"Olivia Benson" Essays and Research Papers

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    Factors of Mistaken Identities in Shakespeare’s Twelfth Night Mistaken identity‚ dramatic irony and disguise serve a large role in making this play‚ Twelfth Night comedic. Malvolio is convinced Olivia is in love with him because of Maria’s letter. Sir Andrew is completely oblivious to the fact that Sir Toby Belch is befriending him to use him for his wealth. As Viola decides to disguise herself as a young man to keep safe‚ the potential for mistaken

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    moments (LaBoucane-Benson‚ The Outside Circle). Pete gets his girlfriend pregnant‚ His younger brother Joey gets beat up‚ and Pete becomes an Elder (LaBoucane-Benson‚ The Outside Circle). Pete changes in a very positive way from all that has happened throughout the novel. In the beginning of the book‚ Pete gets his girlfriend Crystal pregnant (LaBoucane-Benson‚ The Outside Circle). Crystal tells Pete she’s pregnant and when she does he kicks her out of his car (LaBoucane-Benson‚ The Outside Circle)

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    Viola's Unselfish Love

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    wishes she could do it differently. She goes to Olivia a number of times when she knows nothing will make Olivia love the Duke Orsino. She does it just because the Duke Orsino wants her to. This could prove as a weakness because she might do something that would harm her or others just for the Duke Orsino. Loyalty is a very key part in Viola’s character that shows she is truly in love with the Duke Orsino. Compared to the Duke Orsino’s pursuing of Olivia‚ Viola is very aggressive. She has the will power

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    Twelfth Night Disguise

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    Shakespeare utilizes disguise as the primary source of theatrical appeal in his play Twelfth Night. It is particularly common in Comedy‚ for various reasons. With disguise‚ you get confusion‚ mistaken identities‚ and with these‚ you get laughter. On the Elizabethan stage‚ playwrights frequently included disguise‚ or deception‚ in their comedies‚ using it as a comedic device. In Twelfth Night‚ it is the characters abilities to utilize disguises to deceive one another or themselves. This is evident

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    The audience can tell that Viola has done very well in deceiving Orsino into thinking into thinking she is a man‚ and has already made an excellent impression. Orsino is so impressed by Cesario that he has revealed everything about his love for Olivia‚ ‘Thou know’st no less but all; I have unclasped to thee book even of my secret

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    having homoerotic desires: Orsino for Viola dressed as Cesario‚ Sebastian for Antonio‚ and Olivia for Viola dressed as Cesario. Most provocative is the homoerotic desire between Maria and Olivia. Olivia‚ the lady of her house‚ is the employer of lady-in-waiting Maria‚ who serves Olivia with her best intentions in mind. Olivia feels a dutiful comfort with Maria‚ proven through

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    to the sub-plots. Several types of love are presented‚ such as romantic love‚ experienced by Viola and Orsino as well as Olivia and Sebastian. The state of being carried away with unreasoned love‚ infatuation‚ is represented by the Duke Orsino along with Olivia. Self-love‚ one’s admiration for himself and its consequences‚ is explored by Malvolio. Viola‚ Sebastian‚ and Olivia show fraternal love as they long for a sibling and Antonio demonstrates loyalty as he sacrifices himself for his dear friend

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    eyes of Olivia‚ the main character. She talks about her full-blood family‚ and then she transits to her half-sister‚ Kwan. According to Kwan‚ she had "yin eyes"; she was able to see the dead. Olivia also talks about how her husband‚ Simon‚ is getting divorced‚ while Kwan tries to stop the divorce. Kwan also tells a story about a girl in China named Nunumu‚ describing her encounters and such. Pages 51 – 100 As the story transits into a faster pace‚ we see some of the beginnings of Olivia and Simon’s

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    another in a lot of ways‚ but their outcomes at the end of the play are often very different. These characters- Orsino and Olivia‚ Feste and Viola‚ and Viola and Olivia- help emphasize the thematic issues of the play through this parallelism‚ many of which revolve around love and the characters’ identity issues. One of the most obvious parallels is between Orsino and Olivia

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    other hand‚ Olivia withdraws herself from the world by wearing a veil‚ “She will veiled walk”‚ hiding her face after her brother died. Scene one also explores the idea of loss of loved ones through the connect Viola and Olivia share to do with losing their brothers. This foreshadows a connection between the two as they both share a very unusual trait in having “a brother’s dead love”. The final idea that Shake spear explores in Scene one is the unrequited love experience through Olivia who

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