Humanizing Terrorism in Indian Cinema A closer look at Mani Ratnam’s Roja and Dil Se Nationalism‚ as professor Sumita Chakravarty describes it‚ is the “integrity of the nation-state and the imagined belongingness of its citizens (Chakravarty‚ 2000).” This notion of nationalism and nationwide unity has been a recurrent theme in the films explored in the course South Asian Cinema. Many of the films have been interpreted as national
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The liberation of women in Japanese cinema The purpose of this work is to investigate the social position of women in Japanese cinema from its beginnings to the present. The main aspect is the link between the masculine dominance and the objectification of women‚ combined with Freudian theories of castration anxiety‚ as well as Lacanian ‘mirror stage’. These theories play a crucial role in this work as the representation of power‚ demonstrated through objectification‚ may affect the gender equilibrium
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CHAPTER II: LITERATURE REVIEW This chapter collects the necessary literature used to be as the theoretic base to guide the research direction and to develop appropriate scale for measuring customer satisfaction in leisure industry. Earlier researchers found that there has been a close association between research on consumer satisfaction and quality measurement‚ therefore‚ the SERVQUAL model is chosen to apply in this context with some modifications. 2.1 Customer satisfaction A variety of researcher
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Sam Maloney International Cinemas September 19th‚ 2011 Restivo‚ MW 12:00 EXAM 1 “One artistic strength of Hong Kong cinema‚ then‚ is its use of parallels and motifs—musical‚ visual‚ or verbal—to bind together episodically plotted films.” : In Plots p 120 So far in this Chinese Cinemas class‚ I have noticed something every film we have viewed in class and every Hong Kong film I have watched outside of the lecture: the stories flow perfectly. At first the films could come off as confusing
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It is hard to imagine a film taking place in a vacuum; without a set‚ there cannot be a film. Therefore architecture and cinema are immediately intrinsically interlinked. Even if no actual buildings are shown on screen‚ this still holds true. This is because architecture is not just about the design and erection of a building‚ but it is the establishment of a place in time. After all‚ the ‘first task of architecture is to mark man’s place in the world.’ Already the framing of a space‚ the manipulation
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Banquet Cinema By: Donna Vining BUS 368 Venture Capital & Banking Instructor: Melody Clements April 2‚ 2012 Banquet 2 The Banquet Cinema Last year while on vacation‚ we went to a dinner theater. We had a great time. This got me to thinking that it would be a great opportunity to start a business in my home town like this. There would be little competition because there is only one small theater in town. I would have an advantage over this theater because my cinema would
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themselves. She has been the subject of countless works of art and literature‚ from the ancient epics and cave paintings and voluptuous statuary of the Ajanta and Ellora caves and the temple art of Khajuraho to the modern day novels‚ calendars and cinema. Whether bejeweled and ornamented or concealed behind a veil‚ revered as mother and goddess or despised as a widow‚ she has most often been portrayed as a graceful‚ sensuous and mysterious creature‚ loving and gentle‚ in need of protection and guidance
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Out with the Old… Mainstream cinema is always‚ in some form‚ a reflection of the time or place it was made in. This reflection can be present within the filmic language in numerous ways; ideologically‚ technologically‚ geographically‚ culturally‚ ethically etc. It is because of this that non-contemporary films sometimes struggle to find a new audience within contemporary culture. As time passes‚ culture changes‚ and as a result films can quickly become out dated. Screen writer Charles Mortiz explains
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English Studies Feedback Form Excellent 1 2 3 4 5 Very weak ARGUMENT & INDEPENDENCE: Clearly constructed‚ developing line of thought‚ arriving at an independent view ARGUMENT & INDEPENDENCE Ideas that do not build upon each other and /or lack relevance; relies on received ideas INTRODUCTION /CONCLUSION: Clearly sets out your approach; demonstrates you’ve arrived somewhere INTRODUCTION / CONCLUSION: Simply repeats the question or starts/ends with irrelevant or undeveloped information
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SWOT Analysis Strengths • GTH is number 2 of film studio that produces and distributes movies in the Thai consumer market. • GTH has strong financial support because they have owned 51% by great reputation Entertainment Company in Thailand (GMM Grammy). • GTH has an obviously plan to launch approximately 6-8 movies a year. • GTH plans to be No 1 in three categories of films: romance‚ horror and comedy to capture varieties of segmentation. • GTH has great distribution channel via GMM Grammy
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