India the Centenary of Indian Cinema. It was a 100 years ago the first Indian film “Raja Harishchandra” was made by the métier of Indian cinema‚ none other than Dhundiraj Govind Phalke‚ better known as The Father Of Indian Cinema. His adamant character and hardwork fulfilled his dream of having in India a Desi Film Enterprise which he made into reality with his own Phalke Film Company which later integrated with The Hindustan Film Company. Even though Indian Cinema bloomed in 1912 it took time for
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CHAPTER 1 INTRODUCTION AND LITERATURE REVIEW 1. Introduction Cinemas of the third-world countries produce more than half of the world’s films. Countries such as Pakistan have emerged from the Western control. Pakistan shared its film history with Indian cinema (known as Bollywood) before Partition of the Southeast Asia in 1947.Pakistan cinema was in the top ten-film production countries until the mid 1980s. India was the international market for Pakistani film distributers and filmmakers
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REEL TO REAL: THE HISTORY OF PHILIPPINE FILMS Introduction The youngest of the Philippine arts‚ film has evolved to become the most popular of all the art forms. Introduced only in 1897‚ films have ranged from silent movies to talkies; black and white to color. Outpacing its predecessors by gaining public acceptance‚ from one end of the country to the other‚ its viewers come from all walks of life. Nationwide‚ there are more than 1000 movie theaters. Early in the 1980s‚ it was estimated in
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The evolution of sound in cinema Jay Beck General histories of the relationship between sound and image in cinema tend to perpetuate an ocular-centricity (emphasizing vision over the other senses) that dates back to the very earliest experiments in “moving pictures”—a term which itself serves to confuse historians. The vast majority of cinema histories tend to relegate the subject of sound in cinema to a subordinate position by studying the transition to the sound period in the late 1920s and
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Hong Kong Cinema The Chinese art form I ’ve chosen to write about is film‚ with an emphasis on Hong Kong Cinema. I enjoy movies‚ in particular action films. Hong Kong Cinema has produced some of the best action films I have ever seen. I will discuss three Hong Kong Action genres‚ Martial Arts films‚ the Kung Fu Comedies and the Triad films. My first experience with Hong Kong Cinema came in the 1970s with Martial Arts films. Martial arts‚ emphasizes self-strengthening‚ therapeutic exercise
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Film and Popular Cinema Jenny Richardson ART/101 November 12‚ 2014 Dr. Adolf Mizzell Film and Popular Cinema After reading this week’s assignment and researching different types of film and popular cinema‚ I have realized some of the differences between the two. I always thought they were the same thing but found that to be far from the truth. Film is a way of putting art into motion. I viewed several pieces on different websites‚ in particular‚ on YouTube. I watched one called White Noise. It had
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The Danish “Golden Age” of cinema is owed almost wholly to Nordisk Films Compagni and the strategic decisions it made in the early 1910s to differentiate its films in order to ensure a strong exportation of its product. Likewise‚ the demise of Denmark’s film industry is owed in part to Nordisk and its inability to deviate from its profitable formula for successful film among an ever-evolving industry. This paper will examine Denmark’s quick rise to cinematic influence during its Golden Age‚ detail
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Cinema in Nepal = The first cinema show in Nepal took place in Bhadra 17‚ 1990 BS at Singhadurbar‚ during the time of Juddha Shumsher. = For public cinema show opened up from 2004 BS. = The making of Nepali films is said to have begun with D. B. Pariyar’s Satya Harishchandra‚ which was the first Nepali Language film to be shot. It was produced from Kolkata‚ India‚ and was released on September 14‚ 1951 (2007BS). This movie was first screened in Nepal at Narayanhiti Palace for King Tribhuvan.
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Lastly‚ the cinema was considered to play a significant role‚ and Stalin himself liked watching films and had his personal cinema. Cinemas came under the control of the Politburo’s economic department. The objectives of films were to gain understandings by the masses and promote the state. Plots and storyline were prescribed by Stalin. Accordingly‚ many documentaries supporting the First Five-Year Plan were produced. Moreover‚ all the films had to be precensored in the State Committee for Cinematography
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History of Cebuano Cinema I. Pre-War A. Theaters * Teatro Junquera * Cebu’s oldest theater having been established in 1895‚ was renamed Cine Oriente * Founded by Gen. Inocencio Junquera(1893-1895)‚ a civil and political governor of Cebu‚ Philippines * located at the junction of Colon and Osmeña Blvd. had staged dulaang binisaya‚ “Gugma sa Yutang Natawhan” by Vicente Sotto( January 2‚ 19020 * Cine Royo * built by Pedro Royo from a former cockpit
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