would any father. He feels betrayed not only by Desdemona but by Othello as well. It is a humiliating experiels as if he has lost his property to Othello‚ fathers of that time period had more control over their daughters. He is convinced that Desdemona only would marry Othello if the Moor had cast a spell on her using dark magic. He is motivated to protect his daug and his signature line of the play is his last‚ a warning to Othello‚ “Look to her‚ Moor‚ if thou hast eyes to see. She has deceived
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OTHELLO In the play Othello‚ the character of Othello has certain traits‚ which make him seem naive and unsophisticated‚ compared to many other people. This is why Iago‚ is able to manipulate him so easily. Iago told Roderigo‚ "O‚sir‚ content you. I follow him to serve my turn upon him "(I‚ i lines 38-9). Iago is saying‚ he only follows Othello to a point‚ and upon reaching it he will not follow him any longer. This is the first sign of how deceitful Iago will be. Iago has his own evil agenda
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English 2 Jealousy Shakespeare’s Othello portrays the effect of emotions. Throughout the play love and jealousy are the most prominent emotions. The characters’ emotions lead them into making the decisions that make this play a tragedy. Although some may argue love is the most important emotion in Othello‚ nevertheless jealousy truly is because it makes Othello and Iago make awful decisions. On one hand‚ some people might say love is the most important emotion in Othello because Iago’s motive for his
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The Importance of Reputation in Othello In William Shakespeare’s Othello‚ there are many motives that drive the direction of the play’s characters. None more prominent than reputation. Reputation is simply part of one’s life‚ none can dispute that fact. To some it is a blessing‚ to others it is a curse. Throughout the duration of the play‚ the characters Iago‚ Othello‚ and Cassio display the importance of reputation. Iago’s honest reputation‚ Othello’s war fought reputation and Cassio’s desperation
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Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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Othello‚ in Act I‚ Scene iii‚ declares that he is “rude in speech”; however‚ he then goes on to describe at length how he seduced Desdemona by his wondrous capacity as a storyteller. “My story being done‚” he confesses to his friends‚ “she [Desdemona] gave me for my pains a world of sighs […] and bade me‚ if I had a friend that loved her‚ I should but teach him how to tell my story” (I‚ iii‚ 158-165). Throughout the play‚ in fact‚ Othello’s poetic expression is unabated; it merely changes tone
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‘Jealously remains the ultimate corrupting force within action.’ To what extent do you agree with this? Within the play Othello‚ jealously remains the ultimate corrupting force‚ as it is through jealously that dramatic conflict occurs and the tragic events unfold. The consequences of jealously have a catalytic impact on the characters of the play and their mutual relationships. This is clearly demonstrated through the machiavellian villain of the play‚ Iago‚ whose actions and dialogue are driven
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Sophocles’ dramatic tragedy‚ Oedipus Rex‚ character plays a very important role in determining the protagonist’s fate. The extent to which this occurs is difficult to conclude‚ for during the play it seems character isn’t the only factor that led to the final result. Although character can be influenced by external circumstances‚ a situation’s outcome will be arrived to as a result of the decisions an individual’s personality has predestined him to make. Aspects of Oedipus’ character are presented
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June 2012 Fate versus Free will as portrayed in Oedipus the King. The Concise Oxford English Dictionary defines fate as ‘the development of events outside a person’s control‚ regarded as predetermined by a supernatural power.’ This therefore would pose opposition to free will‚ defined as ‘the power of acting without constraint…at one’s own discretion.’ This concept of the oppositions of fate and free will are a poignant factor in Sophocles Oedipus the King. “Fate was the will of the gods‚ a reality
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Dionysus. In the stories "Oedipus Rex" and "The Bacchae"‚ these gods conflict with men that are not just average mortals‚ but respected kings. Although the political position of these kings makes them feel superior to all‚ the gods in the two stories show them that immortals are far superior to any man. In this way‚ "Oedipus Rex" and "The Bacchae" present a tension between politics and religion‚ the result of which reveals that religion indubitably prevails. In "Oedipus Rex"‚ the presence of religion
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