the chorus remind the audience about the murderer? 22. When the chorus debates whether to believe Oedipus or Teiresias‚ with whom do they side and what is their reason? Scene Two (p29-48) 23. What character trait
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above-market pricing? 4 Touché Toiletries Inc. has developed an addition to its Lizardman Cologne line tentatively branded Ode d’Toade Cologne. Unit variable costs are 45 cents for a 3-ounce bottle‚ and heavy advertising expenditures in the first year would result in total fixed costs of $900‚000. Ode d’Toade Cologne is priced at $7.50 for a 3-ounce bottle. How many bottles of Ode d’Toade must be sold to break even? 5 What would be your response to the statement‚ “Profit maximization is the only legitimate
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THE CHORUS In choosing the classical form of tragedy for his Samson Agonistes‚ Milton decided to work on a distinctively unpopular medium. For‚ classically modelled tragedy had never been popular in England. Even Ben Jonson‚ excused himself for not obeying the Aristotelian rules and not having a proper chorus in his Sejanus. But with his contempt for mere popularity‚ Milton did not feel obliged to modify the form of classical tragedy to suit the purpose of what Jonson called “popular delight”. J
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His left hand is open and extended‚ and located very close to the center of the composition. In his right hand‚ he is holding the handle of a tall silver urn. The curved spout of the urn also leads the eye to his illuminated hand and what appears to be a dish of food on the table. The figure in the front of the canvas faces the man on the left side of the canvas. She appears to be speaking to him‚ and has her right hand
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