In Arthur Miller’s The Crucible and Tennessee Williams’ A Streetcar Named Desire‚ both American playwrights utilize stage directions as well as their character’s interactions within the narrative to provide a setting. The social environment‚ transitions between act or scene location and atmosphere from the settings staging directions reveal the different lifestyles in New England and the post-WWII New and Old South of America. Both plays involve characters originating outside of the main setting
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The aspects of lighting and sound in drama play a pivotal role in the progression of a play’s storyline as well as its ability to convey ideas to the audience. Arthur Miller’s‚ “All My Sons”‚ and Tennessee Williams’ “A Streetcar Named Desire” exemplify this use of visual and auditory elements for the purpose of story development particularly well‚ doing so in similar yet contrasting ways. The element of lighting plays a vital role in the interpretation of ideas in dramatic pieces‚ often occurring
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‘Desire is both liberating and imprisoning’. Compare and contrast the ways in which two of your chosen writers present relationships in the light of this comment Tennessee William’s ‘A Street Named Desire’ explores and contrasts two settings‚ the more accepting‚ and open minded society and the ‘Southern Belle’ in urban New Orleans 1940‚ while Ian McEwan’s ‘Enduring Love’ is about endurance‚ or survival‚ and sets love in its different forms‚ from unconditioned‚ romantic‚ idealised and obsessive.
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The fusion of Eros and Thanatos in A Streetcar Named Desire Death and desire have been linked closely together ever since Freud identified Eros (the instinct of life‚ love and sexuality) and Thanatos (the instinct of death and destruction) as two coinciding and conflicting drives within human being (Cranwell). In Tennesse Williams’ play A Streetcar Named Desire (1947) these fundamental drives of Eros and Thanatos dominate the story from the beginning to the end. This becomes particularly clear through
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A Streetcar Named Desire by Tennessee Williams And so it was I entered the broken world To trace the visionary company of love‚ its voice An instant in the wind (I know not whither hurled) But not for long to hold each desperate choice "The Broken Tower" by Hart Crane SCENE ONE The exterior of a two-story corner building on a street in New Orleans which is named Elysian Fields and runs between the L & N tracks and the river. The section is poor but‚ unlike corresponding
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Postmodern American authors share many themes highlighting communal pressures on ill adjusted characters. This is a direct result of the collective American desire to diverge from conformity‚ a common view shared by many progressive people in the 40s and 50s‚ including Tennessee Williams and Arthur Miller. Picture white picket fences lining newly mowed green lawns‚ each house nearly identical‚ sheltering a providing husband and dainty housewife committed to one man. To break from this archetype would
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The poem presents the distress of losing one’s dreams. It deals with the questions every person faces at least once in his or her life‚ when everything we have dreamed of disappears‚ and we do not know how to deal with that anxiety and with the abyss that opens in front of us after that. What to do when everything fails? What to do when you reach a moment in life you never thought about? They are a lesbian couple. Theresa seems to be more aware of how society sees the kind of relationship they have
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it’s a dream as common as stupidity. Ryan was the first man to confess his dislike of those (men) who practice homosexuality. You don’t know why you were so hurt when he spoke from his belly. You probably were more so afraid of the solitude that comes of not being liked. And yet‚ you intentionally closed yourself off from him to increase self comfort. As with many people‚ you usually find flaws in another to disassociate and‚ as with Ryan‚ it brings you joy and then heartbreak. As a result‚ you move
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Brendt Pates Dr. Russell Carter English 279 – LO1 2/20/15 Old South Verses New South A Streetcar Named Desire‚ a play by Tennessee Williams‚ takes place in New Orleans in the mid-1940s. It follows the lives of Stanley Kowalski‚ Stella Kowalski‚ and Blanche DuBois and the story about a woman coming to visit her sister‚ which ends up going just as bad as any family reunion has ever gone. From the moment Blanche got to Elysium Fields‚ her and Stanley‚ Stella’s husband‚ appear as polar opposites and
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In the movie‚ A Street Car Named Desire‚ Blanche uses the quote‚ “I don’t want realism. I want magic! Yes‚ Yes‚ magic! I try to give that to people." to explain her desire for her fantasy life to become reality. Blanches fantasy life would restore her youth‚ forgive her past and she would be more welcomed by people like Stanley and Mitch. I do agree with her statement‚ and believe that living in a “fantasy world” for a short period of time can be beneficial‚ but I do not agree with the circumstances
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