From Author to Reader‚ and back Again: Transmittance of Interpretation and Intention in Translation Sophocles’ tragedy Antigone‚ although written long ago in a linguistic form foreign to the modern English speaker‚ finds new and relatable life by the whims and wits of Robert Fagles and Anne Carson’s translations‚ Antigone and Antigo nick respectively. After reading either translation and recognizing the great variation between them‚ the expedient question to ask encroaches as “Which is the more
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The story of Antigone is full of issues regarding leadership and the conflict surrounding these issues. Creon decisions and choices were influenced by his inexperience in leadership. His forceful style leads him straight to disaster which results in losing his son and wife. This disaster was a direct result of his decision to kill Antigone for disobeying his edict regarding the forbidden burial of her brother‚ Polyneices. He believed his rules were superior‚ even to those unwritten statues of the
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The three plays Antigone‚ Hamlet‚ and Death and the King’s Horseman are all based in three entirely different settings‚ cultures and timeframes. Each author has chosen to emphasize the intrigue and exchange within each setting or small culture as well as the social consciousness of the time within each social group related the choices‚ emotions‚ and decisions related to death and chances related to the honor of the family as well as the social consciousness to family kinship. The human agency as
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Contextualisation of Antigone. Original Setting Antigone is set originally in Ancient Greece in Thebes‚ The play is about the Princess Antigone rebelling against her Uncle‚ King Creon of Thebes‚ after he states that her brother Polyneices‚ who rebelled against his country‚ will not be buried after his death in war. Her other brother‚ Eteoclese is going to be buried with full military honours. Antigone‚ finding this unfair‚ asks her sister Ismene to assist her in burying their brother‚ who refuses
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The play Antigone was written by Sophocles around four hundred forty B.C.E‚ in the height of the golden age of Greece. Theater was then‚ as it is now‚ a medium through which to implicate the outlooks of its writer and to examine moral issues‚ whilst providing entertainment. The subjects discussed through theater were often deeply rooted in the dialogue of the characters in the plays and struck the chords of the audience such that enlightenment could take place‚ and in that day and age this purpose
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The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles’ Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority‚ while Aristophanes’ Lysistrata reveals that challenging authority in the polis becomes acceptable only when it’s faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the
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A Gender Bias Approach to Antigone Just as one stone removed can break a bridge‚ one flaw can bring a man to ruins. The flaw of one man cannot bring down an entire kingdom‚ but rather one outlook of the king can lead to the demise of the whole. In Sophocles ’ epic tragedy‚ Antigone‚ a strong gender bias is present throughout the tragedy‚ and is partially responsible for the downfall of the king. To Sophocles the king is not always representative of the people‚ but acts on his own personal desires
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Antigone Scene 1: Tone In Antigone by Sophocles‚ the character of Creon is portrayed as volatile‚ narcissistic‚ and hypocritical. All these qualities can be clearly seen in his tone during scene 1 of Antigone where Creon addresses the chorus as their king‚ and also receives new of Eteocles’ burial. His tone when addressing different parties and also his shifts in tone give the reader an invaluable insight into his personalities and goals. The scene opens with Creon addressing the chorus in his
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‘Antigone’ Paper 2 Essay (e). Evil not only fascinates people in general‚ but writers as well. In what ways and with what effect has “evil” been treated in Antigone? In the play of ‘Antigone’‚ evil appears in many forms. There is the soldier who is a traitor to his nation; the sister trying to prove her love for her family yet ends up breaking the law; the king who so eagerly tries to stop rule-breakers yet he himself neglects his flesh and blood. Here the difference of the two works is seen:
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Antigone– The Characterization Sophocles’ tragic drama‚ Antigone‚ presents to the reader a full range of characters: static and dynamic‚ flat and round; they are portrayed mostly through the showing technique. In “Sophocles’ Praise of Man and the Conflicts of the Antigone‚” Charles Paul Segal takes the stand that there are two protagonists in the drama (which conflicts with this reader’s interpretation): This is not to say that there are not conceptual issues
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