Dance‚ movements orchestrated with music‚ to express the way you feel. The first forms of dance came around in 6000 B.C‚ originating from India. The Hindu dance Gods Krishnu Shiva is the most common God portrayed through dance‚ especially found in Bharata Natyam and Nyark Sharky‚ also known as Belly Dance. In Southeast India‚ it is normal as a young female to learn the ways of Bharata Natyam. Bharata Natyam is widely known for its sculpturesque poses and art of story telling‚ mostly performed only
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*AFTER QUIZ 2* October 31st‚ 2012 Issues in this unit: racism‚ war‚ discrimination‚ etc. WWII; Race war Strong ethnocentrism. Nativism doesn’t have any institutional power. Nativism becomes more a national policy‚ national identity. In Meiji period‚ Japanese were aware of what happened in China; change of terminology (people stop referring China as the middle kingdom‚ and refers it as Shina?‚ reflect a different stand towards China). Ethnocentrism has a different grounding. Difference between
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The Tragedy of Hamlet‚ Prince of Denmark is a tragedy by William Shakespeare. Set in the Kingdom of Denmark‚ the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet‚ Claudius’s brother and Prince Hamlet’s father‚ and then succeeding to the throne and taking as his wife Gertrude‚ the old king’s widow and Prince Hamlet’s mother. The play vividly portrays both true and feigned madness—from overwhelming grief to seething rage—and explores themes of treachery
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Level I - 01 | | | 〜さん | -san | Mr‚ Mrs‚ Ms‚ Miss | こちら | kochira | this way‚ this person (hon.) | です | desu | am‚ is‚ are (s.th.) | はじめまして | hajimemashite | Pleased to meet you. | わたし | watashi | I‚ me | どうぞよろしく | doozo yoroshiku | Please favour me. | でんき | denki | electricity‚ light | べんごし | bengoshi | lawyer | だれ | dare | who? | アメリカ | amerika |
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2 This booklet was inspired by and written for participants in the Festival Encouragement Project (FEP)‚ a program co-created in 2003 by the Center for Cultural Innovation and supported by a grant from the City of Los Angeles Department of Cultural Affairs (LADCA). The goal of the FEP is to build the strength and capacity of selected outdoor cultural celebrations produced in L.A. that serve residents and tourists. Book Photography: Aaron Paley Book Design: Peter Walberg Published by the Center for
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Index 1‚ Introduction 3 2‚ The origin of the term 5 3‚ Funpon for learning 7 3‚1 The learning curriculum in the Kobikichō Kano workshop 7 3‚2 Shitsu-ga and Gaku-ga 8 4‚ Funpon for painting production 13 4‚1 The succession of motifs and styles
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Glossary of Literary terms – Drama Act-: A lengthy segment of a play‚ comprising several scenes. A major division in a play. Each act may have one or more scenes. Greek plays were performed as continuous wholes‚ with interpolated comment from the Chorus. Horace appears to have been the first to insist on a five-act structure. At some stage during the Renaissance the use of five acts become standard practice among French dramatists. Plays by Shakespeare and his contemporaries have natural
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Republic of the Philippines Department of Education DepEd Complex‚ Meralco Avenue Pasig City January 2012 K to 12 Curriculum Guide MUSIC and ART ( Grade 7 to Grade 10) K TO 12 MUSIC AND ART CONCEPTUAL FRAMEWORK The Music and Art curricula focus on the learner as both the recipient and instructor of the knowledge‚ skills‚ and values necessary for artistic expression and cultural literacy. The design of the curricula is student-centered‚ based on spiral progression of processes‚ concepts
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------------------------------------------------- List of One Piece characters From Wikipedia‚ the free encyclopedia The protagonists of the One Piece series. Clockwise from top: Franky‚ Usopp (in his Sogeking alias)‚ Nico Robin‚ Sanji‚ Monkey D. Luffy‚ Roronoa Zoro‚ Nami‚ Brook and Tony Tony Chopper. The One Piece manga and anime series features an extensive cast of characters created by Eiichiro Oda. The series takes place in a fictional universe where vast numbers of pirates‚ soldiers‚ revolutionaries
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The liberation of women in Japanese cinema The purpose of this work is to investigate the social position of women in Japanese cinema from its beginnings to the present. The main aspect is the link between the masculine dominance and the objectification of women‚ combined with Freudian theories of castration anxiety‚ as well as Lacanian ‘mirror stage’. These theories play a crucial role in this work as the representation of power‚ demonstrated through objectification‚ may affect the gender equilibrium
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