to blame someone else for what happened. This is the basis of the concept of a tragic hero‚ introduced by the Greek philosopher‚ Aristotle. In Antigone by the Greek playwright Sophocles‚ it is established that Creon is not a tragic hero of the play. Creon was shown to blame others for the outcome of his own mistakes‚
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to get to know the Hero and identify with him before the Journey begins. This step refers to the hero ’s normal life at the start of the story. Next‚ is the ‘Call to Adventure’ and the hero is faced with something that makes him start his adventure. This might be a problem or a challenge he needs to overcome. Following that step is ‘Refusal of the Call‘; when the hero attempts to refuse the adventure because he is afraid. After that is ‘Meeting the Mentor’ which is where the hero encounters someone
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A tragic hero is a literary character of great virtue who has a fatal flaw that eventually leads to his downfall. What makes the character a tragic hero is a self-awareness and reversal of the tragic flaw that draws the empathy of the reader. In The Crucible‚ by Arthur Miller‚ John Proctor is the tragic hero because of his indiscretion and his conceit to maintain his good name which leads to his demise and eventual death. One trait of a tragic hero is that the character must be noble
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How far do you agree that John Proctor is a tragic hero? John Proctor‚ the main character in Arthur Miller’s The Crucible can be classified as a tragic hero. The term tragic hero was made by Aristotle who was a Greek philosopher that lived between 384BC and 322BC. He said that the main characteristics that a character must have to be a tragic hero is having a noble status‚ a flaw that will lead to their downfall when they make a mistake‚ the audience must be able to feel empathy towards the character
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The Greek philosopher Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment and brings his downfall to evoke the feelings of pity and fear among the audience.” Michael Jackson fits that category as he was a young man who was born with incredible talent and promise‚ and achieved unimaginable success early in his life. Michael was a boy with a predicted glorious future‚ but
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Aristotle’s Poetics December 19‚ 2010 1. The Concept of Imitation In The Poetics‚ Aristotle asserts that literature is a function of human nature’s instinct to imitate. This implies that as humans‚ we are constantly driven to imitate‚ to create. By labeling this creative impulse an “instinct‚” one is to believe that this desire for imitation is a matter of survival‚ of necessity. The question then arises‚ of what does one feel compelled to imitate and in what way does it aid in our survival
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alternative historians support or undermine Aaronson’s view. Let us examine the way Trotsky’s intellect and passion ensured he played a significant in the Soviet Union in 1869-1940 but simultaneously defeated him. Aaronson claims that‚ like a tragic hero‚ “Trotsky’s strengths were inseperable from his weaknesses”. The accuracy of this claim is supported by many of Trotsky’s revolutionary actions and writings. We first see Trotsky’s intellect and passion at the young age of 18. In 1897 he helped
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Aristotle once said “A man doesn’t become a hero until he can see the root of his own downfall.” These words best describe what a “Tragic Hero” is and both Julius Caesar and Brutus displayed this characteristic‚ so the question is “Who is the real tragic hero in this story?” This paper shall explore the reasons behind why each man is considered a hero in his own right and who the rightful owner to the title of the play truly belongs to. There have been countless tragic heroes in the works of
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Oedipus‚ in “Oedipus the King” by Sophocles‚ is by all means a hero in the eyes of the Ancient Greek audience. In order to explain why that is‚ it is important to understand the meaning of Greek tragedy‚ as opposed to modern tragedy. How can a hero in a Greek tragedy be defined? The most widely accepted definition of Greek tragedy was written by Aristotle in his “Poetics”‚ where he details the various characteristics that make a protagonist a hero in a Greek tragedy. Based on Aristotle’s definition
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Medea: Hero with Estrogen A Greek hero is someone descended from divinity with an incredible talent who is favored by the gods. Such heroes that are brought to mind are Heracles with his brute strength‚ Odysseus with his craftiness‚ and Jason with his leadership. Often not viewed‚ however‚ as a hero is Jason’s scorned wife‚ Medea. Medea’s backstory involves fratricide and witchcraft for Jason’s love. However‚ in their return to Corinth‚ Jason leaves her. This fractured promise allows Euripides to
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