THE STEREOTYPICAL PORTRAYAL OF WOMEN IN COMMERCIAL INDIAN CINEMA ---------------------------------- A Thesis Presented to The Faculty of the Department of Communications University of Houston ___________________________________ In Partial Fulfillment Of the Requirements for the Degree of Master of Arts _______________________________________ By Sowmya Nandakumar May‚ 2011 TABLE OF CONTENTS Chapter 1 _________________________________________________________________1 Introduction
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Cinema is in today’s world the most popular means of entertainment. Millions of people watch cinema everyday all over the world-not only as a means of entertainment but also as an escape from the monotony‚ boredom‚ anxiety and troubles of life. It is a restful‚ pleasurable and entertaining means of rewinding and relaxing after a long day’s work. All the senses are captivated while viewing cinema and the next two and a half or three hours are spent in a wink. Moreover‚ it is that means of entertainment
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IMPACT OF CINEMA ON THE INDIAN SOCIETY Cinema has become the most powerful form of Mass Media since the day it was introduced to the world. The Lumiere Brothers who invented the ‘ Cinematograph’ ( a compact and portable device which with a few adjustments could be used as a projector ‚ camera or a printing machine) declared that the cinema is an invention without a future. The primitive form of cinema were ‘ living photographic pictures’ which attempted to produce reality. If Cinema in reality
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Golden Screen Cinema and TGV Cinema are been classified as click-and-mortar under the types of e-commerce organization. This is because both of Golden Screen Cinema and TGV Cinema are conducting some e-commerce activities but their primary business is still operating in physical world. For Golden Screen Cinema‚ users are first been requested to sign up an account on its official website (http://www.gsc.com.my/) before they can buy movie tickets online. After log in to Golden Screen Cinema website‚ user
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Is the future of cinema a secure one? Support your case by discussing five major trends that you believe will affect the future of the sector. INTRODUCTION The growing socio-economic importance of the entertainment industry‚ especially the public entertainment in this current global climate cannot be overemphasised. The hype that is consistently generated by the cinema industry is promoting the much needed positive synergy in the society‚ as the masses attempt to climbs out of the glooms of the
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culture……………………….…2 * The early era (1907-1950s)……………………………….…..3 * 1950s………………………………………………..……….…6 * 1960s………………………………………………..…….……8 * The Malayalam New Wave: 1970s……………………….….10 * 1980s…………………………………………………………..15 * Golden age of Malayalam Cinema…………………..……...17 * 1990s………………………………………………..……….…19 * Early-mid 2000s……………………………………………….20 * Late 2000s………………………………………………….….21 * 2010s to the present……………………………………….…..21 * Actors……………………………………………..……………22 * Kerala State Film Awards…………………………………
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218 Majestic Cinemas plc 1. What is the span of control of the film purchase director? [2] The film purchase director has 3 subordinates which are under his command therefore the span of control is 3. 2. How many levels of hierarchy are there in the cinema buildings department? [2] There are 4 levels of hierarchy in the cinema buildings department which are the following: Cinema Buildings Director‚ Regional Buildings Managers‚ Cinema Managers (in each country) and Cinema Staff. 3. Outline
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The Truth about Direct Cinema: Direct Cinema Filmmakers Are Still Humans Cinema Verité‚ or direct cinema—as it is also called—is a misnomer of sorts. “Verité” literally means “truth” in French‚ but as with other truths‚ the cinematic truth is molded and configured by those who have access to it. In this case‚ those people would be the filmmakers themselves. A direct cinema film proceeds without any formal script and is pieced together in its entirety in the editing studio. That is‚ the
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to prove your point. The Philippine film industry‚ considered by many critics‚ producers‚ directors‚ movie workers‚ is either slowly but surely dying or is already dead. Notice the use of the term "Philippine film industry" instead of "Philippine cinema." This is such for the main reason that the people who deem filmmaking in the Philippines dead‚ qualify their assumption based on box-office returns and the profit their movies make. Hence it is more apt to use the term film industry since what they
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points that make new Hollywood Cinema New. One big contributor was the emergence of the ‘Movie Brats’ they led the film industry away from predictable films‚ in the studio era the directors part was not particularly relevant they would not get the chance to choose the films they made. In New Hollywood Cinema director is key‚ he chooses the film then looks for a star. Directors started to make movies they were passionate about and personal to them. New Hollywood Cinema broke the studio package; it had
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