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    Seamus Heaney is the speaker in his poem “Digging”‚ where he writes about his family tradition as manual workers; he is from Castledawson Co Derry at Northem Ireland. Therefore he uses some local expressions “My grandfather could cut... than any other man on Toner’s bog”‚ he uses that expression because of a local bog business owned by a family‚ whose name was Toner. The setting of this poem brings the reader at to a potato farm‚ and at a bog’s field as the writer Seamus Heaney writes about his

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    out on his father burrowing the bloom bunk. All that divides them is a solitary sheet of glass. Whilst apparently pitiful‚ this boundary between father and child is at the precise heart of Digging and prompts the illustration "cozy as a firearm". Heaney compares his pen to a weapon with which to ensure himself from reactions about his decision of profession. A huge area of Heaney’s assortment of work arrangements with detachment and disengagement. His detachment from family is sure about his

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    the good side of nature * It shows the harshness of nature * It shows Heaney’s childhood * The first stanza‚ Heaney describes how the frogs would spawn in the lint hole‚ with a digression into his collecting the spawn‚ and how his teacher encouraged his childish interest in the process. * The second stanza deals with the harsh side of nature again; Heaney records how one day he heard a strange noise and went to investigate - and found that the frogs‚ in huge numbers‚ had taken

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    poem allows Heaney to freely express his respect of the Irish tradition as well as his pride and dignity towards his ancestors. The poem starts and ends with the same lines "between my finger and my thumb/The squat pen rests" but the first stanza ends with "as snug as a gun" and the last stanza ends with "I’ll dig with it." Thus‚ Heaney foregrounds the importance of the writer’s profession and craft by breathing new life into the cliched idiom "the pen is mightier than the sword." Heaney affirms that

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    Mid-Term Break –Seamus Heaney Tone: Sombre Imagery: Death‚ Grief Themes: Death‚ Frailty of Life‚ Growing up Poetic Techniques: Onomatopoeia‚ Alliteration‚ Assonance‚ Simile‚ Metaphor Summary: A boy sits in the school’s medical area waiting to be given a lift home – the ringing of the school bell further enhance the fact that he is waiting for something. When he finally arrives home he sees his father on the porch‚ crying. The house is packed with neighbours and strangers who offer their condolences

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    The structure of Blackberry-picking by Seamus Heaney and Nothing Gold Can Stay by Robert Frost is similar in that both poems are written in one stanza (despite the fact the Blackberry-picking is noticeably longer). The lines in each poem do not follow a pattern in term of lengths which could be a representation of life’s unexpected ups and downs. On the other hand Blackberrying by Sylvia Plath is written in three stanzas unlike the other two poems‚ however‚ all three poems have a line which changes

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    Seamus Heaney Exam Question Lewis Alcorn 5T Seamus Heaney is one of the most popular poets alive today. Discuss and explain why you think this is so. Seamus Heaney is widely recognized as one of the major poets of the twentieth century. A native of Northern Ireland‚ Heaney currently lives in Dublin. Heaney taught at Harvard University from 1985 to 2006‚ where he was a Visiting Professor‚ and then Boylston Professor of Rhetoric and Oratory at Harvard University (1985-1997) and Ralph Waldo Emerson

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    An Irish Airman Foresees his Death - W.B. Yeats I found this poem‚ ’An Irish Airman Foresees his Death’ extremely interesting and poignant. In this poem Yeats adopts the persona of Major Robert Gregory‚ the only son of Lady Gregory‚ whom the poet was great friends with. Gregory volunteered to fight in World War One alongside the British against their German enemies. What I found to be most interesting are the reasons why Gregory decieded to enlist in the army and fight. Gregory did not enlist

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    circumstances in which they occur‚ whether this be a choice to keep the connection to the local‚ or move towards a more global setting. Three key texts that exemplify this phenomenon include the film ‘Lost in Translation’ by Sophia Coppola made in 2003‚ the Seamus Heaney’s poems ‘Digging’ (1998) and ‘Personal Helicon’‚ and finally the illustration ‘Globalisation’ (2012) by Michael Leunig. All three delve deeply into the interplay between internal choice and external circumstance. While they do explore how circumstances

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    Mid-term Break Seamus Heaney’s ‘Mid-Term Break’ is a shocking and heart-rending poem about a schoolboy going through the after effects of the death of his four years old younger brother. It shows the reader the emotions and events that the boy has to go through‚ and explains what the words ‘Mid-term Break’ really mean to the young boy. The narrator is a schoolboy‚ telling us the story of his experiences through the wake‚ remembering every detail and addressing us with every memory and emotion

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