Flaw(s) of Macbeth and Oedipus Macbeth visualized himself as a forceful‚ powerful ruler who begins the trilogy in absolute control of the situation. As the story progresses‚ however ‚ Macbeths’ power and pride are broken down because he made it his destiny. As for Oedipus‚ he was a pitiful man who has been crushed by the avenging gods and fate. He seems to be a wiser‚ soberer man‚ rising majestically above his misfortunes. When Oedipus the king begins‚ Oedipus exhibits wisdom‚ love
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Shakespeare both address this dilemma in their plays Oedipus and Othello. Through their nobility‚ their tragic flaws‚ the fall these flaws cause‚ and the suffering and wisdom they derive from these falls‚ Oedipus and Othello reveal the true character of the tragic hero and show the devastating consequences of pride. Both Oedipus and Othello are distinguished by nobility: Oedipus by birth and deed and Othello by a distinguished career. Oedipus is the son of King Laius and Jocasta his wife‚ the king
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of Oedipus and Antigone‚ both recognize their tragic destiny and that it is impossible to escape it. Lastly‚ Oedipus and Antigone represent tragic heroes by reach-ing the moment of self-recognition and facing the catastrophe of their actions. For example‚ after the disclosure of Oedipus’ real identity by Shepherd‚ Oedipus falls into despair: “Children‚ the god was Apollo. He brought my sick‚ sick fate upon me.” (Exodos‚ l.117-118) By implementing cosmic irony‚ the scene highlights Oedipus realization
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on the character of the hero‚ Oedipus. He is a person of great importance; in fact‚ the security and health of the community depend upon him. And he has to meet an urgent crisis‚ something which threatens the continuing existence of the city. And because he is very conscious of his own qualities‚ he takes upon himself that responsibility. Oedipus‚ above everything else at first‚ is a person who acts decisively and who is celebrated for so doing. In that sense‚ Oedipus is like Odysseus‚ who is also
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Oedipus the King Episode Three Kristine Foo Rachel Mak Heaven Toussaint Marie Ayala Allusions ❖ Oedipus had solved the Sphinx’s riddle‚ therefore‚ saving Thebes of its destruction. Sphinx- “...you captured priceless glory‚ O dear god/ and the Sphinx came crashing down” ln. 1324 ❖ The bow is a symbol of the God Apollo. Apollo- “Bending your bow to the breaking point…” ln. 1323 Metaphors ❖ Extended metaphor-ln. 1312-1318 comparison of light and truth “O generations of men the dying generations-
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The Knowledge of Good and Evil: An Anthology of Forbidden Love “We always long for the forbidden things‚ and desire what is denied us.” Francois Rabelais Introduction Genesis (ca. 1000-3000 B.C.) anonymous. Oedipus the King (ca. 425 B.C.) Sophocles (ca. 496-406) was a Greek dramatist during the Peloponnesian War. Oh Brothers‚ Why Do You Talk Mahadeviyakka was a twelfth-century Indian poet. The Conference of the Birds. The Story of Sheikh Sam’an Faridoddin Attar (1145-1221)
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to his/her downfall. The hero suffers from catastrophic events‚ experiences peripeteia and is confronted with the magnitude of his/her actions. Two such heroes are Hazel Grace Lancaster from “The Faults in Our Stars” by John Green‚ and Oedipus in the play “Oedipus Rex” written by Sophocles. Both modern and classic articles of literature have a wide-reaching influence on people and inspire many through the centuries. Modern tragic hero Hazel is a teenage thyroid cancer patient who experiences twisting
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Oracles and seers are prominent figures in both historical works‚ such as Herodotus’ Croesus and poetic works‚ such as Sophocles’ Oedipus Tyrannos. The hero usually asks for an oracle’s guidance before he makes a major decision on behalf of his nation‚ such as going into a war or saving his people from a plague‚ but he also consults the oracle for personal or familial issues‚ such as the fate of a son. Oracles’ words are taken for granted because they bring a message from the gods‚ hence they are
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Tragedy […] is an imitation of an action that is serious […] with incidents arousing pity and fear. (Aristotles‚ Poetics IV‚ 1449a 10-15) Tragedy follows the rise and the fall of its protagonist who is overcome by the antagonist. Aristotle’s Oedipus Rex and Shakespeare’s Macbeth capture the timeless nature of human experience; they display powerful central characters whose course of action demonstrates the different attributes and sides of human nature. Through the vicissitudes of protagonists’ fates
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The Fall of Oedipus “Thebes is tossed in a murdering sea‚” cries out the priest towards the beginning of the play. Thebes is enwrapped in darkness‚ the houses are cursed‚ children are dying at birth‚ fruit is growing unhealthily‚ and no one can put an end to it. Creon enters with the message that the plague is a result of the fact that the murderer of Laius‚ the former ruler of Thebes‚ is in the city; he must be exiled in order for the plague to end. After hearing the news‚ Oedipus vows to find
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