RITA: “Explain how moving into the world opens up new phases of life experiences” Phase 1-Idealism Phase 2- bewilderment Phase 3 –Ambivalence‚ choice‚ Autonomy‚ Critical self-knowledge. 1 Movements into new realms of experience are often motivated by a native belief in the possibility of change; hat must negotiate the emotionally challenging reality of confronting new attitudes and values. The movement by individuals into new realms of experience and knowledge may be driven by an idealism
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Educating Rita by Willy Russell explores the relationship between the two characters involved in the play‚ Frank and Rita over a time span‚ of several months. A variety of themes are explored as Rita‚ a working class Liverpudlian‚ aspires to a higher social and academic level so that she may have choices‚ with Frank‚ a disillusioned and failed poet as her teacher. As Rita progresses‚ Russell uses a range of dramatic techniques and tensions between the two characters to explore themes of the personal
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Lennie are two men who travel together and work on different ranches together. If the music playing was upbeat and intense then that sets the mood for the scene. For example there was sad music then candy gave away his dog and then moments later you heard a gunshot in the distance and the music set the mood for that scene. The beginning scene was a girl in a red dress running away and George and Lennie were running away while being chased by dogs and people on
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An important scene found in the movie To Kill A Mockingbird is a scene concerning Mr. Tate recoiling upon the outcaste‚ Boo Radley‚ and unraveling a new perception of friendship. Atticus Finch (played by Gregory Peck)‚ his daughter Jean-Louise Finch‚ also known as Scout (played by Mary Badham)‚ and Boo Radley (played by Robert Duvall) all play an important role in the scene. As scout relates what had happened‚ she notices a man in the corner of the bedroom behind the door. She identifies the mysterious
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Kane is a camera technique called deep focus. This element is constantly utilized to add a larger complexity to both the plot and perspective. Deep focus makes anything and everything within the shot immediately relevant. It is portrayed in the scene where the youngest version of Charles Kane is throwing snowballs at the tin sign outside of his original home. First‚ a shot from far away from boy Kane where he is isolated against the white of the snow outside‚ the camera slowly pulls backwards
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developing the intensity for the scenes to come. I became fascinated with this movie because of Kelly’s detailed incorporation of visuals and sounds to portray the intriguing time travel concepts in a tense tone.
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implemented to give the film an air of mystery and crime. Based on a painting technique of the same name‚ cinematographers set the scene such that darkness dominates the shot composition. The juxtaposition of light and shadow is directly connected to the moral consciousness of Phyllis and Walter‚ who both waver from good to evil‚ loving to cunning. In the ending scene‚ Phyllis is seen turning off all the lights‚ creating the darker atmosphere for her and Walter’s final confrontation. Her action draws
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In this scene the protagonist‚ Truman‚ starts off with his normal day‚ then disappears at the dead of night. Escaping Christof’s powerful clutch as the thousands of hidden cameras cannot locate him. All actors on the set then become a desperate‚ violent search party. Showing links to Truman’s enclosure being a like a World War Two Nazi Concentration or Prisoner Of War (P.O.W) camp. Four techniques that this scene shows strong signs of are; Set‚ props‚ camera shots‚ and Acting The director’s purpose
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made great decisions about thecamera techniques to be used in each scene. In 1996‚ a restaurant with the nameBubba Gump was open in honour of the movie‚ and surprisingly there is one in thePeak Galleria in Hong Kong!The opening scene of the movie is filmed very beautifully‚ especially with thefeather floating in the air‚ because it creates the mood of the whole piece. Also‚ themusic and sounds chosen to accompany the opening scene‚ contributes to the tone of the entire movie.From right the beginning
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The opening scene of the 1962 film‚ L’eclisse‚ is quite strange from an editing standpoint. While I can not exactly understand what the actors are saying to do lingual differences‚ I notice the pace and cuts feel unnatural and highly forced. After analyzing the clip‚ I believe this was all intentional by the director‚ Michelangelo Antonioni. The scene begins in the apartment of what appears to be a couple. The couple seems to be in a rather big argument. However‚ there are no clues or evidence that
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